#1 of 5 2017 · Action, Drama
$145.4M worldwide · 53% of the chart's total
The Foreigner (2017) is the highest-grossing thriller movie released in week 41 of 2017 (Oct 8–14), with $145.4M worldwide, ahead of Happy Death Day (2017) at $125.5M and 6 Below: Miracle On The Mountain (2017) at $1.1M. 5 thriller films released that week report a worldwide gross, $272.3M in all, 33% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is down 34% on Week 40, 2017, whose releases took $410.5M. By language, English leads with $272.3M across 4 thriller releases.
#1 of 5 2017 · Action, Drama
$145.4M worldwide · 53% of the chart's total
The Foreigner (2017) leads with $145.4M, 53% of the total. The top 5 together took $272.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 2017 (Oct 8–14).
Oct 13, 2017 US and Canada: $34.4M Rest of the world: $111M Worldwide: $145.4M
Oct 13, 2017 US and Canada: $55.7M Rest of the world: $69.8M Worldwide: $125.5M
Oct 13, 2017 US and Canada: $237.7K Rest of the world: Worldwide: $237.7K
Oct 13, 2017 US and Canada: – Rest of the world: – Worldwide: $53K Of the top 5, American Satan (2017) earned the biggest share at home (100% in the US & Canada), while 6 Below: Miracle On The Mountain (2017) made 99% of its gross abroad. Across all 5 films, $90.3M (33%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 41 releases took $272.3M. The biggest of these 9 weeks is week 36 (Sep 3–9) with $743.9M, led by It (2017).
Of these 10 years, Week 41, 2017 earned the most: $272.3M from 5 films, led by The Foreigner (2017).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 41, 2008 Oct 5–11 4 films | 4 | $161.1M | – | Body of Lies (2008) $115.9M |
| Week 41, 2009 Oct 4–10 6 films · −80% | 6 | $32.6M | −80% | Kaiji: The Ultimate Gambler (2009) $24.7M |
| Week 41, 2010 Oct 3–9 6 films · +54% | 6 | $50.1M | +54% | My Soul to Take (2010) $21.5M |
| Week 41, 2011 Oct 2–8 4 films · −96% | 4 | $2M | −96% | The Monitor (2011) $1.4M |
| Week 41, 2012 Oct 7–13 5 films · +4559% | 5 | $91.2M | +4559% | Sinister (2012) $82.5M |
| Week 41, 2013 Oct 6–12 6 films · +180% | 6 | $254.9M | +180% | Captain Phillips (2013) $218.8M |
| Week 41, 2014 Oct 5–11 8 films · −90% | 8 | $26.1M | −90% | Addicted (2014) $17.5M |
| Week 41, 2015 Oct 4–10 11 films · −5% | 11 | $24.8M | −5% | The Advocate: A Missing Body (2015) $7.6M |
| Week 41, 2016 Oct 2–8 8 films · +728% | 8 | $205.7M | +728% | The Girl on the Train (2016) $173.2M |
| Week 41, 2017 Oct 8–14 5 films · +32% | 5 | $272.3M | +32% | The Foreigner (2017) $145.4M |
53 weeks of 2017 with reported grosses; the biggest is week 15 (Apr 9–15) with $1.2B, led by The Fate of the Furious (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Foreigner (2017) leads with $145.4M worldwide, $34.4M of it in the US & Canada. Next come Happy Death Day (2017) at $125.5M and 6 Below: Miracle On The Mountain (2017) at $1.1M.
5 thriller films released in week 41 of 2017 (Oct 8–14) report a worldwide gross, $272.3M in all, or $54.5M per film on average. Week 40, 2017 releases took $410.5M.
None. 2 films crossed $100 million, led by The Foreigner (2017) with $145.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 2017 (Oct 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.