#1 of 18 #1 English-language movie of Week 26, 2018
Sicario: Day of the Soldado (2018)
2018 · Action, Drama
$75.8M worldwide · 49% of the chart's total
$50.1M US & Canada · 66% $25.8M elsewhere · 34%
English box office · Week 26 · Jun 24–30, 2018
English Box Office, Week 26 of 2018: English Releases of Jun 24–30
Sicario: Day of the Soldado (2018) is the highest-grossing English-language movie released in week 26 of 2018 (Jun 24–30), with $75.8M worldwide, ahead of Uncle Drew (2018) at $46.7M and Three Identical Strangers (2018) at $13.4M. 18 English-language films released that week report a worldwide gross, $154.1M in all, 73% of it from the US & Canada. That is down 88% on Week 25, 2018, whose releases took $1.3B. By genre, Drama leads with $93.2M across 7 English releases.
- week 26 releases with a gross
- 18
- combined worldwide
- $154.1M
- Sicario: Day of the Soldado (2018), the #1
- $75.8M
- vs Week 25, 2018
- −88%
#1 of 18 Top 5
What Were the Biggest English Hits of Week 26 of 2018?
Sicario: Day of the Soldado (2018) leads with $75.8M, 49% of the total. The top 5 together took $151.5M, 98% of what all 18 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 26 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 26 of 2018 (Jun 24–30).
- 1 Jun 29, 2018 US and Canada: $50.1M Rest of the world: $25.8M Worldwide: $75.8M
- 2 Jun 29, 2018 US and Canada: $42.5M Rest of the world: $4.2M Worldwide: $46.7M
- 3 Jun 29, 2018 US and Canada: $12.3M Rest of the world: $1.1M Worldwide: $13.4M
- 4 Jun 29, 2018 US and Canada: – Rest of the world: – Worldwide: $7.9M
- 5 Jun 29, 2018 US and Canada: $6M Rest of the world: $1.6M Worldwide: $7.7M
- 6
Jun 29, 2018 US and Canada: $875.8K Rest of the world: $411.8K Worldwide: $1.3M - 7
Jun 29, 2018 US and Canada: – Rest of the world: – Worldwide: $422.7K - 8
Jun 29, 2018 US and Canada: $7.7K Rest of the world: $231.5K Worldwide: $239.2K - 9
Jun 30, 2018 US and Canada: – Rest of the world: – Worldwide: $201.9K - 10
Jun 29, 2018 US and Canada: – Rest of the world: – Worldwide: $147.8K - 11
Jun 29, 2018 US and Canada: $106.1K Rest of the world: $1.9K Worldwide: $107.9K - 12
Jun 29, 2018 US and Canada: $57.5K Rest of the world: $23.4K Worldwide: $80.9K - 13
Jun 29, 2018 US and Canada: – Rest of the world: – Worldwide: $59.8K - 14
Jun 29, 2018 US and Canada: $7.1K Rest of the world: $1.9K Worldwide: $8.9K - 15
Jun 29, 2018 US and Canada: – Rest of the world: – Worldwide: $8.6K - 16
Jun 29, 2018 US and Canada: $6.8K Rest of the world: Worldwide: $6.8K - 17
Jun 29, 2018 US and Canada: $3.1K Rest of the world: Worldwide: $3.1K - 18
Jun 30, 2018 US and Canada: – Rest of the world: – Worldwide: $2.5K
US & Canada vs the world
Where Did the Money Come From in Week 26 of 2018?
Of the top 10, Three Identical Strangers (2018) earned the biggest share at home (92% in the US & Canada), while Dark River (2018) made 97% of its gross abroad. Across all 18 films, $112M (73%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
- 1 Sicario: Day of the Soldado (2018) $75.8M $50.1M US & Canada · 66% $25.8M elsewhere · 34%
- 2 Uncle Drew (2018) $46.7M $42.5M US & Canada · 91% $4.2M elsewhere · 9%
- 3 Three Identical Strangers (2018) $13.4M $12.3M US & Canada · 92% $1.1M elsewhere · 8%
- 4 Black Water (2018) $7.9M No US & Canada figure reported
- 5 Leave No Trace (2018) $7.7M $6M US & Canada · 79% $1.6M elsewhere · 21%
- 6 The Cakemaker (2018) $1.3M $875.8K US & Canada · 68% $411.8K elsewhere · 32%
- 7 Great Barrier Reef 3D (2018) $422.7K No US & Canada figure reported
- 8 Dark River (2018) $239.2K $7.7K US & Canada · 3% $231.5K elsewhere · 97%
- 9 Finke: There & Back (2018) $201.9K No US & Canada figure reported
- 10 Ideal Home (2018) $147.8K No US & Canada figure reported
Gross bands
How Many Week 26 of 2018 Releases Crossed $100 Million?
None of the 18 films reached $100M. 15 films, 83% of the list, earned under $10M. Each band shows its films and its share of the $154.1M total.
88% 12%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 3 films, 17% of the list $136M · 88% of the gross
- Under $10M 15 films, 83% of the list $18.1M · 12% of the gross
Weeks around it
How Does Week 26 Compare With the Weeks Around It?
Week 26 releases took $154.1M. The biggest of these 9 weeks is week 24 (Jun 10–16) with $1.3B, led by Incredibles 2 (2018).
- Week 20 Wk 20 May 13–19 Deadpool 2 (2018) $937M Deadpool 2 (2018)
- Week 21 Wk 21 May 20–26 Solo: A Star Wars Story (2018) $399.1M Solo: A Star Wars Story (2018)
- Week 22 Wk 22 May 27–Jun 2 Adrift (2018) $89.5M Adrift (2018)
- Week 23 Wk 23 Jun 3–9 Ocean's 8 (2018) $444.6M Ocean's 8 (2018)
- Week 24 Wk 24 Jun 10–16 Incredibles 2 (2018) $1.3B Incredibles 2 (2018)
- Week 25 Wk 25 Jun 17–23 Jurassic World: Fallen Kingdom (2018) $1.3B Jurassic World: Fallen Kingdom (2018)
- Week 26 Wk 26 Jun 24–30 Sicario: Day of the Soldado (2018) $154.1M Sicario: Day of the Soldado (2018)
- Week 27 Wk 27 Jul 1–7 Ant-Man and the Wasp (2018) $848.3M Ant-Man and the Wasp (2018)
- Week 28 Wk 28 Jul 8–14 Hotel Transylvania 3: Summer Vacation (2018) $867.5M Hotel Transylvania 3: Summer Vacation (2018)
Earlier years
How Does Week 26 of 2018 Compare With Earlier Years?
Of these 10 years, Week 26, 2014 earned the most: $1.3B from 10 films, led by Transformers: Age Of Extinction (2014). Week 26, 2018 took $154.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 26, 2009 Jun 21–27 6 films | 6 | $984.4M | – | Transformers: Revenge of the Fallen (2009) $836.3M |
| Week 26, 2010 Jun 20–26 6 films · −46% | 6 | $535.8M | −46% | Grown Ups (2010) $271.5M |
| Week 26, 2011 Jun 19–25 9 films · +53% | 9 | $821.3M | +53% | Cars 2 (2011) $559.9M |
| Week 26, 2012 Jun 24–30 11 films · +1% | 11 | $832.9M | +1% | Ted (2012) $549.4M |
| Week 26, 2013 Jun 23–29 13 films · −74% | 13 | $220.6M | −74% | White House Down (2013) $205.4M |
| Week 26, 2014 Jun 22–28 10 films · +482% | 10 | $1.3B | +482% | Transformers: Age Of Extinction (2014) $1.1B |
| Week 26, 2015 Jun 21–27 17 films · −78% | 17 | $288.4M | −78% | Ted 2 (2015) $215.9M |
| Week 26, 2016 Jun 19–25 14 films · +102% | 14 | $581.6M | +102% | Independence Day: Resurgence (2016) $389.7M |
| Week 26, 2017 Jun 25–Jul 1 15 films · +119% | 15 | $1.3B | +119% | Despicable Me 3 (2017) $1B |
| Week 26, 2018 Jun 24–30 18 films · −88% | 18 | $154.1M | −88% | Sicario: Day of the Soldado (2018) $75.8M |
By genre
Which English Genres Earned the Most in Week 26 of 2018?
Drama took $93.2M across 7 films, 60% of the total, ahead of Thriller ($84M) and Action ($83.7M). A film counts once for each of its genres.
Week 26 of 2018 English Box Office by Genre
-
Drama $93.2M7 films · #1 Sicario: Day of the Soldado (2018) -
Thriller $84M5 films · #1 Sicario: Day of the Soldado (2018) -
Action $83.7M2 films · #1 Sicario: Day of the Soldado (2018) -
Crime $75.8M2 films · #1 Sicario: Day of the Soldado (2018) -
Comedy $46.8M2 films · #1 Uncle Drew (2018) -
Sport $46.7M1 film · #1 Uncle Drew (2018) -
Documentary $14.2M7 films · #1 Three Identical Strangers (2018) -
Mystery $239.2K1 film · #1 Dark River (2018) -
History $96.6K3 films · #1 Woman Walks Ahead (2018) -
Biography $80.9K1 film · #1 Woman Walks Ahead (2018)
Archive
English Box Office in 2018, Week by Week
52 weeks of 2018 with reported grosses; the biggest is week 51 (Dec 16–22) with $2.1B, led by Aquaman (2018).
- Week 1 $174M
- Week 2 $432.8M
- Week 3 $165.8M
- Week 4 $289.8M
- Week 5 $56.5M
- Week 6 $813M
- Week 7 $1.4B
- Week 8 $181.5M
- Week 9 $205.2M
- Week 10 $253.7M
- Week 11 $440M
- Week 12 $604.3M
- Week 13 $690.8M
- Week 14 $488.1M
- Week 15 $557.5M
- Week 16 $147.1M
- Week 17 $2.1B
- Week 18 $204.2M
- Week 19 $125.7M
- Week 20 $937M
- Week 21 $399.1M
- Week 22 $89.5M
- Week 23 $444.6M
- Week 24 $1.3B
- Week 25 $1.3B
- Week 26 $154.1M
- Week 27 $848.3M
- Week 28 $867.5M
- Week 29 $636M
- Week 30 $881.4M
- Week 31 $324.7M
- Week 32 $904.8M
- Week 33 $460.3M
- Week 34 $129.3M
- Week 35 $36.4M
- Week 36 $440.2M
- Week 37 $160.8M
- Week 38 $165.6M
- Week 39 $412.6M
- Week 40 $1.3B
- Week 41 $246.8M
- Week 42 $273.9M
- Week 43 $210.8M
- Week 44 $231.7M
- Week 45 $620.2M
- Week 46 $1.2B
- Week 47 $856.6M
- Week 48 $51.7M
- Week 49 $61.9M
- Week 50 $676.5M
- Week 51 $2.1B
- Week 52 $186.2M
- Week 53 No grosses
FAQ
English Box Office Week 26 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 18 films as the chart.
What is the highest-grossing English-language movie in week 26 of 2018 (Jun 24–30)?
Sicario: Day of the Soldado (2018) leads with $75.8M worldwide, $50.1M of it in the US & Canada. Next come Uncle Drew (2018) at $46.7M and Three Identical Strangers (2018) at $13.4M.
How much did English-language movies released in week 26 of 2018 (Jun 24–30) earn?
18 English-language films released in week 26 of 2018 (Jun 24–30) report a worldwide gross, $154.1M in all, or $8.6M per film on average. Week 25, 2018 releases took $1.3B.
How many English-language movies released in week 26 of 2018 (Jun 24–30) made $1 billion?
None. The biggest, Sicario: Day of the Soldado (2018), earned $75.8M.
How is the week 26, 2018 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 26 of 2018 (Jun 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 26, 2018 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.