#1 of 11 Ralph Breaks the Internet (2018)
2018 · Adventure, Sci-Fi
$529.3M worldwide · 62% of the chart's total
Ralph Breaks the Internet (2018) is the highest-grossing English-language movie released in week 47 of 2018 (Nov 18–24), with $529.3M worldwide, ahead of Creed II (2018) at $214.2M and The Favourite (2018) at $95.9M. 11 English-language films released that week report a worldwide gross, $856.6M in all, 42% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is down 28% on Week 46, 2018, whose releases took $1.2B. By genre, Comedy leads with $633.6M across 5 English releases.
#1 of 11 Ralph Breaks the Internet (2018)
2018 · Adventure, Sci-Fi
$529.3M worldwide · 62% of the chart's total
Ralph Breaks the Internet (2018) leads with $529.3M, 62% of the total. The top 5 together took $851.4M, 99% of what all 11 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 47 of 2018 (Nov 18–24).
Nov 21, 2018 US and Canada: $201.1M Rest of the world: $328.2M Worldwide: $529.3M
Nov 21, 2018 US and Canada: $115.7M Rest of the world: $98.5M Worldwide: $214.2M
Nov 23, 2018 US and Canada: $34.4M Rest of the world: $61.6M Worldwide: $95.9M
Nov 23, 2018 US and Canada: $4.5M Rest of the world: $3.3M Worldwide: $7.8M
Nov 23, 2018 US and Canada: – Rest of the world: – Worldwide: $4.1M
Nov 22, 2018 US and Canada: – Rest of the world: – Worldwide: $3.7M
Nov 23, 2018 US and Canada: – Rest of the world: – Worldwide: $680.6K
Nov 23, 2018 US and Canada: – Rest of the world: – Worldwide: $562.4K
Nov 21, 2018 US and Canada: $268.6K Rest of the world: Worldwide: $268.6K
Nov 23, 2018 US and Canada: – Rest of the world: – Worldwide: $43.7K
Nov 19, 2018 US and Canada: – Rest of the world: – Worldwide: $1.2K Of the top 10, The World Before Your Feet (2018) earned the biggest share at home (100% in the US & Canada), while The Favourite (2018) made 64% of its gross abroad. Across all 11 films, $355.9M (42%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
2 of 11 films crossed $100M and took $743.5M between them, 87% of the total. 8 films, 73% of the list, earned under $10M.
Week 47 releases took $856.6M. The biggest of these 9 weeks is week 46 (Nov 11–17) with $1.2B, led by Fantastic Beasts: The Crimes of Grindelwald (2018).
Of these 10 years, Week 47, 2009 earned the most: $1.1B from 9 films, led by The Twilight Saga: New Moon (2009). Week 47, 2018 took $856.6M.
Comedy took $633.6M across 5 films, 74% of the total, ahead of Family ($537.1M) and Adventure ($533M). A film counts once for each of its genres.
52 weeks of 2018 with reported grosses; the biggest is week 51 (Dec 16–22) with $2.1B, led by Aquaman (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 11 films as the chart.
Ralph Breaks the Internet (2018) leads with $529.3M worldwide, $201.1M of it in the US & Canada. Next come Creed II (2018) at $214.2M and The Favourite (2018) at $95.9M.
11 English-language films released in week 47 of 2018 (Nov 18–24) report a worldwide gross, $856.6M in all, or $77.9M per film on average. Week 46, 2018 releases took $1.2B.
None. 2 films crossed $100 million, led by Ralph Breaks the Internet (2018) with $529.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 47 of 2018 (Nov 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.