#1 of 5 2016 · Action, Drama
$119.5M worldwide · 93% of the chart's total
Allied (2016) is the highest-grossing thriller movie released in week 48 of 2016 (Nov 20–26), with $119.5M worldwide, ahead of Miss Sloane (2016) at $9.1M and Children of the Night (2016) at $42.5K. 5 thriller films released that week report a worldwide gross, $128.7M in all, 34% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 184% on Week 47, 2016, whose releases took $45.3M. By language, English leads with $128.6M across 4 thriller releases.
#1 of 5 2016 · Action, Drama
$119.5M worldwide · 93% of the chart's total
Allied (2016) leads with $119.5M, 93% of the total. The top 5 together took $128.7M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 48 of 2016 (Nov 20–26).
Nov 23, 2016 US and Canada: $40.1M Rest of the world: $79.4M Worldwide: $119.5M
Nov 25, 2016 US and Canada: $3.5M Rest of the world: $5.6M Worldwide: $9.1M
Nov 23, 2016 US and Canada: – Rest of the world: – Worldwide: $42.5K
Nov 25, 2016 US and Canada: $17.1K Rest of the world: Worldwide: $17.1K
Nov 26, 2016 US and Canada: – Rest of the world: – Worldwide: $4.3K Of the top 5, Always Shine (2016) earned the biggest share at home (100% in the US & Canada), while Allied (2016) made 66% of its gross abroad. Across all 5 films, $43.6M (34%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 48 releases took $128.7M. The biggest of these 9 weeks is week 43 (Oct 16–22) with $290M, led by Jack Reacher: Never Go Back (2016).
Of these 10 years, Week 48, 2014 earned the most: $252.6M from 4 films, led by The Imitation Game (2014). Week 48, 2016 took $128.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 48, 2007 Nov 25–Dec 1 5 films | 5 | $38.9M | – | Awake (2007) $32.7M |
| Week 48, 2008 Nov 23–29 2 films · +190% | 2 | $112.7M | +190% | Transporter 3 (2008) $109M |
| Week 48, 2009 Nov 22–28 3 films · −20% | 3 | $90.5M | −20% | Ninja Assassin (2009) $61.6M |
| Week 48, 2010 Nov 21–27 1 film · −61% | 1 | $35.6M | −61% | Faster (2010) $35.6M |
| Week 48, 2011 Nov 20–26 3 films · −14% | 3 | $30.7M | −14% | A Dangerous Method (2011) $30.5M |
| Week 48, 2012 Nov 25–Dec 1 7 films · +83% | 7 | $56.2M | +83% | Killing Them Softly (2012) $37.9M |
| Week 48, 2013 Nov 24–30 5 films · +75% | 5 | $98.6M | +75% | Homefront (2013) $48.4M |
| Week 48, 2014 Nov 23–29 4 films · +156% | 4 | $252.6M | +156% | The Imitation Game (2014) $233.6M |
| Week 48, 2015 Nov 22–28 4 films · −95% | 4 | $11.8M | −95% | The Vanished Murderer (2015) $11M |
| Week 48, 2016 Nov 20–26 5 films · +987% | 5 | $128.7M | +987% | Allied (2016) $119.5M |
53 weeks of 2016 with reported grosses; the biggest is week 19 (May 1–7) with $1.2B, led by Captain America: Civil War (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Allied (2016) leads with $119.5M worldwide, $40.1M of it in the US & Canada. Next come Miss Sloane (2016) at $9.1M and Children of the Night (2016) at $42.5K.
5 thriller films released in week 48 of 2016 (Nov 20–26) report a worldwide gross, $128.7M in all, or $25.7M per film on average. Week 47, 2016 releases took $45.3M.
None. 1 film crossed $100 million, led by Allied (2016) with $119.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 48 of 2016 (Nov 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.