#1 of 6 2017 · Thriller, Drama
$43.9M worldwide · 49% of the chart's total
Battle of Memories (2017) is the highest-grossing thriller movie released in week 17 of 2017 (Apr 23–29), with $43.9M worldwide, ahead of The Circle (2017) at $40.7M and Sleight (2017) at $4M. 6 thriller films released that week report a worldwide gross, $88.7M in all, 28% of it from the US & Canada. That is 4 times the total of Week 16, 2017, whose releases took $22.4M. By language, English leads with $44.8M across 5 thriller releases.
#1 of 6 2017 · Thriller, Drama
$43.9M worldwide · 49% of the chart's total
Battle of Memories (2017) leads with $43.9M, 49% of the total. The top 5 together took $88.7M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2017 (Apr 23–29).
Apr 28, 2017 US and Canada: $594.6K Rest of the world: $43.3M Worldwide: $43.9M
Apr 28, 2017 US and Canada: $20.5M Rest of the world: $20.2M Worldwide: $40.7M
Apr 28, 2017 US and Canada: $4M Rest of the world: $3.5K Worldwide: $4M
Apr 28, 2017 US and Canada: – Rest of the world: – Worldwide: $87.3K
Apr 28, 2017 US and Canada: $73.1K Rest of the world: Worldwide: $73.1K
Apr 28, 2017 US and Canada: – Rest of the world: – Worldwide: $31.2K Of the top 6, Buster's Mal Heart (2017) earned the biggest share at home (100% in the US & Canada), while Battle of Memories (2017) made 99% of its gross abroad. Across all 6 films, $25.2M (28%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Week 17 releases took $88.7M. The biggest of these 9 weeks is week 15 (Apr 9–15) with $1.2B, led by The Fate of the Furious (2017).
Of these 10 years, Week 17, 2013 earned the most: $108.3M from 6 films, led by Pain & Gain (2013). Week 17, 2017 took $88.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 2008 Apr 20–26 3 films | 3 | $23M | – | Deception (2008) $18M |
| Week 17, 2009 Apr 19–25 5 films · +225% | 5 | $74.7M | +225% | Obsessed (2009) $73.8M |
| Week 17, 2010 Apr 18–24 2 films · −61% | 2 | $29.4M | −61% | The Losers (2010) $29.4M |
| Week 17, 2011 Apr 17–23 5 films · −87% | 5 | $3.8M | −87% | Hidden 3D (2011) $1.7M |
| Week 17, 2012 Apr 22–28 6 films · +2403% | 6 | $95.4M | +2403% | Safe (2012) $41.6M |
| Week 17, 2013 Apr 21–27 6 films · +13% | 6 | $108.3M | +13% | Pain & Gain (2013) $87.3M |
| Week 17, 2014 Apr 20–26 7 films · −91% | 7 | $10.2M | −91% | Locke (2014) $5.2M |
| Week 17, 2015 Apr 19–25 5 films · +151% | 5 | $25.7M | +151% | Kung Fu Killer (2015) $24.1M |
| Week 17, 2016 Apr 17–23 7 films · −77% | 7 | $5.8M | −77% | At the End of the Tunnel (2016) $3.2M |
| Week 17, 2017 Apr 23–29 6 films · +1426% | 6 | $88.7M | +1426% | Battle of Memories (2017) $43.9M |
53 weeks of 2017 with reported grosses; the biggest is week 15 (Apr 9–15) with $1.2B, led by The Fate of the Furious (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Battle of Memories (2017) leads with $43.9M worldwide, $594.6K of it in the US & Canada. Next come The Circle (2017) at $40.7M and Sleight (2017) at $4M.
6 thriller films released in week 17 of 2017 (Apr 23–29) report a worldwide gross, $88.7M in all, or $14.8M per film on average. Week 16, 2017 releases took $22.4M.
None. The biggest, Battle of Memories (2017), earned $43.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2017 (Apr 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.