#1 of 5 2018 · Action, Drama
$119.9M worldwide · 82% of the chart's total
The Commuter (2018) is the highest-grossing thriller movie released in week 2 of 2018 (Jan 7–13), with $119.9M worldwide, ahead of Proud Mary (2018) at $21.8M and The Insult (2018) at $3.7M. 5 thriller films released that week report a worldwide gross, $146.8M in all, 40% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 13% on Week 1, 2018, whose releases took $168.6M. By language, English leads with $141.7M across 2 thriller releases.
#1 of 5 2018 · Action, Drama
$119.9M worldwide · 82% of the chart's total
The Commuter (2018) leads with $119.9M, 82% of the total. The top 5 together took $146.8M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 2 of 2018 (Jan 7–13).
Jan 12, 2018 US and Canada: $36.3M Rest of the world: $83.6M Worldwide: $119.9M
Jan 12, 2018 US and Canada: $20.9M Rest of the world: $876.4K Worldwide: $21.8M
Jan 12, 2018 US and Canada: $1M Rest of the world: $2.7M Worldwide: $3.7M
Jan 11, 2018 US and Canada: – Rest of the world: – Worldwide: $1.5M
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $26.7K Of the top 5, Proud Mary (2018) earned the biggest share at home (96% in the US & Canada), while The Insult (2018) made 73% of its gross abroad. Across all 5 films, $58.2M (40%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 2 releases took $146.8M. The biggest of these 9 weeks is week 4 (Jan 21–27) with $313.5M, led by Maze Runner: The Death Cure (2018).
Of these 10 years, Week 2, 2015 earned the most: $333M from 4 films, led by Taken 3 (2015). Week 2, 2018 took $146.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 2, 2009 Jan 4–10 3 films | 3 | $77.3M | – | The Unborn (2009) $76.5M |
| Week 2, 2010 Jan 3–9 6 films · −23% | 6 | $59.8M | −23% | Daybreakers (2010) $51.4M |
| Week 2, 2011 Jan 2–8 No films | 0 | – | – | – |
| Week 2, 2012 Jan 8–14 5 films | 5 | $106.1M | – | Contraband (2012) $96.3M |
| Week 2, 2013 Jan 6–12 3 films · ±0% | 3 | $105.6M | ±0% | Gangster Squad (2013) $105.2M |
| Week 2, 2014 Jan 5–11 7 films · −67% | 7 | $35.2M | −67% | The Suspect (2014) $28.7M |
| Week 2, 2015 Jan 4–10 4 films · +846% | 4 | $333M | +846% | Taken 3 (2015) $326.5M |
| Week 2, 2016 Jan 3–9 3 films · −86% | 3 | $45.4M | −86% | The Forest (2016) $39.7M |
| Week 2, 2017 Jan 8–14 5 films · +38% | 5 | $62.9M | +38% | Sleepless (2017) $32.9M |
| Week 2, 2018 Jan 7–13 5 films · +134% | 5 | $146.8M | +134% | The Commuter (2018) $119.9M |
52 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $924.3M, led by Venom (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Commuter (2018) leads with $119.9M worldwide, $36.3M of it in the US & Canada. Next come Proud Mary (2018) at $21.8M and The Insult (2018) at $3.7M.
5 thriller films released in week 2 of 2018 (Jan 7–13) report a worldwide gross, $146.8M in all, or $29.4M per film on average. Week 1, 2018 releases took $168.6M.
None. 1 film crossed $100 million, led by The Commuter (2018) with $119.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 2 of 2018 (Jan 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.