#1 of 6 2012 · Drama, Thriller
$442.8M worldwide · 50% of the chart's total
Les Miserables (2012) is the highest-grossing English-language movie released in week 52 of 2012 (Dec 23–29), with $442.8M worldwide, ahead of Django Unchained (2012) at $426.1M and Promised Land (2012) at $11M. 6 English-language films released that week report a worldwide gross, $881.6M in all, 36% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 22% on Week 51, 2012, whose releases took $724.8M. By genre, Drama leads with $881M across 4 English releases.
#1 of 6 2012 · Drama, Thriller
$442.8M worldwide · 50% of the chart's total
Les Miserables (2012) leads with $442.8M, 50% of the total. The top 5 together took $881.3M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 52 of 2012 (Dec 23–29).
Dec 25, 2012 US and Canada: $149.3M Rest of the world: $293.5M Worldwide: $442.8M
Dec 25, 2012 US and Canada: $162.8M Rest of the world: $263.3M Worldwide: $426.1M
Dec 28, 2012 US and Canada: $7.6M Rest of the world: $3.4M Worldwide: $11M
Dec 26, 2012 US and Canada: – Rest of the world: – Worldwide: $1.1M
Dec 25, 2012 US and Canada: $310.2K Rest of the world: $8.2K Worldwide: $318.3K
Dec 25, 2012 US and Canada: – Rest of the world: – Worldwide: $295.5K Of the top 6, West of Memphis (2012) earned the biggest share at home (97% in the US & Canada), while Les Miserables (2012) made 66% of its gross abroad. Across all 6 films, $320M (36%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 52 releases took $881.6M. The biggest of these 9 weeks is week 46 (Nov 11–17) with $1.2B, led by The Twilight Saga: Breaking Dawn - Part 2 (2012).
Of these 10 years, Week 52, 2009 earned the most: $1.2B from 6 films, led by Sherlock Holmes (2009). Week 52, 2012 took $881.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 52, 2003 Dec 21–27 7 films | 7 | $677.3M | – | Cheaper by the Dozen (2003) $190.5M |
| Week 52, 2004 Dec 19–25 6 films · −10% | 6 | $610.8M | −10% | Meet the Fockers (2004) $522.7M |
| Week 52, 2005 Dec 18–24 7 films · −11% | 7 | $543.9M | −11% | Fun with Dick and Jane (2005) $204.7M |
| Week 52, 2006 Dec 24–30 11 films · −22% | 11 | $426.5M | −22% | Perfume: The Story of a Murderer (2006) $135M |
| Week 52, 2007 Dec 23–29 7 films · +27% | 7 | $539.7M | +27% | The Bucket List (2007) $175.4M |
| Week 52, 2008 Dec 21–27 8 films · +114% | 8 | $1.2B | +114% | The Curious Case of Benjamin Button (2008) $335.8M |
| Week 52, 2009 Dec 20–26 6 films · +8% | 6 | $1.2B | +8% | Sherlock Holmes (2009) $524M |
| Week 52, 2010 Dec 19–25 6 films · −33% | 6 | $842.1M | −33% | Little Fockers (2010) $310.7M |
| Week 52, 2011 Dec 18–24 3 films · −40% | 3 | $501.6M | −40% | The Adventures of Tintin (2011) $374M |
| Week 52, 2012 Dec 23–29 6 films · +76% | 6 | $881.6M | +76% | Les Miserables (2012) $442.8M |
52 weeks of 2012 with reported grosses; the biggest is week 18 (Apr 29–May 5) with $1.7B, led by The Avengers (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Les Miserables (2012) leads with $442.8M worldwide, $149.3M of it in the US & Canada. Next come Django Unchained (2012) at $426.1M and Promised Land (2012) at $11M.
6 English-language films released in week 52 of 2012 (Dec 23–29) report a worldwide gross, $881.6M in all, or $146.9M per film on average. Week 51, 2012 releases took $724.8M.
None. 2 films crossed $100 million, led by Les Miserables (2012) with $442.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 52 of 2012 (Dec 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.