#1 of 17 #1 English-language movie of Week 29, 2018
Mamma Mia! Here We Go Again (2018)
2018 · Comedy, Romance
$395.6M worldwide · 62% of the chart's total
$120.6M US & Canada · 30% $275M elsewhere · 70%
English box office · Week 29 · Jul 15–21, 2018
English Box Office, Week 29 of 2018: English Releases of Jul 15–21
Mamma Mia! Here We Go Again (2018) is the highest-grossing English-language movie released in week 29 of 2018 (Jul 15–21), with $395.6M worldwide, ahead of The Equalizer 2 (2018) at $190.4M and Duck Duck Goose (2018) at $19.8M. 17 English-language films released that week report a worldwide gross, $636M in all, 37% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is down 27% on Week 28, 2018, whose releases took $867.5M. By genre, Comedy leads with $421.9M across 5 English releases.
- week 29 releases with a gross
- 17
- combined worldwide
- $636M
- films crossed $100M
- 2
- vs Week 28, 2018
- −27%
#1 of 17 Top 5
What Were the Biggest English Hits of Week 29 of 2018?
Mamma Mia! Here We Go Again (2018) leads with $395.6M, 62% of the total. The top 5 together took $626.9M, 99% of what all 17 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 29 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 29 of 2018 (Jul 15–21).
- 1 Jul 20, 2018 US and Canada: $120.6M Rest of the world: $275M Worldwide: $395.6M
- 2 Jul 20, 2018 US and Canada: $102.1M Rest of the world: $88.3M Worldwide: $190.4M
- 3 Jul 20, 2018 US and Canada: – Rest of the world: – Worldwide: $19.8M
- 4 Jul 20, 2018 US and Canada: $8.9M Rest of the world: $7.2M Worldwide: $16M
- 5 Jul 20, 2018 US and Canada: $4.3M Rest of the world: $673.6K Worldwide: $5M
- 6
Thomas & Friends: Big World! Big Adventures! The Movie (2018) Jul 20, 2018 · Animation, Family $3.3M worldwideJul 20, 2018 US and Canada: – Rest of the world: – Worldwide: $3.3M - 7
Jul 20, 2018 US and Canada: $1.3M Rest of the world: $1.4M Worldwide: $2.7M - 8
Jul 20, 2018 US and Canada: – Rest of the world: – Worldwide: $1.4M - 9
Jul 15, 2018 US and Canada: – Rest of the world: – Worldwide: $722.6K - 10
Jul 20, 2018 US and Canada: – Rest of the world: – Worldwide: $401.9K - 11
Jul 20, 2018 US and Canada: $237.7K Rest of the world: $50K Worldwide: $287.7K - 12
Jul 20, 2018 US and Canada: $166K Rest of the world: Worldwide: $166K - 13
Jul 20, 2018 US and Canada: – Rest of the world: – Worldwide: $71.3K - 14
Jul 21, 2018 US and Canada: – Rest of the world: – Worldwide: $23.1K - 15
Jul 16, 2018 US and Canada: – Rest of the world: – Worldwide: $21.9K - 16
Jul 20, 2018 US and Canada: – Rest of the world: – Worldwide: $21.7K - 17
Jul 20, 2018 US and Canada: – Rest of the world: – Worldwide: $19.5K
US & Canada vs the world
Where Did the Money Come From in Week 29 of 2018?
Of the top 10, Blindspotting (2018) earned the biggest share at home (87% in the US & Canada), while Mamma Mia! Here We Go Again (2018) made 70% of its gross abroad. Across all 17 films, $237.6M (37%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
- 1 Mamma Mia! Here We Go Again (2018) $395.6M $120.6M US & Canada · 30% $275M elsewhere · 70%
- 2 The Equalizer 2 (2018) $190.4M $102.1M US & Canada · 54% $88.3M elsewhere · 46%
- 3 Duck Duck Goose (2018) $19.8M No US & Canada figure reported
- 4 Unfriended: Dark Web (2018) $16M $8.9M US & Canada · 55% $7.2M elsewhere · 45%
- 5 Blindspotting (2018) $5M $4.3M US & Canada · 87% $673.6K elsewhere · 13%
- 6 Thomas & Friends: Big World! Big Adventures! The Movie (2018) $3.3M No US & Canada figure reported
- 7 McQueen (2018) $2.7M $1.3M US & Canada · 47% $1.4M elsewhere · 53%
- 8 Father of the Year (2018) $1.4M No US & Canada figure reported
- 9 Spitfire (2018) $722.6K No US & Canada figure reported
- 10 Zoe (2018) $401.9K No US & Canada figure reported
Gross bands
How Many Week 29 of 2018 Releases Crossed $100 Million?
2 of 17 films crossed $100M and took $586M between them, 92% of the total. 13 films, 76% of the list, earned under $10M.
92%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 2 films, 12% of the list $586M · 92% of the gross
- $10M to $100M 2 films, 12% of the list $35.9M · 6% of the gross
- Under $10M 13 films, 76% of the list $14.1M · 2% of the gross
Weeks around it
How Does Week 29 Compare With the Weeks Around It?
Week 29 releases took $636M. The biggest of these 9 weeks is week 24 (Jun 10–16) with $1.3B, led by Incredibles 2 (2018).
- Week 23 Wk 23 Jun 3–9 Ocean's 8 (2018) $444.6M Ocean's 8 (2018)
- Week 24 Wk 24 Jun 10–16 Incredibles 2 (2018) $1.3B Incredibles 2 (2018)
- Week 25 Wk 25 Jun 17–23 Jurassic World: Fallen Kingdom (2018) $1.3B Jurassic World: Fallen Kingdom (2018)
- Week 26 Wk 26 Jun 24–30 Sicario: Day of the Soldado (2018) $154.1M Sicario: Day of the Soldado (2018)
- Week 27 Wk 27 Jul 1–7 Ant-Man and the Wasp (2018) $848.3M Ant-Man and the Wasp (2018)
- Week 28 Wk 28 Jul 8–14 Hotel Transylvania 3: Summer Vacation (2018) $867.5M Hotel Transylvania 3: Summer Vacation (2018)
- Week 29 Wk 29 Jul 15–21 Mamma Mia! Here We Go Again (2018) $636M Mamma Mia! Here We Go Again (2018)
- Week 30 Wk 30 Jul 22–28 Mission: Impossible – Fallout (2018) $881.4M Mission: Impossible – Fallout (2018)
- Week 31 Wk 31 Jul 29–Aug 4 Christopher Robin (2018) $324.7M Christopher Robin (2018)
Earlier years
How Does Week 29 of 2018 Compare With Earlier Years?
Of these 10 years, Week 29, 2011 earned the most: $1.4B from 8 films, led by Harry Potter and the Deathly Hallows: Part 2 (2011). Week 29, 2018 took $636M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 29, 2009 Jul 12–18 6 films | 6 | $942.5M | – | Harry Potter and the Half-Blood Prince (2009) $941.1M |
| Week 29, 2010 Jul 11–17 6 films · −11% | 6 | $841M | −11% | Inception (2010) $839.4M |
| Week 29, 2011 Jul 10–16 8 films · +67% | 8 | $1.4B | +67% | Harry Potter and the Deathly Hallows: Part 2 (2011) $1.3B |
| Week 29, 2012 Jul 15–21 8 films · −20% | 8 | $1.1B | −20% | The Dark Knight Rises (2012) $1.1B |
| Week 29, 2013 Jul 14–20 14 films · −36% | 14 | $719.4M | −36% | The Conjuring (2013) $320.4M |
| Week 29, 2014 Jul 13–19 10 films · −45% | 10 | $394.1M | −45% | Planes: Fire & Rescue (2014) $147M |
| Week 29, 2015 Jul 12–18 11 films · +83% | 11 | $722M | +83% | Ant-Man (2015) $519.3M |
| Week 29, 2016 Jul 10–16 11 films · −57% | 11 | $310.1M | −57% | Ghostbusters (2016) $229.1M |
| Week 29, 2017 Jul 16–22 13 films · +191% | 13 | $902.5M | +191% | Dunkirk (2017) $533.7M |
| Week 29, 2018 Jul 15–21 17 films · −30% | 17 | $636M | −30% | Mamma Mia! Here We Go Again (2018) $395.6M |
By genre
Which English Genres Earned the Most in Week 29 of 2018?
Comedy took $421.9M across 5 films, 66% of the total, ahead of Romance ($396M) and Musical ($395.6M). A film counts once for each of its genres.
Week 29 of 2018 English Box Office by Genre
-
Comedy $421.9M5 films · #1 Mamma Mia! Here We Go Again (2018) -
Romance $396M2 films · #1 Mamma Mia! Here We Go Again (2018) -
Musical $395.6M1 film · #1 Mamma Mia! Here We Go Again (2018) -
Crime $195.4M2 films · #1 The Equalizer 2 (2018) -
Action $190.4M3 films · #1 The Equalizer 2 (2018) -
Thriller $190.4M2 films · #1 The Equalizer 2 (2018) -
Animation $23.2M3 films · #1 Duck Duck Goose (2018) -
Adventure $23.1M2 films · #1 Duck Duck Goose (2018) -
Family $23.1M2 films · #1 Duck Duck Goose (2018) -
Horror $16M1 film · #1 Unfriended: Dark Web (2018)
Archive
English Box Office in 2018, Week by Week
52 weeks of 2018 with reported grosses; the biggest is week 51 (Dec 16–22) with $2.1B, led by Aquaman (2018).
- Week 1 $174M
- Week 2 $432.8M
- Week 3 $165.8M
- Week 4 $289.8M
- Week 5 $56.5M
- Week 6 $813M
- Week 7 $1.4B
- Week 8 $181.5M
- Week 9 $205.2M
- Week 10 $253.7M
- Week 11 $440M
- Week 12 $604.3M
- Week 13 $690.8M
- Week 14 $488.1M
- Week 15 $557.5M
- Week 16 $147.1M
- Week 17 $2.1B
- Week 18 $204.2M
- Week 19 $125.7M
- Week 20 $937M
- Week 21 $399.1M
- Week 22 $89.5M
- Week 23 $444.6M
- Week 24 $1.3B
- Week 25 $1.3B
- Week 26 $154.1M
- Week 27 $848.3M
- Week 28 $867.5M
- Week 29 $636M
- Week 30 $881.4M
- Week 31 $324.7M
- Week 32 $904.8M
- Week 33 $460.3M
- Week 34 $129.3M
- Week 35 $36.4M
- Week 36 $440.2M
- Week 37 $160.8M
- Week 38 $165.6M
- Week 39 $412.6M
- Week 40 $1.3B
- Week 41 $246.8M
- Week 42 $273.9M
- Week 43 $210.8M
- Week 44 $231.7M
- Week 45 $620.2M
- Week 46 $1.2B
- Week 47 $856.6M
- Week 48 $51.7M
- Week 49 $61.9M
- Week 50 $676.5M
- Week 51 $2.1B
- Week 52 $186.2M
- Week 53 No grosses
FAQ
English Box Office Week 29 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 17 films as the chart.
What is the highest-grossing English-language movie in week 29 of 2018 (Jul 15–21)?
Mamma Mia! Here We Go Again (2018) leads with $395.6M worldwide, $120.6M of it in the US & Canada. Next come The Equalizer 2 (2018) at $190.4M and Duck Duck Goose (2018) at $19.8M.
How much did English-language movies released in week 29 of 2018 (Jul 15–21) earn?
17 English-language films released in week 29 of 2018 (Jul 15–21) report a worldwide gross, $636M in all, or $37.4M per film on average. Week 28, 2018 releases took $867.5M.
How many English-language movies released in week 29 of 2018 (Jul 15–21) made $1 billion?
None. 2 films crossed $100 million, led by Mamma Mia! Here We Go Again (2018) with $395.6M.
How is the week 29, 2018 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 29 of 2018 (Jul 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 29, 2018 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.