#1 of 9 2016 · Drama, Thriller
$236.2K worldwide · 55% of the chart's total
Intruders (2016) is the highest-grossing thriller movie released in week 3 of 2016 (Jan 10–16), with $236.2K worldwide, ahead of Caged No More (2016) at $115K and The Cold Front (2016) at $38.7K. 9 thriller films released that week report a worldwide gross, $431.5K in all, 31% of it from the US & Canada. By language, Korean leads with $236.2K across 1 thriller release.
#1 of 9 2016 · Drama, Thriller
$236.2K worldwide · 55% of the chart's total
Intruders (2016) leads with $236.2K, 55% of the total. The top 5 together took $422K, 98% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 3 of 2016 (Jan 10–16).
Jan 15, 2016 US and Canada: – Rest of the world: – Worldwide: $236.2K
Jan 15, 2016 US and Canada: $115K Rest of the world: Worldwide: $115K
Jan 14, 2016 US and Canada: – Rest of the world: – Worldwide: $38.7K
Jan 15, 2016 US and Canada: $20.6K Rest of the world: Worldwide: $20.6K
Jan 14, 2016 US and Canada: – Rest of the world: – Worldwide: $11.6K
Jan 14, 2016 US and Canada: – Rest of the world: – Worldwide: $8.4K
Jan 15, 2016 US and Canada: – Rest of the world: – Worldwide: $713
Jan 14, 2016 US and Canada: – Rest of the world: – Worldwide: $373
Jan 15, 2016 US and Canada: – Rest of the world: – Worldwide: $58 Week 3 releases took $431.5K. The biggest of these 9 weeks is week 52, 2015 (Dec 20–26) with $828M, led by The Revenant (2015).
Of these 10 years, Week 3, 2008 earned the most: $241.5M from 5 films, led by Cloverfield (2008). Week 3, 2016 took $431.5K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 3, 2007 Jan 14–20 5 films | 5 | $28M | – | The Hitcher (2007) $25.4M |
| Week 3, 2008 Jan 13–19 5 films · +764% | 5 | $241.5M | +764% | Cloverfield (2008) $172.4M |
| Week 3, 2009 Jan 11–17 3 films · −56% | 3 | $107.4M | −56% | My Bloody Valentine (2009) $100.7M |
| Week 3, 2010 Jan 10–16 2 films · +54% | 2 | $165.6M | +54% | The Book of Eli (2010) $157.1M |
| Week 3, 2011 Jan 9–15 4 films · +38% | 4 | $228.4M | +38% | The Green Hornet (2011) $227.8M |
| Week 3, 2012 Jan 15–21 2 films · −85% | 2 | $34.6M | −85% | Haywire (2012) $34.5M |
| Week 3, 2013 Jan 13–19 4 films · +28% | 4 | $44.2M | +28% | Broken City (2013) $34.7M |
| Week 3, 2014 Jan 12–18 4 films · +221% | 4 | $142.1M | +221% | Jack Ryan: Shadow Recruit (2014) $135.5M |
| Week 3, 2015 Jan 11–17 2 films · −85% | 2 | $21.2M | −85% | Blackhat (2015) $19.7M |
| Week 3, 2016 Jan 10–16 9 films · −98% | 9 | $431.5K | −98% | Intruders (2016) $236.2K |
Korean-language thriller films took $236.2K across 1 film, 55% of the total, ahead of English-language thriller films ($136.3K) and Russian-language thriller films ($38.7K).
53 weeks of 2016 with reported grosses; the biggest is week 19 (May 1–7) with $1.2B, led by Captain America: Civil War (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
Intruders (2016) leads with $236.2K worldwide. Next come Caged No More (2016) at $115K and The Cold Front (2016) at $38.7K.
9 thriller films released in week 3 of 2016 (Jan 10–16) report a worldwide gross, $431.5K in all, or $48K per film on average.
None. The biggest, Intruders (2016), earned $236.2K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 3 of 2016 (Jan 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.