#1 of 7 2016 · Action, Drama
$54.5M worldwide · 91% of the chart's total
The Age of Shadows (2016) is the highest-grossing thriller movie released in week 39 of 2016 (Sep 18–24), with $54.5M worldwide, ahead of May God Save Us (2016) at $3.4M and I.T. (2016) at $2.1M. 7 thriller films released that week report a worldwide gross, $60.1M in all, 1% of it from the US & Canada. That is down 49% on Week 38, 2016, whose releases took $116.8M. By language, Korean leads with $54.6M across 2 thriller releases.
#1 of 7 2016 · Action, Drama
$54.5M worldwide · 91% of the chart's total
The Age of Shadows (2016) leads with $54.5M, 91% of the total. The top 5 together took $60.1M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 39 of 2016 (Sep 18–24).
Sep 23, 2016 US and Canada: $541.7K Rest of the world: $53.9M Worldwide: $54.5M
Sep 18, 2016 US and Canada: – Rest of the world: – Worldwide: $3.4M
Sep 23, 2016 US and Canada: – Rest of the world: – Worldwide: $2.1M
Sep 23, 2016 US and Canada: $55.5K Rest of the world: $40K Worldwide: $95.5K
Sep 22, 2016 US and Canada: $11.2K Rest of the world: Worldwide: $11.2K
Sep 23, 2016 US and Canada: $10K Rest of the world: Worldwide: $10K
Sep 22, 2016 US and Canada: – Rest of the world: – Worldwide: $8.4K Of the top 7, Hacker (2016) earned the biggest share at home (100% in the US & Canada), while The Age of Shadows (2016) made 99% of its gross abroad. Across all 7 films, $618.4K (1%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 39 releases took $60.1M. The biggest of these 9 weeks is week 35 (Aug 21–27) with $336.5M, led by Don't Breathe (2016).
Of these 10 years, Week 39, 2009 earned the most: $323M from 8 films, led by Paranormal Activity (2009). Week 39, 2016 took $60.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 39, 2007 Sep 23–29 7 films | 7 | $172.1M | – | The Kingdom (2007) $87M |
| Week 39, 2008 Sep 21–27 5 films · +16% | 5 | $198.8M | +16% | Eagle Eye (2008) $178.8M |
| Week 39, 2009 Sep 20–26 8 films · +62% | 8 | $323M | +62% | Paranormal Activity (2009) $177.5M |
| Week 39, 2010 Sep 19–25 3 films · −94% | 3 | $20.3M | −94% | Buried (2010) $19.4M |
| Week 39, 2011 Sep 18–24 4 films · +586% | 4 | $139.2M | +586% | Abduction (2011) $82.1M |
| Week 39, 2012 Sep 23–29 6 films · +33% | 6 | $184.5M | +33% | Looper (2012) $176.5M |
| Week 39, 2013 Sep 22–28 5 films · −98% | 5 | $4.1M | −98% | Kicking Off (2013) $3.2M |
| Week 39, 2014 Sep 21–27 5 films · +5231% | 5 | $217.1M | +5231% | The Equalizer (2014) $192.3M |
| Week 39, 2015 Sep 20–26 6 films · −96% | 6 | $7.7M | −96% | Pay the Ghost (2015) $2.9M |
| Week 39, 2016 Sep 18–24 7 films · +681% | 7 | $60.1M | +681% | The Age of Shadows (2016) $54.5M |
53 weeks of 2016 with reported grosses; the biggest is week 19 (May 1–7) with $1.2B, led by Captain America: Civil War (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Age of Shadows (2016) leads with $54.5M worldwide, $541.7K of it in the US & Canada. Next come May God Save Us (2016) at $3.4M and I.T. (2016) at $2.1M.
7 thriller films released in week 39 of 2016 (Sep 18–24) report a worldwide gross, $60.1M in all, or $8.6M per film on average. Week 38, 2016 releases took $116.8M.
None. The biggest, The Age of Shadows (2016), earned $54.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 39 of 2016 (Sep 18–24). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.