#1 of 7 2013 · Horror
$47.3M worldwide · 97% of the chart's total
Texas Chainsaw 3D (2013) is the highest-grossing English-language movie released in week 1 of 2013 (Jan 1–5), with $47.3M worldwide, ahead of 56 Up (2013) at $701.3K and Nash (2013) at $441.3K. 7 English-language films released that week report a worldwide gross, $48.7M in all, 72% of it from the US & Canada. By genre, Horror leads with $47.5M across 2 English releases.
#1 of 7 2013 · Horror
$47.3M worldwide · 97% of the chart's total
Texas Chainsaw 3D (2013) leads with $47.3M, 97% of the total. The top 5 together took $48.7M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 1 of 2013 (Jan 1–5).
Jan 4, 2013 US and Canada: $34.3M Rest of the world: $13M Worldwide: $47.3M
Jan 4, 2013 US and Canada: $701.3K Rest of the world: Worldwide: $701.3K
2013 US and Canada: – Rest of the world: – Worldwide: $441.3K
Jan 3, 2013 US and Canada: – Rest of the world: – Worldwide: $151.1K
2013 US and Canada: $70.6K Rest of the world: Worldwide: $70.6K
2013 US and Canada: $17K Rest of the world: Worldwide: $17K
Jan 4, 2013 US and Canada: $5.8K Rest of the world: Worldwide: $5.8K Of the top 7, 56 Up (2013) earned the biggest share at home (100% in the US & Canada), while Texas Chainsaw 3D (2013) made 27% of its gross abroad. Across all 7 films, $35.1M (72%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 1 releases took $48.7M. The biggest of these 9 weeks is week 50, 2012 (Dec 9–15) with $1B, led by The Hobbit: An Unexpected Journey (2012).
Of these 10 years, Week 1, 2007 earned the most: $102.6M from 12 films, led by Freedom Writers (2007). Week 1, 2013 took $48.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 1, 2004 Jan 1–3 7 films | 7 | $3.7M | – | Oh Schuks… I’m Gatvol (2004) $3.5M |
| Week 1, 2005 Jan 1 5 films · +26% | 5 | $4.7M | +26% | Mama Jack (2005) $4.4M |
| Week 1, 2006 Jan 1–7 7 films · +307% | 7 | $18.9M | +307% | Grandma's Boy (2006) $6.6M |
| Week 1, 2007 Jan 1–6 12 films · +442% | 12 | $102.6M | +442% | Freedom Writers (2007) $43.1M |
| Week 1, 2008 Jan 1–5 7 films · −55% | 7 | $46M | −55% | One Missed Call (2008) $45.8M |
| Week 1, 2009 Jan 1–3 4 films · −79% | 4 | $9.7M | −79% | OceanWorld 3D (2009) $8.7M |
| Week 1, 2010 Jan 1–2 5 films · −98% | 5 | $194.1K | −98% | Ecstasy (2010) $97.6K |
| Week 1, 2011 Jan 1 1 film · −92% | 1 | $16.4K | −92% | KickOff (2011) $16.4K |
| Week 1, 2012 Jan 1–7 4 films · +2209% | 4 | $378.7K | +2209% | Imaginarium (2012) $190.8K |
| Week 1, 2013 Jan 1–5 7 films · +12767% | 7 | $48.7M | +12767% | Texas Chainsaw 3D (2013) $47.3M |
53 weeks of 2013 with reported grosses; the biggest is week 21 (May 19–25) with $1.5B, led by Fast & Furious 6 (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Texas Chainsaw 3D (2013) leads with $47.3M worldwide, $34.3M of it in the US & Canada. Next come 56 Up (2013) at $701.3K and Nash (2013) at $441.3K.
7 English-language films released in week 1 of 2013 (Jan 1–5) report a worldwide gross, $48.7M in all, or $7M per film on average.
None. The biggest, Texas Chainsaw 3D (2013), earned $47.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 1 of 2013 (Jan 1–5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.