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Thriller box office · Week 30 · Jul 23–29, 2017

Thriller Box Office, Week 30 of 2017: Thriller Releases of Jul 23–29

Atomic Blonde (2017) is the highest-grossing thriller movie released in week 30 of 2017 (Jul 23–29), with $100M worldwide, ahead of Detroit (2017) at $23.4M and Wrath of Silence (2017) at $8.5M. 6 thriller films released that week report a worldwide gross, $132.6M in all, 52% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 75% on Week 29, 2017, whose releases took $534.9M. By language, English leads with $124M across 4 thriller releases.

week 30 releases with a gross
6
combined worldwide
$132.6M
film crossed $100M
1
vs Week 29, 2017
−75%
Atomic Blonde (2017) movie poster #1 of 6
#1 thriller movie of Week 30, 2017

Atomic Blonde (2017)

2017 · Action, Mystery

$100M worldwide · 75% of the chart's total

$51.7M US & Canada · 52% $48.3M elsewhere · 48%
Top 5

What Were the Biggest Thriller Hits of Week 30 of 2017?

Atomic Blonde (2017) leads with $100M, 75% of the total. The top 5 together took $132.6M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Atomic Blonde (2017) movie poster Number 1
    $100M Atomic Blonde (2017)
    $51.7M US & Canada · 52% $48.3M elsewhere · 48%
  2. Detroit (2017) movie poster Number 2
    $23.4M Detroit (2017)
    $16.8M US & Canada · 72% $6.6M elsewhere · 28%
  3. Wrath of Silence (2017) movie poster Number 3
    $8.5M Wrath of Silence (2017)
    No US & Canada figure reported
  4. Imperfections (2017) movie poster Number 4
    $669.4K Imperfections (2017)
    No US & Canada figure reported
  5. Nibunan (2017) movie poster Number 5
    $27.9K Nibunan (2017)
    No US & Canada figure reported

US & Canada (domestic) Rest of the world

The chart

Every Thriller Release of Week 30 of 2017, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 30 of 2017 (Jul 23–29).

  1. 1 Atomic Blonde (2017) movie poster
    Atomic Blonde (2017) Jul 28, 2017 · English · Action, Mystery, Thriller $100M worldwide
    Jul 28, 2017 US and Canada: $51.7M Rest of the world: $48.3M Worldwide: $100M
  2. 2 Detroit (2017) movie poster
    Detroit (2017) Jul 28, 2017 · English · Drama, History, Thriller $23.4M worldwide
    Jul 28, 2017 US and Canada: $16.8M Rest of the world: $6.6M Worldwide: $23.4M
  3. 3 Wrath of Silence (2017) movie poster
    Wrath of Silence (2017) Jul 27, 2017 · Chinese · Thriller, Drama $8.5M worldwide
    Jul 27, 2017 US and Canada: – Rest of the world: – Worldwide: $8.5M
  4. 4 Imperfections (2017) movie poster
    Imperfections (2017) Jul 28, 2017 · English · Mystery, Thriller, Comedy $669.4K worldwide
    Jul 28, 2017 US and Canada: – Rest of the world: – Worldwide: $669.4K
  5. 5 Nibunan (2017) movie poster
    Nibunan (2017) Jul 28, 2017 · Tamil · Thriller, Crime, Action $27.9K worldwide
    Jul 28, 2017 US and Canada: – Rest of the world: – Worldwide: $27.9K
  6. 6 It Stains the Sands Red (2017) movie poster
    It Stains the Sands Red (2017) Jul 28, 2017 · English · Drama, Thriller, Horror $3.6K worldwide
    Jul 28, 2017 US and Canada: – Rest of the world: – Worldwide: $3.6K
Earlier years

How Does Week 30 of 2017 Compare With Earlier Years?

Of these 10 years, Week 30, 2016 earned the most: $585.7M from 6 films, led by Star Trek Beyond (2016). Week 30, 2017 took $132.6M.

Week Films Worldwide Change Biggest film
Week 30, 2008 Jul 20–26 1 film 1 $69.4M – The X Files: I Want to Believe (2008) $69.4M
Week 30, 2009 Jul 19–25 5 films · +121% 5 $153.1M +121% Orphan (2009) $77.9M
Week 30, 2010 Jul 18–24 2 films · +97% 2 $300.9M +97% Salt (2010) $293.5M
Week 30, 2011 Jul 17–23 4 films · +34% 4 $403.8M +34% Captain America: The First Avenger (2011) $370.6M
Week 30, 2012 Jul 22–28 4 films · −98% 4 $10M −98% Killer Joe (2012) $4.6M
Week 30, 2013 Jul 21–27 5 films · +509% 5 $60.9M +509% The Terror Live (2013) $35.7M
Week 30, 2014 Jul 20–26 5 films · +731% 5 $505.5M +731% Lucy (2014) $469.1M
Week 30, 2015 Jul 19–25 5 films · −79% 5 $108M −79% Southpaw (2015) $92M
Week 30, 2016 Jul 17–23 6 films · +442% 6 $585.7M +442% Star Trek Beyond (2016) $343.5M
Week 30, 2017 Jul 23–29 6 films · −77% 6 $132.6M −77% Atomic Blonde (2017) $100M
FAQ

Thriller Box Office Week 30 of 2017: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.

What is the highest-grossing thriller movie in week 30 of 2017 (Jul 23–29)?

Atomic Blonde (2017) leads with $100M worldwide, $51.7M of it in the US & Canada. Next come Detroit (2017) at $23.4M and Wrath of Silence (2017) at $8.5M.

How much did thriller movies released in week 30 of 2017 (Jul 23–29) earn?

6 thriller films released in week 30 of 2017 (Jul 23–29) report a worldwide gross, $132.6M in all, or $22.1M per film on average. Week 29, 2017 releases took $534.9M.

How many thriller movies released in week 30 of 2017 (Jul 23–29) made $1 billion?

None. 1 film crossed $100 million, led by Atomic Blonde (2017) with $100M.

How much of the Week 30, 2017 Thriller box office came from the US and Canada?

$68.5M of the $132.6M total, or 52%, was earned in the US & Canada (the domestic market); the rest came from other countries. 4 films of the 6 report no domestic figure.

How is the week 30, 2017 thriller box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 30 of 2017 (Jul 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 30, 2017 thriller box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.