#1 of 33 2018 · Action, Drama
$53.9M worldwide · 51% of the chart's total
Peppermint (2018) is the highest-grossing drama movie released in week 36 of 2018 (Sep 2–8), with $53.9M worldwide, ahead of School of Life (2018) at $14.9M and Nothing to Hide (2018) at $13.2M. 33 drama films released that week report a worldwide gross, $106.5M in all, 37% of it from the US & Canada. That is up 28% on Week 35, 2018, whose releases took $83.2M. By language, English leads with $68.9M across 11 drama releases.
#1 of 33 2018 · Action, Drama
$53.9M worldwide · 51% of the chart's total
Peppermint (2018) leads with $53.9M, 51% of the total. The top 5 together took $93.4M, 88% of what all 33 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 36 of 2018 (Sep 2–8).
Sep 7, 2018 US and Canada: $35.4M Rest of the world: $18.5M Worldwide: $53.9M
Sep 7, 2018 US and Canada: $6.3K Rest of the world: $14.9M Worldwide: $14.9M
Sep 5, 2018 US and Canada: – Rest of the world: – Worldwide: $13.2M
Sep 7, 2018 US and Canada: $326.3K Rest of the world: $7.5M Worldwide: $7.9M
Sep 7, 2018 US and Canada: $28.3K Rest of the world: $3.5M Worldwide: $3.6M
Sep 7, 2018 US and Canada: $2.8M Rest of the world: $2K Worldwide: $2.8M
Sep 7, 2018 US and Canada: $572.5K Rest of the world: $2.3M Worldwide: $2.8M
Sep 4, 2018 US and Canada: – Rest of the world: – Worldwide: $1.6M
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $1.1M
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $816.6K
Sep 6, 2018 US and Canada: – Rest of the world: – Worldwide: $747.2K
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $614.3K
Sep 4, 2018 US and Canada: – Rest of the world: – Worldwide: $486K
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $416.8K
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $286.5K
Sep 6, 2018 US and Canada: – Rest of the world: – Worldwide: $235.4K
Sep 7, 2018 US and Canada: $50.9K Rest of the world: $131.6K Worldwide: $182.5K
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $157K
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $136K
Sep 4, 2018 US and Canada: – Rest of the world: – Worldwide: $113.7K
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $101.4K
Sep 3, 2018 US and Canada: – Rest of the world: – Worldwide: $79.5K
Sep 8, 2018 US and Canada: $11.7K Rest of the world: $49.9K Worldwide: $61.6K
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $48.5K
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $39.5K
Sep 6, 2018 US and Canada: $26.6K Rest of the world: Worldwide: $26.6K
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $16.9K
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $10.7K
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $7.2K
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $4.1K
Sep 8, 2018 US and Canada: – Rest of the world: – Worldwide: $464
Sep 7, 2018 US and Canada: – Rest of the world: – Worldwide: $184 Of the top 10, God Bless the Broken Road (2018) earned the biggest share at home (100% in the US & Canada), while School of Life (2018) made 100% of its gross abroad. Across all 33 films, $39.3M (37%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
None of the 33 films reached $100M. 30 films, 91% of the list, earned under $10M. Each band shows its films and its share of the $106.5M total.
Week 36 releases took $106.5M. The biggest of these 9 weeks is week 32 (Aug 5–11) with $408M, led by The Island (2018).
Of these 10 years, Week 36, 2017 earned the most: $806.9M from 44 films, led by It (2017). Week 36, 2018 took $106.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 36, 2009 Aug 30–Sep 5 13 films | 13 | $79.1M | – | Buried Secrets (2009) $25.5M |
| Week 36, 2010 Aug 29–Sep 4 18 films · +32% | 18 | $104.1M | +32% | The American (2010) $67.9M |
| Week 36, 2011 Aug 28–Sep 3 15 films · −25% | 15 | $78.2M | −25% | The Debt (2011) $45.6M |
| Week 36, 2012 Sep 2–8 27 films · −47% | 27 | $41.3M | −47% | The Words (2012) $16M |
| Week 36, 2013 Sep 1–7 21 films · +47% | 21 | $60.8M | +47% | Flu (2013) $19.8M |
| Week 36, 2014 Aug 31–Sep 6 25 films · +86% | 25 | $113M | +86% | But Always (2014) $38M |
| Week 36, 2015 Aug 30–Sep 5 19 films · +51% | 19 | $170.1M | +51% | Dragon Blade (2015) $122.6M |
| Week 36, 2016 Aug 28–Sep 3 14 films · −72% | 14 | $47.8M | −72% | The Light Between Oceans (2016) $26M |
| Week 36, 2017 Sep 3–9 44 films · +1587% | 44 | $806.9M | +1587% | It (2017) $704.2M |
| Week 36, 2018 Sep 2–8 33 films · −87% | 33 | $106.5M | −87% | Peppermint (2018) $53.9M |
English-language drama films took $68.9M across 11 films, 65% of the total, ahead of French-language drama films ($28.2M) and Tibetan-language drama films ($1.6M).
52 weeks of 2018 with reported grosses; the biggest is week 7 (Feb 11–17) with $1.4B, led by Black Panther (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 33 films as the chart.
Peppermint (2018) leads with $53.9M worldwide, $35.4M of it in the US & Canada. Next come School of Life (2018) at $14.9M and Nothing to Hide (2018) at $13.2M.
33 drama films released in week 36 of 2018 (Sep 2–8) report a worldwide gross, $106.5M in all, or $3.2M per film on average. Week 35, 2018 releases took $83.2M.
None. The biggest, Peppermint (2018), earned $53.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 36 of 2018 (Sep 2–8). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.