#1 of 9 #1 thriller movie of Week 7, 2018
2018 · Drama, Thriller
$5M worldwide · 48% of the chart's total
$167.6K US & Canada · 3% $4.8M elsewhere · 97%
Thriller box office · Week 7 · Feb 11–17, 2018
Thriller Box Office, Week 7 of 2018: Thriller Releases of Feb 11–17
Double Lover (2018) is the highest-grossing thriller movie released in week 7 of 2018 (Feb 11–17), with $5M worldwide, ahead of Inhumane (2018) at $2.9M and Profile (2018) at $1.9M. 9 thriller films released that week report a worldwide gross, $10.4M in all, 36% of it from the US & Canada. That is down 98% on Week 6, 2018, whose releases took $430.4M. By language, English leads with $5.1M across 4 thriller releases.
- week 7 releases with a gross
- 9
- combined worldwide
- $10.4M
- Double Lover (2018), the #1
- $5M
- vs Week 6, 2018
- −98%
#1 of 9 Top 5
What Were the Biggest Thriller Hits of Week 7 of 2018?
Double Lover (2018) leads with $5M, 48% of the total. The top 5 together took $10.1M, 98% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Thriller Release of Week 7 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 7 of 2018 (Feb 11–17).
- 1 Feb 14, 2018 US and Canada: $167.6K Rest of the world: $4.8M Worldwide: $5M
- 2 Feb 16, 2018 US and Canada: $1.5M Rest of the world: $1.3M Worldwide: $2.9M
- 3 Feb 17, 2018 US and Canada: $1.7M Rest of the world: $112K Worldwide: $1.9M
- 4 Feb 14, 2018 US and Canada: $285.2K Rest of the world: Worldwide: $285.2K
- 5 Feb 16, 2018 US and Canada: – Rest of the world: – Worldwide: $143.1K
- 6
Feb 16, 2018 US and Canada: – Rest of the world: – Worldwide: $82.2K - 7
Feb 16, 2018 US and Canada: – Rest of the world: – Worldwide: $76.8K - 8
When You No Longer Love Me (2018)Feb 16, 2018 US and Canada: – Rest of the world: – Worldwide: $51.7K
Feb 16, 2018 · Spanish · Thriller, Mystery, Drama $51.7K worldwide - 9
Feb 17, 2018 US and Canada: – Rest of the world: – Worldwide: $46.4K
US & Canada vs the world
Where Did the Money Come From in Week 7 of 2018?
Of the top 9, But Deliver Us from Evil (2018) earned the biggest share at home (100% in the US & Canada), while Double Lover (2018) made 97% of its gross abroad. Across all 9 films, $3.7M (36%) came from the US & Canada. 5 films of the top 9 report no US & Canada figure.
- 1 Double Lover (2018) $5M $167.6K US & Canada · 3% $4.8M elsewhere · 97%
- 2 Inhumane (2018) $2.9M $1.5M US & Canada · 53% $1.3M elsewhere · 47%
- 3 Profile (2018) $1.9M $1.7M US & Canada · 94% $112K elsewhere · 6%
- 4 But Deliver Us from Evil (2018) $285.2K $285.2K US & Canada · 100% elsewhere · 0%
- 5 Aiyaary (2018) $143.1K No US & Canada figure reported
- 6 Naachiyaar (2018) $82.2K No US & Canada figure reported
- 7 Looking Glass (2018) $76.8K No US & Canada figure reported
- 8 When You No Longer Love Me (2018) $51.7K No US & Canada figure reported
- 9 Sunny (2018) $46.4K No US & Canada figure reported
Weeks around it
How Does Week 7 Compare With the Weeks Around It?
Week 7 releases took $10.4M. The biggest of these 9 weeks is week 8 (Feb 18–24) with $709.3M, led by Operation Red Sea (2018).
- Week 1 Wk 1 Jan 1–6 Insidious: The Last Key (2018) $168.6M Insidious: The Last Key (2018)
- Week 2 Wk 2 Jan 7–13 The Commuter (2018) $146.8M The Commuter (2018)
- Week 3 Wk 3 Jan 14–20 Den of Thieves (2018) $81.3M Den of Thieves (2018)
- Week 4 Wk 4 Jan 21–27 Maze Runner: The Death Cure (2018) $313.5M Maze Runner: The Death Cure (2018)
- Week 5 Wk 5 Jan 28–Feb 3 Winchester (2018) $46.8M Winchester (2018)
- Week 6 Wk 6 Feb 4–10 Fifty Shades Freed (2018) $430.4M Fifty Shades Freed (2018)
- Week 7 Wk 7 Feb 11–17 Double Lover (2018) $10.4M Double Lover (2018)
- Week 8 Wk 8 Feb 18–24 Operation Red Sea (2018) $709.3M Operation Red Sea (2018)
- Week 9 Wk 9 Feb 25–Mar 3 Red Sparrow (2018) $201.9M Red Sparrow (2018)
Earlier years
How Does Week 7 of 2018 Compare With Earlier Years?
Of these 10 years, Week 7, 2013 earned the most: $451.4M from 4 films, led by A Good Day to Die Hard (2013). Week 7, 2018 took $10.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 7, 2009 Feb 8–14 6 films | 6 | $9.1M | – | The Scam (2009) $7.5M |
| Week 7, 2010 Feb 7–13 1 film · +1437% | 1 | $139.8M | +1437% | The Wolfman (2010) $139.8M |
| Week 7, 2011 Feb 6–12 3 films · −93% | 3 | $9.1M | −93% | Suicide Room (2011) $4.9M |
| Week 7, 2012 Feb 12–18 5 films · +1471% | 5 | $143M | +1471% | Ghost Rider: Spirit of Vengeance (2012) $132.6M |
| Week 7, 2013 Feb 10–16 4 films · +216% | 4 | $451.4M | +216% | A Good Day to Die Hard (2013) $304.7M |
| Week 7, 2014 Feb 9–15 7 films · −39% | 7 | $274.9M | −39% | RoboCop (2014) $242.7M |
| Week 7, 2015 Feb 8–14 3 films · +52% | 3 | $419M | +52% | Kingsman: The Secret Service (2015) $414.4M |
| Week 7, 2016 Feb 7–13 6 films · −97% | 6 | $10.9M | −97% | The Final Project (2016) $10.8M |
| Week 7, 2017 Feb 12–18 4 films · +3214% | 4 | $362.6M | +3214% | The Great Wall (2017) $334.9M |
| Week 7, 2018 Feb 11–17 9 films · −97% | 9 | $10.4M | −97% | Double Lover (2018) $5M |
By language
Which Languages Do the Biggest Thriller Movies Speak in Week 7 of 2018?
English-language thriller films took $5.1M across 4 films, 49% of the total, ahead of French-language thriller films ($5M) and Hindi-language thriller films ($143.1K).
Week 7 of 2018 Thriller Box Office by Language
Archive
Thriller Box Office in 2018, Week by Week
52 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $924.3M, led by Venom (2018).
- Week 1 $168.6M
- Week 2 $146.8M
- Week 3 $81.3M
- Week 4 $313.5M
- Week 5 $46.8M
- Week 6 $430.4M
- Week 7 $10.4M
- Week 8 $709.3M
- Week 9 $201.9M
- Week 10 $46.5M
- Week 11 $493.4M
- Week 12 $17.9M
- Week 13 $691.3M
- Week 14 $377.3M
- Week 15 $116.8M
- Week 16 $9.6M
- Week 17 $63.6M
- Week 18 $33.8M
- Week 19 $55.3M
- Week 20 $4M
- Week 21 $14.8M
- Week 22 $77.1M
- Week 23 $434.5M
- Week 24 $136.7M
- Week 25 $31.2M
- Week 26 $84M
- Week 27 $201M
- Week 28 $305.8M
- Week 29 $190.9M
- Week 30 $834.2M
- Week 31 $41.4M
- Week 32 $581.7M
- Week 33 $204.2M
- Week 34 $176.2M
- Week 35 $30.6M
- Week 36 $425.7M
- Week 37 $264.8M
- Week 38 $16M
- Week 39 $1.3M
- Week 40 $924.3M
- Week 41 $42M
- Week 42 $264.9M
- Week 43 $50.3M
- Week 44 $12.4M
- Week 45 $48.5M
- Week 46 $94M
- Week 47 $87.4M
- Week 48 $71.3M
- Week 49 $11.9M
- Week 50 $275.7M
- Week 51 $9.4M
- Week 52 $18.5M
- Week 53 No grosses
FAQ
Thriller Box Office Week 7 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
What is the highest-grossing thriller movie in week 7 of 2018 (Feb 11–17)?
Double Lover (2018) leads with $5M worldwide, $167.6K of it in the US & Canada. Next come Inhumane (2018) at $2.9M and Profile (2018) at $1.9M.
How much did thriller movies released in week 7 of 2018 (Feb 11–17) earn?
9 thriller films released in week 7 of 2018 (Feb 11–17) report a worldwide gross, $10.4M in all, or $1.2M per film on average. Week 6, 2018 releases took $430.4M.
How many thriller movies released in week 7 of 2018 (Feb 11–17) made $1 billion?
None. The biggest, Double Lover (2018), earned $5M.
How is the week 7, 2018 thriller box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 7 of 2018 (Feb 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 7, 2018 thriller box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.