#1 of 4 #1 thriller movie of Week 50, 2016
2016 · Thriller, Action
$30.9M worldwide · 97% of the chart's total
No US & Canada figure reported
Thriller box office · Week 50 · Dec 4–10, 2016
Thriller Box Office, Week 50 of 2016: Thriller Releases of Dec 4–10
Pandora (2016) is the highest-grossing thriller movie released in week 50 of 2016 (Dec 4–10), with $30.9M worldwide, ahead of Abattoir (2016) at $663.5K and Eliminators (2016) at $317.8K. 4 thriller films released that week report a worldwide gross, $31.9M in all, <1% of it from the US & Canada. That is up 23% on Week 49, 2016, whose releases took $26M.
- week 50 releases with a gross
- 4
- combined worldwide
- $31.9M
- Pandora (2016), the #1
- $30.9M
- vs Week 49, 2016
- +23%
#1 of 4 Top 4
What Were the Biggest Thriller Hits of Week 50 of 2016?
Pandora (2016) leads with $30.9M, 97% of the total. The top 4 together took $31.9M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Thriller Release of Week 50 of 2016, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 50 of 2016 (Dec 4–10).
- 1 Dec 7, 2016 US and Canada: – Rest of the world: – Worldwide: $30.9M
- 2 Dec 9, 2016 US and Canada: – Rest of the world: – Worldwide: $663.5K
- 3 Dec 6, 2016 US and Canada: – Rest of the world: – Worldwide: $317.8K
- 4 Dec 9, 2016 US and Canada: $9.2K Rest of the world: Worldwide: $9.2K
Weeks around it
How Does Week 50 Compare With the Weeks Around It?
Week 50 releases took $31.9M. The biggest of these 9 weeks is week 46 (Nov 6–12) with $238.6M, led by Arrival (2016).
- Week 44 Wk 44 Oct 23–29 Death Note: Light Up the NEW World (2016) $31.5M Death Note: Light Up the NEW World (2016)
- Week 45 Wk 45 Oct 30–Nov 5 Hide and Seek (2016) $10.5M Hide and Seek (2016)
- Week 46 Wk 46 Nov 6–12 Arrival (2016) $238.6M Arrival (2016)
- Week 47 Wk 47 Nov 13–19 Nocturnal Animals (2016) $45.3M Nocturnal Animals (2016)
- Week 48 Wk 48 Nov 20–26 Allied (2016) $128.7M Allied (2016)
- Week 49 Wk 49 Nov 27–Dec 3 Incarnate (2016) $26M Incarnate (2016)
- Week 50 Wk 50 Dec 4–10 Pandora (2016) $31.9M Pandora (2016)
- Week 51 Wk 51 Dec 11–17 Solace (2016) $26.9M Solace (2016)
- Week 52 Wk 52 Dec 18–24 Patriots Day (2016) $52.2M Patriots Day (2016)
Earlier years
How Does Week 50 of 2016 Compare With Earlier Years?
Of these 10 years, Week 50, 2007 earned the most: $589.1M from 5 films, led by I Am Legend (2007). Week 50, 2016 took $31.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 50, 2007 Dec 9–15 5 films | 5 | $589.1M | – | I Am Legend (2007) $585.4M |
| Week 50, 2008 Dec 7–13 5 films · −60% | 5 | $237.1M | −60% | The Day the Earth Stood Still (2008) $233.1M |
| Week 50, 2009 Dec 6–12 2 films · −60% | 2 | $93.9M | −60% | The Lovely Bones (2009) $93.6M |
| Week 50, 2010 Dec 5–11 2 films · +197% | 2 | $278.8M | +197% | The Tourist (2010) $278.8M |
| Week 50, 2011 Dec 4–10 5 films · −67% | 5 | $92M | −67% | Tinker Tailor Soldier Spy (2011) $81.5M |
| Week 50, 2012 Dec 9–15 No films | 0 | – | – | – |
| Week 50, 2013 Dec 8–14 5 films | 5 | $252M | – | American Hustle (2013) $251.2M |
| Week 50, 2014 Dec 7–13 3 films · −99% | 3 | $2.1M | −99% | The Captive (2014) $2.1M |
| Week 50, 2015 Dec 6–12 3 films · +4346% | 3 | $94.4M | +4346% | In the Heart of the Sea (2015) $94.3M |
| Week 50, 2016 Dec 4–10 4 films · −66% | 4 | $31.9M | −66% | Pandora (2016) $30.9M |
Archive
Thriller Box Office in 2016, Week by Week
53 weeks of 2016 with reported grosses; the biggest is week 19 (May 1–7) with $1.2B, led by Captain America: Civil War (2016).
- Week 1 $39.3M
- Week 2 $45.4M
- Week 3 $431.5K
- Week 4 $186.4M
- Week 5 $57.5M
- Week 6 $38.6M
- Week 7 $10.9M
- Week 8 $17.7M
- Week 9 $24.1M
- Week 10 $219.3M
- Week 11 $150.1M
- Week 12 $27.5M
- Week 13 $903.8K
- Week 14 $58.7M
- Week 15 $20.6M
- Week 16 $85.8M
- Week 17 $5.8M
- Week 18 $528.8K
- Week 19 $1.2B
- Week 20 $231.7M
- Week 21 $71.6M
- Week 22 $121.8K
- Week 23 $50.7M
- Week 24 $660.9M
- Week 25 $12M
- Week 26 $125M
- Week 27 $131.6M
- Week 28 $2.9M
- Week 29 $32.7M
- Week 30 $585.7M
- Week 31 $506M
- Week 32 $772.5M
- Week 33 $39.1M
- Week 34 $89.9M
- Week 35 $336.5M
- Week 36 $150.3M
- Week 37 $41.9M
- Week 38 $116.8M
- Week 39 $60.1M
- Week 40 $121.8M
- Week 41 $205.7M
- Week 42 $161.4M
- Week 43 $290M
- Week 44 $31.5M
- Week 45 $10.5M
- Week 46 $238.6M
- Week 47 $45.3M
- Week 48 $128.7M
- Week 49 $26M
- Week 50 $31.9M
- Week 51 $26.9M
- Week 52 $52.2M
- Week 53 $4.9M
FAQ
Thriller Box Office Week 50 of 2016: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing thriller movie in week 50 of 2016 (Dec 4–10)?
Pandora (2016) leads with $30.9M worldwide. Next come Abattoir (2016) at $663.5K and Eliminators (2016) at $317.8K.
How much did thriller movies released in week 50 of 2016 (Dec 4–10) earn?
4 thriller films released in week 50 of 2016 (Dec 4–10) report a worldwide gross, $31.9M in all, or $8M per film on average. Week 49, 2016 releases took $26M.
How many thriller movies released in week 50 of 2016 (Dec 4–10) made $1 billion?
None. The biggest, Pandora (2016), earned $30.9M.
How is the week 50, 2016 thriller box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 50 of 2016 (Dec 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 50, 2016 thriller box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.