#1 of 6 Maze Runner: The Death Cure (2018)
2018 · Action, Sci-Fi
$288.2M worldwide · 92% of the chart's total
Maze Runner: The Death Cure (2018) is the highest-grossing thriller movie released in week 4 of 2018 (Jan 21–27), with $288.2M worldwide, ahead of The Crimes That Bind (2018) at $23.1M and Gangsta (2018) at $1.4M. 6 thriller films released that week report a worldwide gross, $313.5M in all, 19% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 3.9 times the total of Week 3, 2018, whose releases took $81.3M. By language, English leads with $288.3M across 2 thriller releases.
#1 of 6 Maze Runner: The Death Cure (2018)
2018 · Action, Sci-Fi
$288.2M worldwide · 92% of the chart's total
Maze Runner: The Death Cure (2018) leads with $288.2M, 92% of the total. The top 5 together took $313.4M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 4 of 2018 (Jan 21–27).
Jan 27, 2018 US and Canada: – Rest of the world: – Worldwide: $23.1M
Jan 24, 2018 US and Canada: – Rest of the world: – Worldwide: $1.4M
Jan 26, 2018 US and Canada: – Rest of the world: – Worldwide: $540.9K
Jan 26, 2018 US and Canada: – Rest of the world: – Worldwide: $165K
Jan 26, 2018 US and Canada: $32K Rest of the world: $73.7K Worldwide: $105.7K Week 4 releases took $313.5M. The biggest of these 9 weeks is week 6 (Feb 4–10) with $430.4M, led by Fifty Shades Freed (2018).
Of these 10 years, Week 4, 2017 earned the most: $382.7M from 6 films, led by Resident Evil: The Final Chapter (2017). Week 4, 2018 took $313.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 4, 2009 Jan 18–24 4 films | 4 | $96.7M | – | Underworld: Rise of the Lycans (2009) $92.2M |
| Week 4, 2010 Jan 17–23 3 films · −24% | 3 | $73.1M | −24% | Legion (2010) $67.9M |
| Week 4, 2011 Jan 16–22 4 films · −79% | 4 | $15.1M | −79% | The Housemaid (2011) $15M |
| Week 4, 2012 Jan 22–28 3 films · +993% | 3 | $165.5M | +993% | The Grey (2012) $79.8M |
| Week 4, 2013 Jan 20–26 4 films · −46% | 4 | $90.2M | −46% | Parker (2013) $46.9M |
| Week 4, 2014 Jan 19–25 2 films · −14% | 2 | $78M | −14% | I, Frankenstein (2014) $76.8M |
| Week 4, 2015 Jan 18–24 7 films · −12% | 7 | $68.7M | −12% | The Boy Next Door (2015) $52.4M |
| Week 4, 2016 Jan 17–23 10 films · +171% | 10 | $186.4M | +171% | The 5th Wave (2016) $109.9M |
| Week 4, 2017 Jan 22–28 6 films · +105% | 6 | $382.7M | +105% | Resident Evil: The Final Chapter (2017) $312.2M |
| Week 4, 2018 Jan 21–27 6 films · −18% | 6 | $313.5M | −18% | Maze Runner: The Death Cure (2018) $288.2M |
52 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $924.3M, led by Venom (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Maze Runner: The Death Cure (2018) leads with $288.2M worldwide, $58M of it in the US & Canada. Next come The Crimes That Bind (2018) at $23.1M and Gangsta (2018) at $1.4M.
6 thriller films released in week 4 of 2018 (Jan 21–27) report a worldwide gross, $313.5M in all, or $52.2M per film on average. Week 3, 2018 releases took $81.3M.
None. 1 film crossed $100 million, led by Maze Runner: The Death Cure (2018) with $288.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 4 of 2018 (Jan 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.