#1 of 6 2016 · Sci-Fi, Drama
$212.8M worldwide · 89% of the chart's total
Arrival (2016) is the highest-grossing thriller movie released in week 46 of 2016 (Nov 6–12), with $212.8M worldwide, ahead of Shut In (2016) at $13.1M and Elle (2016) at $12.4M. 6 thriller films released that week report a worldwide gross, $238.6M in all, 46% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 22.7 times the total of Week 45, 2016, whose releases took $10.5M. By language, English leads with $226.1M across 4 thriller releases.
#1 of 6 2016 · Sci-Fi, Drama
$212.8M worldwide · 89% of the chart's total
Arrival (2016) leads with $212.8M, 89% of the total. The top 5 together took $238.6M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 46 of 2016 (Nov 6–12).
Nov 11, 2016 US and Canada: $100.5M Rest of the world: $112.2M Worldwide: $212.8M
Nov 11, 2016 US and Canada: $6.9M Rest of the world: $6.2M Worldwide: $13.1M
Nov 11, 2016 US and Canada: $2.3M Rest of the world: $10.1M Worldwide: $12.4M
Nov 11, 2016 US and Canada: $228.9K Rest of the world: $29.7K Worldwide: $258.6K
Nov 11, 2016 US and Canada: – Rest of the world: – Worldwide: $8.5K
Nov 11, 2016 US and Canada: – Rest of the world: – Worldwide: $4.1K Of the top 6, The Love Witch (2016) earned the biggest share at home (89% in the US & Canada), while Elle (2016) made 81% of its gross abroad. Across all 6 films, $110M (46%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 46 releases took $238.6M. The biggest of these 9 weeks is week 43 (Oct 16–22) with $290M, led by Jack Reacher: Never Go Back (2016).
Of these 10 years, Week 46, 2012 earned the most: $850.7M from 2 films, led by The Twilight Saga: Breaking Dawn - Part 2 (2012). Week 46, 2016 took $238.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 46, 2007 Nov 11–17 4 films | 4 | $17.5M | – | Seven Days (2007) $14.4M |
| Week 46, 2008 Nov 9–15 2 films · +3278% | 2 | $589.7M | +3278% | Quantum of Solace (2008) $589.6M |
| Week 46, 2009 Nov 8–14 5 films · +36% | 5 | $803.7M | +36% | 2012 (2009) $791.2M |
| Week 46, 2010 Nov 7–13 2 films · −71% | 2 | $234.8M | −71% | Unstoppable (2010) $167.8M |
| Week 46, 2011 Nov 6–12 3 films · −62% | 3 | $88.3M | −62% | Elite Squad: The Enemy Within (2011) $63.6M |
| Week 46, 2012 Nov 11–17 2 films · +864% | 2 | $850.7M | +864% | The Twilight Saga: Breaking Dawn - Part 2 (2012) $848.6M |
| Week 46, 2013 Nov 10–16 3 films · −100% | 3 | $1.3M | −100% | Wer (2013) $860.9K |
| Week 46, 2014 Nov 9–15 6 films · +1543% | 6 | $21.5M | +1543% | Foxcatcher (2014) $19.2M |
| Week 46, 2015 Nov 8–14 5 films · −80% | 5 | $4.3M | −80% | Heist (2015) $3.8M |
| Week 46, 2016 Nov 6–12 6 films · +5432% | 6 | $238.6M | +5432% | Arrival (2016) $212.8M |
53 weeks of 2016 with reported grosses; the biggest is week 19 (May 1–7) with $1.2B, led by Captain America: Civil War (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Arrival (2016) leads with $212.8M worldwide, $100.5M of it in the US & Canada. Next come Shut In (2016) at $13.1M and Elle (2016) at $12.4M.
6 thriller films released in week 46 of 2016 (Nov 6–12) report a worldwide gross, $238.6M in all, or $39.8M per film on average. Week 45, 2016 releases took $10.5M.
None. 1 film crossed $100 million, led by Arrival (2016) with $212.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 46 of 2016 (Nov 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.