#1 of 7 2016 · Drama, Thriller
$119.1M worldwide · 95% of the chart's total
The Shallows (2016) is the highest-grossing thriller movie released in week 26 of 2016 (Jun 19–25), with $119.1M worldwide, ahead of The Neon Demon (2016) at $3.1M and The Truth Beneath (2016) at $1.8M. 7 thriller films released that week report a worldwide gross, $125M in all, 45% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 10.4 times the total of Week 25, 2016, whose releases took $12M. By language, English leads with $122.2M across 3 thriller releases.
#1 of 7 2016 · Drama, Thriller
$119.1M worldwide · 95% of the chart's total
The Shallows (2016) leads with $119.1M, 95% of the total. The top 5 together took $124.9M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 26 of 2016 (Jun 19–25).
Jun 24, 2016 US and Canada: $55.1M Rest of the world: $64M Worldwide: $119.1M
Jun 24, 2016 US and Canada: $1.3M Rest of the world: $1.7M Worldwide: $3.1M
Jun 23, 2016 US and Canada: – Rest of the world: – Worldwide: $1.8M
Jun 24, 2016 US and Canada: – Rest of the world: – Worldwide: $868K
Jun 24, 2016 US and Canada: – Rest of the world: – Worldwide: $128.8K
Jun 24, 2016 US and Canada: – Rest of the world: – Worldwide: $51.5K
Jun 22, 2016 US and Canada: – Rest of the world: – Worldwide: $2.5K Week 26 releases took $125M. The biggest of these 9 weeks is week 24 (Jun 5–11) with $660.9M, led by Now You See Me 2 (2016).
Of these 10 years, Week 26, 2009 earned the most: $892M from 7 films, led by Transformers: Revenge of the Fallen (2009). Week 26, 2016 took $125M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 26, 2007 Jun 24–30 2 films | 2 | $389.3M | – | Live Free or Die Hard (2007) $388.2M |
| Week 26, 2008 Jun 22–28 1 film · −100% | 1 | $189.5K | −100% | Zift (2008) $189.5K |
| Week 26, 2009 Jun 21–27 7 films · +470646% | 7 | $892M | +470646% | Transformers: Revenge of the Fallen (2009) $836.3M |
| Week 26, 2010 Jun 20–26 1 film · −71% | 1 | $262M | −71% | Knight and Day (2010) $262M |
| Week 26, 2011 Jun 19–25 3 films · −98% | 3 | $4.8M | −98% | Omar Killed Me (2011) $4.4M |
| Week 26, 2012 Jun 24–30 1 film · −78% | 1 | $1M | −78% | Unconditional (2012) $1M |
| Week 26, 2013 Jun 23–29 6 films · +22536% | 6 | $234.2M | +22536% | White House Down (2013) $205.4M |
| Week 26, 2014 Jun 22–28 4 films · −63% | 4 | $87.3M | −63% | Snowpiercer (2014) $86.8M |
| Week 26, 2015 Jun 21–27 3 films · −91% | 3 | $7.6M | −91% | Escobar: Paradise Lost (2015) $6.8M |
| Week 26, 2016 Jun 19–25 7 films · +1543% | 7 | $125M | +1543% | The Shallows (2016) $119.1M |
53 weeks of 2016 with reported grosses; the biggest is week 19 (May 1–7) with $1.2B, led by Captain America: Civil War (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Shallows (2016) leads with $119.1M worldwide, $55.1M of it in the US & Canada. Next come The Neon Demon (2016) at $3.1M and The Truth Beneath (2016) at $1.8M.
7 thriller films released in week 26 of 2016 (Jun 19–25) report a worldwide gross, $125M in all, or $17.9M per film on average. Week 25, 2016 releases took $12M.
None. 1 film crossed $100 million, led by The Shallows (2016) with $119.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 26 of 2016 (Jun 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.