#1 of 6 2017 · Drama, Thriller
$17.8M worldwide · 79% of the chart's total
Unforgettable (2017) is the highest-grossing thriller movie released in week 16 of 2017 (Apr 16–22), with $17.8M worldwide, ahead of Free Fire (2017) at $3.7M and A Violent Life (2017) at $652.3K. 6 thriller films released that week report a worldwide gross, $22.4M in all, 59% of it from the US & Canada. That is down 98% on Week 15, 2017, whose releases took $1.2B. By language, Tagalog leads with $17.8M across 1 thriller release.
#1 of 6 2017 · Drama, Thriller
$17.8M worldwide · 79% of the chart's total
Unforgettable (2017) leads with $17.8M, 79% of the total. The top 5 together took $22.4M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2017 (Apr 16–22).
Apr 21, 2017 US and Canada: $11.4M Rest of the world: $6.4M Worldwide: $17.8M
Apr 21, 2017 US and Canada: $1.8M Rest of the world: $1.9M Worldwide: $3.7M
Apr 21, 2017 US and Canada: – Rest of the world: – Worldwide: $652.3K
Apr 21, 2017 US and Canada: – Rest of the world: – Worldwide: $249.1K
Apr 21, 2017 US and Canada: $31.1K Rest of the world: Worldwide: $31.1K
Apr 21, 2017 US and Canada: – Rest of the world: – Worldwide: $19.5K Of the top 6, 7 Witches (2017) earned the biggest share at home (100% in the US & Canada), while Free Fire (2017) made 52% of its gross abroad. Across all 6 films, $13.2M (59%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 16 releases took $22.4M. The biggest of these 9 weeks is week 15 (Apr 9–15) with $1.2B, led by The Fate of the Furious (2017).
Of these 10 years, Week 16, 2010 earned the most: $201.6M from 6 films, led by Kick-Ass (2010). Week 16, 2017 took $22.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 16, 2008 Apr 13–19 4 films | 4 | $43.8M | – | 88 Minutes (2008) $32.6M |
| Week 16, 2009 Apr 12–18 4 films · +271% | 4 | $162.2M | +271% | State of Play (2009) $87.8M |
| Week 16, 2010 Apr 11–17 6 films · +24% | 6 | $201.6M | +24% | Kick-Ass (2010) $96.2M |
| Week 16, 2011 Apr 10–16 2 films · −52% | 2 | $97.2M | −52% | Scream 4 (2011) $97.2M |
| Week 16, 2012 Apr 15–21 No films | 0 | – | – | – |
| Week 16, 2013 Apr 14–20 6 films | 6 | $18M | – | In the House (2013) $16.2M |
| Week 16, 2014 Apr 13–19 4 films · +479% | 4 | $103.9M | +479% | Transcendence (2014) $103M |
| Week 16, 2015 Apr 12–18 6 films · −21% | 6 | $82.5M | −21% | Unfriended (2015) $62.9M |
| Week 16, 2016 Apr 10–16 10 films · +4% | 10 | $85.8M | +4% | Criminal (2016) $38.8M |
| Week 16, 2017 Apr 16–22 6 films · −74% | 6 | $22.4M | −74% | Unforgettable (2017) $17.8M |
53 weeks of 2017 with reported grosses; the biggest is week 15 (Apr 9–15) with $1.2B, led by The Fate of the Furious (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Unforgettable (2017) leads with $17.8M worldwide, $11.4M of it in the US & Canada. Next come Free Fire (2017) at $3.7M and A Violent Life (2017) at $652.3K.
6 thriller films released in week 16 of 2017 (Apr 16–22) report a worldwide gross, $22.4M in all, or $3.7M per film on average. Week 15, 2017 releases took $1.2B.
None. The biggest, Unforgettable (2017), earned $17.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2017 (Apr 16–22). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.