#1 of 7 2008 · Mystery, Thriller
$45.8M worldwide · 100% of the chart's total
One Missed Call (2008) is the highest-grossing English-language movie released in week 1 of 2008 (Jan 1–5), with $45.8M worldwide, ahead of Waveriders (2008) at $142.9K and Familiar Strangers (2008) at $34.1K. 7 English-language films released that week report a worldwide gross, $46M in all, 58% of it from the US & Canada. By genre, Thriller leads with $46M across 3 English releases.
#1 of 7 2008 · Mystery, Thriller
$45.8M worldwide · 100% of the chart's total
One Missed Call (2008) leads with $45.8M, 100% of the total. The top 5 together took $46M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 1 of 2008 (Jan 1–5).
Jan 4, 2008 US and Canada: $26.9M Rest of the world: $19M Worldwide: $45.8M
2008 US and Canada: – Rest of the world: – Worldwide: $142.9K
2008 US and Canada: $34.1K Rest of the world: Worldwide: $34.1K
2008 US and Canada: $2.4K Rest of the world: Worldwide: $2.4K
2008 US and Canada: $2.4K Rest of the world: Worldwide: $2.4K
2008 US and Canada: – Rest of the world: – Worldwide: $2.3K
Jan 3, 2008 US and Canada: – Rest of the world: – Worldwide: $938 Of the top 7, Familiar Strangers (2008) earned the biggest share at home (100% in the US & Canada), while One Missed Call (2008) made 41% of its gross abroad. Across all 7 films, $26.9M (58%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 1 releases took $46M. The biggest of these 9 weeks is week 50, 2007 (Dec 9–15) with $1B, led by I Am Legend (2007).
Of these 10 years, Week 1, 2000 earned the most: $339.5M from 2 films, led by The Tony Blair Witch Project (2000). Week 1, 2008 took $46M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 1, 1999 Jan 1–2 3 films | 3 | $50.2K | – | Regret to Inform (1999) $44.2K |
| Week 1, 2000 Jan 1 2 films · +676534% | 2 | $339.5M | +676534% | The Tony Blair Witch Project (2000) $248.6M |
| Week 1, 2001 Jan 1–6 3 films · −100% | 3 | $579.5K | −100% | Wooly Boys (2001) $335.7K |
| Week 1, 2002 Jan 1–5 4 films · +4835% | 4 | $28.6M | +4835% | Adrenaline Rush: The Science of Risk (2002) $11M |
| Week 1, 2003 Jan 1–4 3 films · −99% | 3 | $369.6K | −99% | This So-Called Disaster (2003) $226.7K |
| Week 1, 2004 Jan 1–3 7 films · +900% | 7 | $3.7M | +900% | Oh Schuks… I’m Gatvol (2004) $3.5M |
| Week 1, 2005 Jan 1 5 films · +26% | 5 | $4.7M | +26% | Mama Jack (2005) $4.4M |
| Week 1, 2006 Jan 1–7 7 films · +307% | 7 | $18.9M | +307% | Grandma's Boy (2006) $6.6M |
| Week 1, 2007 Jan 1–6 12 films · +442% | 12 | $102.6M | +442% | Freedom Writers (2007) $43.1M |
| Week 1, 2008 Jan 1–5 7 films · −55% | 7 | $46M | −55% | One Missed Call (2008) $45.8M |
53 weeks of 2008 with reported grosses; the biggest is week 29 (Jul 13–19) with $1.8B, led by The Dark Knight (2008).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
One Missed Call (2008) leads with $45.8M worldwide, $26.9M of it in the US & Canada. Next come Waveriders (2008) at $142.9K and Familiar Strangers (2008) at $34.1K.
7 English-language films released in week 1 of 2008 (Jan 1–5) report a worldwide gross, $46M in all, or $6.6M per film on average.
None. The biggest, One Missed Call (2008), earned $45.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 1 of 2008 (Jan 1–5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.