#1 of 5 2017 · Mystery, Thriller
$103M worldwide · 83% of the chart's total
Jigsaw (2017) is the highest-grossing thriller movie released in week 43 of 2017 (Oct 22–28), with $103M worldwide, ahead of Suburbicon (2017) at $12.8M and Amityville: The Awakening (2017) at $8.5M. 5 thriller films released that week report a worldwide gross, $124.2M in all, 35% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 49% on Week 42, 2017, whose releases took $241.8M. By language, English leads with $124.2M across 3 thriller releases.
#1 of 5 2017 · Mystery, Thriller
$103M worldwide · 83% of the chart's total
Jigsaw (2017) leads with $103M, 83% of the total. The top 5 together took $124.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 43 of 2017 (Oct 22–28).
Oct 27, 2017 US and Canada: $38.1M Rest of the world: $64.9M Worldwide: $103M
Oct 28, 2017 US and Canada: $742 Rest of the world: $8.5M Worldwide: $8.5M
Oct 27, 2017 US and Canada: – Rest of the world: – Worldwide: $23K
Oct 26, 2017 US and Canada: $10.7K Rest of the world: Worldwide: $10.7K Of the top 5, You Go To My Head (2017) earned the biggest share at home (100% in the US & Canada), while Amityville: The Awakening (2017) made 100% of its gross abroad. Across all 5 films, $43.8M (35%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 43 releases took $124.2M. The biggest of these 9 weeks is week 40 (Oct 1–7) with $410.5M, led by Blade Runner 2049 (2017).
Of these 10 years, Week 43, 2016 earned the most: $290M from 12 films, led by Jack Reacher: Never Go Back (2016). Week 43, 2017 took $124.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 43, 2008 Oct 19–25 9 films | 9 | $285M | – | Saw V (2008) $113.9M |
| Week 43, 2009 Oct 18–24 4 films · −62% | 4 | $108.4M | −62% | Saw VI (2009) $68.2M |
| Week 43, 2010 Oct 17–23 3 films · −98% | 3 | $1.8M | −98% | Hisss (2010) $1.6M |
| Week 43, 2011 Oct 16–22 5 films · +1384% | 5 | $26.4M | +1384% | Margin Call (2011) $19.5M |
| Week 43, 2012 Oct 21–27 6 films · +156% | 6 | $67.4M | +156% | Silent Hill: Revelation 3D (2012) $55.4M |
| Week 43, 2013 Oct 20–26 2 films · +9% | 2 | $73.5M | +9% | The Counselor (2013) $71M |
| Week 43, 2014 Oct 19–25 5 films · +159% | 5 | $190.5M | +159% | Ouija (2014) $103.7M |
| Week 43, 2015 Oct 18–24 2 films · −100% | 2 | $385.3K | −100% | Bone Tomahawk (2015) $382.6K |
| Week 43, 2016 Oct 16–22 12 films · +75156% | 12 | $290M | +75156% | Jack Reacher: Never Go Back (2016) $162.1M |
| Week 43, 2017 Oct 22–28 5 films · −57% | 5 | $124.2M | −57% | Jigsaw (2017) $103M |
53 weeks of 2017 with reported grosses; the biggest is week 15 (Apr 9–15) with $1.2B, led by The Fate of the Furious (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Jigsaw (2017) leads with $103M worldwide, $38.1M of it in the US & Canada. Next come Suburbicon (2017) at $12.8M and Amityville: The Awakening (2017) at $8.5M.
5 thriller films released in week 43 of 2017 (Oct 22–28) report a worldwide gross, $124.2M in all, or $24.8M per film on average. Week 42, 2017 releases took $241.8M.
None. 1 film crossed $100 million, led by Jigsaw (2017) with $103M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 43 of 2017 (Oct 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.