#1 of 8 #1 thriller movie of Week 3, 2017
xXx: Return of Xander Cage (2017)
2017 · Action, Adventure
$346.1M worldwide · 55% of the chart's total
$44.9M US & Canada · 13% $301.2M elsewhere · 87%
Thriller box office · Week 3 · Jan 15–21, 2017
Thriller Box Office, Week 3 of 2017: Thriller Releases of Jan 15–21
xXx: Return of Xander Cage (2017) is the highest-grossing thriller movie released in week 3 of 2017 (Jan 15–21), with $346.1M worldwide, ahead of Split (2017) at $278.5M and Trespass Against Us (2017) at $517.2K. 8 thriller films released that week report a worldwide gross, $625.5M in all, 29% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is 9.9 times the total of Week 2, 2017, whose releases took $62.9M. By language, English leads with $625.1M across 3 thriller releases.
- week 3 releases with a gross
- 8
- combined worldwide
- $625.5M
- films crossed $100M
- 2
- vs Week 2, 2017
- ×9.9
#1 of 8 Top 5
What Were the Biggest Thriller Hits of Week 3 of 2017?
xXx: Return of Xander Cage (2017) leads with $346.1M, 55% of the total. The top 5 together took $625.5M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Thriller Release of Week 3 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 3 of 2017 (Jan 15–21).
- 1 xXx: Return of Xander Cage (2017)Jan 20, 2017 US and Canada: $44.9M Rest of the world: $301.2M Worldwide: $346.1M
Jan 20, 2017 · English · Action, Adventure, Thriller $346.1M worldwide - 2 Jan 20, 2017 US and Canada: $138.3M Rest of the world: $140.2M Worldwide: $278.5M
- 3 Jan 20, 2017 US and Canada: $5.7K Rest of the world: $511.5K Worldwide: $517.2K
- 4 Jan 20, 2017 US and Canada: – Rest of the world: – Worldwide: $287.7K
- 5 Jan 18, 2017 US and Canada: – Rest of the world: – Worldwide: $109.9K
- 6
Jan 15, 2017 US and Canada: – Rest of the world: – Worldwide: $29K - 7
Jan 19, 2017 US and Canada: – Rest of the world: – Worldwide: $20.8K - 8
Jan 20, 2017 US and Canada: $1.8K Rest of the world: Worldwide: $1.8K
US & Canada vs the world
Where Did the Money Come From in Week 3 of 2017?
Of the top 8, Detour (2017) earned the biggest share at home (100% in the US & Canada), while Trespass Against Us (2017) made 99% of its gross abroad. Across all 8 films, $183.2M (29%) came from the US & Canada. 4 films of the top 8 report no US & Canada figure.
- 1 xXx: Return of Xander Cage (2017) $346.1M $44.9M US & Canada · 13% $301.2M elsewhere · 87%
- 2 Split (2017) $278.5M $138.3M US & Canada · 50% $140.2M elsewhere · 50%
- 3 Trespass Against Us (2017) $517.2K $5.7K US & Canada · 1% $511.5K elsewhere · 99%
- 4 Piccoli crimini coniugali (2017) $287.7K No US & Canada figure reported
- 5 The Poisoning Angel (2017) $109.9K No US & Canada figure reported
- 6 Khaidi No. 150 (2017) $29K No US & Canada figure reported
- 7 Darkland (2017) $20.8K No US & Canada figure reported
- 8 Detour (2017) $1.8K $1.8K US & Canada · 100% elsewhere · 0%
Weeks around it
How Does Week 3 Compare With the Weeks Around It?
Week 3 releases took $625.5M. The biggest of these 9 weeks is week 3 (Jan 15–21) with $625.5M, led by xXx: Return of Xander Cage (2017).
- Week 50, 2016 Wk 50 Dec 4–10 Pandora (2016) $31.9M Pandora (2016)
- Week 51, 2016 Wk 51 Dec 11–17 Solace (2016) $26.9M Solace (2016)
- Week 52, 2016 Wk 52 Dec 18–24 Patriots Day (2016) $52.2M Patriots Day (2016)
- Week 53, 2016 Wk 53 Dec 25–31 Cherry Returns (2016) $4.9M Cherry Returns (2016)
- Week 1 Wk 1 Jan 1–7 Arsenal (2017) $56.8K Arsenal (2017)
- Week 2 Wk 2 Jan 8–14 Sleepless (2017) $62.9M Sleepless (2017)
- Week 3 Wk 3 Jan 15–21 xXx: Return of Xander Cage (2017) $625.5M xXx: Return of Xander Cage (2017)
- Week 4 Wk 4 Jan 22–28 Resident Evil: The Final Chapter (2017) $382.7M Resident Evil: The Final Chapter (2017)
- Week 5 Wk 5 Jan 29–Feb 4 Eloise (2017) $386.9K Eloise (2017)
Earlier years
How Does Week 3 of 2017 Compare With Earlier Years?
Of these 10 years, Week 3, 2017 earned the most: $625.5M from 8 films, led by xXx: Return of Xander Cage (2017).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 3, 2008 Jan 13–19 5 films | 5 | $241.5M | – | Cloverfield (2008) $172.4M |
| Week 3, 2009 Jan 11–17 3 films · −56% | 3 | $107.4M | −56% | My Bloody Valentine (2009) $100.7M |
| Week 3, 2010 Jan 10–16 2 films · +54% | 2 | $165.6M | +54% | The Book of Eli (2010) $157.1M |
| Week 3, 2011 Jan 9–15 4 films · +38% | 4 | $228.4M | +38% | The Green Hornet (2011) $227.8M |
| Week 3, 2012 Jan 15–21 2 films · −85% | 2 | $34.6M | −85% | Haywire (2012) $34.5M |
| Week 3, 2013 Jan 13–19 4 films · +28% | 4 | $44.2M | +28% | Broken City (2013) $34.7M |
| Week 3, 2014 Jan 12–18 4 films · +221% | 4 | $142.1M | +221% | Jack Ryan: Shadow Recruit (2014) $135.5M |
| Week 3, 2015 Jan 11–17 2 films · −85% | 2 | $21.2M | −85% | Blackhat (2015) $19.7M |
| Week 3, 2016 Jan 10–16 9 films · −98% | 9 | $431.5K | −98% | Intruders (2016) $236.2K |
| Week 3, 2017 Jan 15–21 8 films · +144853% | 8 | $625.5M | +144853% | xXx: Return of Xander Cage (2017) $346.1M |
By language
Which Languages Do the Biggest Thriller Movies Speak in Week 3 of 2017?
English-language thriller films took $625.1M across 3 films, 100% of the total, ahead of Italian-language thriller films ($287.7K) and French-language thriller films ($109.9K).
Week 3 of 2017 Thriller Box Office by Language
Archive
Thriller Box Office in 2017, Week by Week
53 weeks of 2017 with reported grosses; the biggest is week 15 (Apr 9–15) with $1.2B, led by The Fate of the Furious (2017).
- Week 1 $56.8K
- Week 2 $62.9M
- Week 3 $625.5M
- Week 4 $382.7M
- Week 5 $386.9K
- Week 6 $193.3M
- Week 7 $362.6M
- Week 8 $259.9M
- Week 9 $624.7M
- Week 10 $5.1M
- Week 11 $20M
- Week 12 $106.2M
- Week 13 $271.2M
- Week 14 $8.8M
- Week 15 $1.2B
- Week 16 $22.4M
- Week 17 $88.7M
- Week 18 $106.1M
- Week 19 $7.2M
- Week 20 $242.1M
- Week 21 $6.3M
- Week 22 $7M
- Week 23 $409.5M
- Week 24 $73.3M
- Week 25 $606.7M
- Week 26 $234.7M
- Week 27 $57.1M
- Week 28 $514.2M
- Week 29 $534.9M
- Week 30 $132.6M
- Week 31 $79.5M
- Week 32 $316.2M
- Week 33 $3.8M
- Week 34 $20.8M
- Week 35 $31.6M
- Week 36 $743.9M
- Week 37 $118.7M
- Week 38 $24.5M
- Week 39 $54.2M
- Week 40 $410.5M
- Week 41 $272.3M
- Week 42 $241.8M
- Week 43 $124.2M
- Week 44 $16.2M
- Week 45 $3.6M
- Week 46 $612K
- Week 47 $7.7M
- Week 48 $52.9M
- Week 49 $11.5M
- Week 50 $33.8M
- Week 51 $282.2M
- Week 52 $157.7M
- Week 53 $41.3K
FAQ
Thriller Box Office Week 3 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
What is the highest-grossing thriller movie in week 3 of 2017 (Jan 15–21)?
xXx: Return of Xander Cage (2017) leads with $346.1M worldwide, $44.9M of it in the US & Canada. Next come Split (2017) at $278.5M and Trespass Against Us (2017) at $517.2K.
How much did thriller movies released in week 3 of 2017 (Jan 15–21) earn?
8 thriller films released in week 3 of 2017 (Jan 15–21) report a worldwide gross, $625.5M in all, or $78.2M per film on average. Week 2, 2017 releases took $62.9M.
How many thriller movies released in week 3 of 2017 (Jan 15–21) made $1 billion?
None. 2 films crossed $100 million, led by xXx: Return of Xander Cage (2017) with $346.1M.
How is the week 3, 2017 thriller box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 3 of 2017 (Jan 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 3, 2017 thriller box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.