#1 of 5 2018 · Drama, Mystery
$174.8M worldwide · 63% of the chart's total
The Mule (2018) is the highest-grossing thriller movie released in week 50 of 2018 (Dec 9–15), with $174.8M worldwide, ahead of Mortal Engines (2018) at $83.9M and The Quake (2018) at $13.8M. 5 thriller films released that week report a worldwide gross, $275.7M in all, 44% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 23.3 times the total of Week 49, 2018, whose releases took $11.9M. By language, English leads with $261.8M across 3 thriller releases.
#1 of 5 2018 · Drama, Mystery
$174.8M worldwide · 63% of the chart's total
The Mule (2018) leads with $174.8M, 63% of the total. The top 5 together took $275.7M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 50 of 2018 (Dec 9–15).
Dec 14, 2018 US and Canada: $103.8M Rest of the world: $71M Worldwide: $174.8M
Dec 14, 2018 US and Canada: $16M Rest of the world: $67.9M Worldwide: $83.9M
Dec 14, 2018 US and Canada: $6.2K Rest of the world: $13.8M Worldwide: $13.8M
Dec 14, 2018 US and Canada: $258.1K Rest of the world: $2.8M Worldwide: $3.1M
Dec 14, 2018 US and Canada: – Rest of the world: – Worldwide: $123.6K Of the top 5, The Mule (2018) earned the biggest share at home (59% in the US & Canada), while The Quake (2018) made 100% of its gross abroad. Across all 5 films, $120M (44%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 50 releases took $275.7M. The biggest of these 9 weeks is week 50 (Dec 9–15) with $275.7M, led by The Mule (2018).
Of these 10 years, Week 50, 2010 earned the most: $278.8M from 2 films, led by The Tourist (2010). Week 50, 2018 took $275.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 50, 2009 Dec 6–12 2 films | 2 | $93.9M | – | The Lovely Bones (2009) $93.6M |
| Week 50, 2010 Dec 5–11 2 films · +197% | 2 | $278.8M | +197% | The Tourist (2010) $278.8M |
| Week 50, 2011 Dec 4–10 5 films · −67% | 5 | $92M | −67% | Tinker Tailor Soldier Spy (2011) $81.5M |
| Week 50, 2012 Dec 9–15 No films | 0 | – | – | – |
| Week 50, 2013 Dec 8–14 5 films | 5 | $252M | – | American Hustle (2013) $251.2M |
| Week 50, 2014 Dec 7–13 3 films · −99% | 3 | $2.1M | −99% | The Captive (2014) $2.1M |
| Week 50, 2015 Dec 6–12 3 films · +4346% | 3 | $94.4M | +4346% | In the Heart of the Sea (2015) $94.3M |
| Week 50, 2016 Dec 4–10 4 films · −66% | 4 | $31.9M | −66% | Pandora (2016) $30.9M |
| Week 50, 2017 Dec 10–16 4 films · +6% | 4 | $33.8M | +6% | Steel Rain (2017) $32.8M |
| Week 50, 2018 Dec 9–15 5 films · +715% | 5 | $275.7M | +715% | The Mule (2018) $174.8M |
52 weeks of 2018 with reported grosses; the biggest is week 40 (Sep 30–Oct 6) with $924.3M, led by Venom (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Mule (2018) leads with $174.8M worldwide, $103.8M of it in the US & Canada. Next come Mortal Engines (2018) at $83.9M and The Quake (2018) at $13.8M.
5 thriller films released in week 50 of 2018 (Dec 9–15) report a worldwide gross, $275.7M in all, or $55.1M per film on average. Week 49, 2018 releases took $11.9M.
None. 1 film crossed $100 million, led by The Mule (2018) with $174.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 50 of 2018 (Dec 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.