#1 of 5 2012 · Action, Thriller
$31.1M worldwide · 72% of the chart's total
Premium Rush (2012) is the highest-grossing thriller movie released in week 34 of 2012 (Aug 19–25), with $31.1M worldwide, ahead of The Apparition (2012) at $11.4M and Neighboring Sounds (2012) at $467.5K. 5 thriller films released that week report a worldwide gross, $43.1M in all, 59% of it from the US & Canada. That is down 87% on Week 33, 2012, whose releases took $329.1M. By language, English leads with $42.6M across 4 thriller releases.
#1 of 5 2012 · Action, Thriller
$31.1M worldwide · 72% of the chart's total
Premium Rush (2012) leads with $31.1M, 72% of the total. The top 5 together took $43.1M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 34 of 2012 (Aug 19–25).
Aug 24, 2012 US and Canada: $20.3M Rest of the world: $10.8M Worldwide: $31.1M
Aug 24, 2012 US and Canada: $4.9M Rest of the world: $6.4M Worldwide: $11.4M
Aug 24, 2012 US and Canada: $60.3K Rest of the world: $407.2K Worldwide: $467.5K
Aug 19, 2012 US and Canada: $144.1K Rest of the world: Worldwide: $144.1K
Aug 23, 2012 US and Canada: – Rest of the world: – Worldwide: $39.6K Of the top 5, From Beneath (2012) earned the biggest share at home (100% in the US & Canada), while Neighboring Sounds (2012) made 87% of its gross abroad. Across all 5 films, $25.4M (59%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 34 releases took $43.1M. The biggest of these 9 weeks is week 29 (Jul 15–21) with $1.1B, led by The Dark Knight Rises (2012).
Of these 10 years, Week 34, 2009 earned the most: $323.2M from 6 films, led by Inglourious Basterds (2009). Week 34, 2012 took $43.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 34, 2003 Aug 17–23 1 film | 1 | $34.3M | – | The Medallion (2003) $34.3M |
| Week 34, 2004 Aug 15–21 2 films · +135% | 2 | $80.5M | +135% | Exorcist: The Beginning (2004) $78.1M |
| Week 34, 2005 Aug 14–20 1 film · +20% | 1 | $96.3M | +20% | Red Eye (2005) $96.3M |
| Week 34, 2006 Aug 20–26 4 films · −92% | 4 | $7.3M | −92% | No Mercy for the Rude (2006) $4.9M |
| Week 34, 2007 Aug 19–25 6 films · +694% | 6 | $58.1M | +694% | War (2007) $42.7M |
| Week 34, 2008 Aug 17–23 3 films · +32% | 3 | $76.5M | +32% | Death Race (2008) $76M |
| Week 34, 2009 Aug 16–22 6 films · +322% | 6 | $323.2M | +322% | Inglourious Basterds (2009) $321.5M |
| Week 34, 2010 Aug 15–21 6 films · −68% | 6 | $104.3M | −68% | Piranha 3-D (2010) $83.2M |
| Week 34, 2011 Aug 14–20 4 films · −87% | 4 | $13.3M | −87% | False Trail (2011) $7.8M |
| Week 34, 2012 Aug 19–25 5 films · +224% | 5 | $43.1M | +224% | Premium Rush (2012) $31.1M |
50 weeks of 2012 with reported grosses; the biggest is week 18 (Apr 29–May 5) with $1.5B, led by The Avengers (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Premium Rush (2012) leads with $31.1M worldwide, $20.3M of it in the US & Canada. Next come The Apparition (2012) at $11.4M and Neighboring Sounds (2012) at $467.5K.
5 thriller films released in week 34 of 2012 (Aug 19–25) report a worldwide gross, $43.1M in all, or $8.6M per film on average. Week 33, 2012 releases took $329.1M.
None. The biggest, Premium Rush (2012), earned $31.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 34 of 2012 (Aug 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.