#1 of 7 2016 · Action, Drama
$155.6M worldwide · 96% of the chart's total
The Accountant (2016) is the highest-grossing thriller movie released in week 42 of 2016 (Oct 9–15), with $155.6M worldwide, ahead of Desierto (2016) at $4.9M and Bender (2016) at $687K. 7 thriller films released that week report a worldwide gross, $161.4M in all, 55% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 22% on Week 41, 2016, whose releases took $205.7M. By language, English leads with $156.5M across 5 thriller releases.
#1 of 7 2016 · Action, Drama
$155.6M worldwide · 96% of the chart's total
The Accountant (2016) leads with $155.6M, 96% of the total. The top 5 together took $161.4M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2016 (Oct 9–15).
Oct 14, 2016 US and Canada: $86.3M Rest of the world: $69.3M Worldwide: $155.6M
Oct 14, 2016 US and Canada: $2M Rest of the world: $2.9M Worldwide: $4.9M
Oct 14, 2016 US and Canada: – Rest of the world: – Worldwide: $687K
Oct 14, 2016 US and Canada: – Rest of the world: – Worldwide: $211K
Oct 14, 2016 US and Canada: $2K Rest of the world: $16.4K Worldwide: $18.5K
Oct 14, 2016 US and Canada: – Rest of the world: – Worldwide: $7.9K
Oct 14, 2016 US and Canada: – Rest of the world: – Worldwide: $6K Of the top 7, The Accountant (2016) earned the biggest share at home (55% in the US & Canada), while The Ghoul (2016) made 89% of its gross abroad. Across all 7 films, $88.3M (55%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 42 releases took $161.4M. The biggest of these 9 weeks is week 43 (Oct 16–22) with $290M, led by Jack Reacher: Never Go Back (2016).
Of these 10 years, Week 42, 2015 earned the most: $246.9M from 9 films, led by Bridge of Spies (2015). Week 42, 2016 took $161.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 2007 Oct 14–20 12 films | 12 | $151.5M | – | 30 Days of Night (2007) $75.5M |
| Week 42, 2008 Oct 12–18 5 films · −38% | 5 | $94.5M | −38% | Max Payne (2008) $87.1M |
| Week 42, 2009 Oct 11–17 7 films · +82% | 7 | $171.9M | +82% | Law Abiding Citizen (2009) $127.9M |
| Week 42, 2010 Oct 10–16 7 films · −20% | 7 | $137.1M | −20% | Hereafter (2010) $107M |
| Week 42, 2011 Oct 9–15 7 films · −69% | 7 | $43.1M | −69% | The Thing (2011) $31.5M |
| Week 42, 2012 Oct 14–20 4 films · +6% | 4 | $45.8M | +6% | Alex Cross (2012) $34.6M |
| Week 42, 2013 Oct 13–19 7 films · +229% | 7 | $150.9M | +229% | Escape Plan (2013) $137.3M |
| Week 42, 2014 Oct 12–18 6 films · −98% | 6 | $2.9M | −98% | Dream Flight (2014) $1.5M |
| Week 42, 2015 Oct 11–17 9 films · +8386% | 9 | $246.9M | +8386% | Bridge of Spies (2015) $165.5M |
| Week 42, 2016 Oct 9–15 7 films · −35% | 7 | $161.4M | −35% | The Accountant (2016) $155.6M |
53 weeks of 2016 with reported grosses; the biggest is week 19 (May 1–7) with $1.2B, led by Captain America: Civil War (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Accountant (2016) leads with $155.6M worldwide, $86.3M of it in the US & Canada. Next come Desierto (2016) at $4.9M and Bender (2016) at $687K.
7 thriller films released in week 42 of 2016 (Oct 9–15) report a worldwide gross, $161.4M in all, or $23.1M per film on average. Week 41, 2016 releases took $205.7M.
None. 1 film crossed $100 million, led by The Accountant (2016) with $155.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2016 (Oct 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.