#1 of 6 2016 · Action, Adventure
$343.5M worldwide · 59% of the chart's total
Star Trek Beyond (2016) is the highest-grossing thriller movie released in week 30 of 2016 (Jul 17–23), with $343.5M worldwide, ahead of Lights Out (2016) at $149.4M and Train to Busan (2016) at $92.8M. 6 thriller films released that week report a worldwide gross, $585.7M in all, 39% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is 17.9 times the total of Week 29, 2016, whose releases took $32.7M. By language, English leads with $492.9M across 4 thriller releases.
#1 of 6 2016 · Action, Adventure
$343.5M worldwide · 59% of the chart's total
Star Trek Beyond (2016) leads with $343.5M, 59% of the total. The top 5 together took $585.7M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 30 of 2016 (Jul 17–23).
Jul 22, 2016 US and Canada: $158.8M Rest of the world: $184.6M Worldwide: $343.5M
Jul 22, 2016 US and Canada: $67.3M Rest of the world: $82.1M Worldwide: $149.4M
Jul 22, 2016 US and Canada: $2.1M Rest of the world: $90.6M Worldwide: $92.8M
Jul 21, 2016 US and Canada: – Rest of the world: – Worldwide: $60.2K
Jul 17, 2016 US and Canada: – Rest of the world: – Worldwide: $51.7K
Jul 22, 2016 US and Canada: $10.1K Rest of the world: Worldwide: $10.1K Of the top 6, Beta Test (2016) earned the biggest share at home (100% in the US & Canada), while Train to Busan (2016) made 98% of its gross abroad. Across all 6 films, $228.3M (39%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 30 releases took $585.7M. The biggest of these 9 weeks is week 32 (Jul 31–Aug 6) with $772.5M, led by Suicide Squad (2016).
Of these 10 years, Week 30, 2016 earned the most: $585.7M from 6 films, led by Star Trek Beyond (2016).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 30, 2007 Jul 22–28 6 films | 6 | $21.9M | – | I Know Who Killed Me (2007) $9.7M |
| Week 30, 2008 Jul 20–26 1 film · +216% | 1 | $69.4M | +216% | The X Files: I Want to Believe (2008) $69.4M |
| Week 30, 2009 Jul 19–25 5 films · +121% | 5 | $153.1M | +121% | Orphan (2009) $77.9M |
| Week 30, 2010 Jul 18–24 2 films · +97% | 2 | $300.9M | +97% | Salt (2010) $293.5M |
| Week 30, 2011 Jul 17–23 4 films · +34% | 4 | $403.8M | +34% | Captain America: The First Avenger (2011) $370.6M |
| Week 30, 2012 Jul 22–28 4 films · −98% | 4 | $10M | −98% | Killer Joe (2012) $4.6M |
| Week 30, 2013 Jul 21–27 5 films · +509% | 5 | $60.9M | +509% | The Terror Live (2013) $35.7M |
| Week 30, 2014 Jul 20–26 5 films · +731% | 5 | $505.5M | +731% | Lucy (2014) $469.1M |
| Week 30, 2015 Jul 19–25 5 films · −79% | 5 | $108M | −79% | Southpaw (2015) $92M |
| Week 30, 2016 Jul 17–23 6 films · +442% | 6 | $585.7M | +442% | Star Trek Beyond (2016) $343.5M |
53 weeks of 2016 with reported grosses; the biggest is week 19 (May 1–7) with $1.2B, led by Captain America: Civil War (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Star Trek Beyond (2016) leads with $343.5M worldwide, $158.8M of it in the US & Canada. Next come Lights Out (2016) at $149.4M and Train to Busan (2016) at $92.8M.
6 thriller films released in week 30 of 2016 (Jul 17–23) report a worldwide gross, $585.7M in all, or $97.6M per film on average. Week 29, 2016 releases took $32.7M.
None. 2 films crossed $100 million, led by Star Trek Beyond (2016) with $343.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 30 of 2016 (Jul 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.