#1 of 7 2017 · Thriller, Action
$9.7M worldwide · 47% of the chart's total
V.I.P. (2017) is the highest-grossing thriller movie released in week 34 of 2017 (Aug 20–26), with $9.7M worldwide, ahead of The Villainess (2017) at $8.7M and Vivegam (2017) at $1.2M. 7 thriller films released that week report a worldwide gross, $20.8M in all, <1% of it from the US & Canada. That is 5.5 times the total of Week 33, 2017, whose releases took $3.8M. By language, Korean leads with $18.4M across 2 thriller releases.
#1 of 7 2017 · Thriller, Action
$9.7M worldwide · 47% of the chart's total
V.I.P. (2017) leads with $9.7M, 47% of the total. The top 5 together took $20.7M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 34 of 2017 (Aug 20–26).
Aug 23, 2017 US and Canada: – Rest of the world: – Worldwide: $9.7M
Aug 25, 2017 US and Canada: $27.7K Rest of the world: $8.7M Worldwide: $8.7M
Aug 24, 2017 US and Canada: – Rest of the world: – Worldwide: $1.2M
Aug 25, 2017 US and Canada: – Rest of the world: – Worldwide: $1M
Aug 25, 2017 US and Canada: $18.2K Rest of the world: $124.9K Worldwide: $143.1K
Aug 23, 2017 US and Canada: – Rest of the world: – Worldwide: $57.9K
Aug 25, 2017 US and Canada: $2.3K Rest of the world: Worldwide: $2.3K Of the top 7, Red Christmas (2017) earned the biggest share at home (100% in the US & Canada), while The Villainess (2017) made 100% of its gross abroad. Across all 7 films, $48.2K (<1%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 34 releases took $20.8M. The biggest of these 9 weeks is week 36 (Sep 3–9) with $743.9M, led by It (2017).
Of these 10 years, Week 34, 2009 earned the most: $323.2M from 6 films, led by Inglourious Basterds (2009). Week 34, 2017 took $20.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 34, 2008 Aug 17–23 3 films | 3 | $76.5M | – | Death Race (2008) $76M |
| Week 34, 2009 Aug 16–22 6 films · +322% | 6 | $323.2M | +322% | Inglourious Basterds (2009) $321.5M |
| Week 34, 2010 Aug 15–21 6 films · −68% | 6 | $104.3M | −68% | Piranha 3-D (2010) $83.2M |
| Week 34, 2011 Aug 14–20 4 films · −87% | 4 | $13.3M | −87% | False Trail (2011) $7.8M |
| Week 34, 2012 Aug 19–25 5 films · +224% | 5 | $43.1M | +224% | Premium Rush (2012) $31.1M |
| Week 34, 2013 Aug 18–24 5 films · −71% | 5 | $12.6M | −71% | The Frozen Ground (2013) $5.6M |
| Week 34, 2014 Aug 17–23 5 films · +271% | 5 | $46.6M | +271% | Sin City: A Dame To Kill For (2014) $39.4M |
| Week 34, 2015 Aug 16–22 3 films · +191% | 3 | $135.7M | +191% | Hitman: Agent 47 (2015) $82.3M |
| Week 34, 2016 Aug 14–20 5 films · −34% | 5 | $89.9M | −34% | War Dogs (2016) $86.4M |
| Week 34, 2017 Aug 20–26 7 films · −77% | 7 | $20.8M | −77% | V.I.P. (2017) $9.7M |
53 weeks of 2017 with reported grosses; the biggest is week 15 (Apr 9–15) with $1.2B, led by The Fate of the Furious (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
V.I.P. (2017) leads with $9.7M worldwide. Next come The Villainess (2017) at $8.7M and Vivegam (2017) at $1.2M.
7 thriller films released in week 34 of 2017 (Aug 20–26) report a worldwide gross, $20.8M in all, or $3M per film on average. Week 33, 2017 releases took $3.8M.
None. The biggest, V.I.P. (2017), earned $9.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 34 of 2017 (Aug 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.