#1 of 5 2012 · Action, Adventure
$276.1M worldwide · 100% of the chart's total
The Bourne Legacy (2012) is the highest-grossing thriller movie released in week 32 of 2012 (Aug 5–11), with $276.1M worldwide, ahead of Twixt (2012) at $649.8K and Offender (2012) at $183K. 5 thriller films released that week report a worldwide gross, $277.1M in all, 41% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 38% on Week 31, 2012, whose releases took $200.4M. By language, English leads with $277.1M across 5 thriller releases.
#1 of 5 2012 · Action, Adventure
$276.1M worldwide · 100% of the chart's total
The Bourne Legacy (2012) leads with $276.1M, 100% of the total. The top 5 together took $277.1M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 32 of 2012 (Aug 5–11).
Aug 10, 2012 US and Canada: $113.2M Rest of the world: $162.9M Worldwide: $276.1M
Aug 10, 2012 US and Canada: $2K Rest of the world: $647.8K Worldwide: $649.8K
Aug 8, 2012 US and Canada: – Rest of the world: – Worldwide: $183K
Aug 5, 2012 US and Canada: – Rest of the world: – Worldwide: $77.8K
Aug 10, 2012 US and Canada: $16K Rest of the world: Worldwide: $16K Of the top 5, Supercapitalist (2012) earned the biggest share at home (100% in the US & Canada), while Twixt (2012) made 100% of its gross abroad. Across all 5 films, $113.2M (41%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 32 releases took $277.1M. The biggest of these 9 weeks is week 29 (Jul 15–21) with $1.1B, led by The Dark Knight Rises (2012).
Of these 10 years, Week 32, 2009 earned the most: $328M from 4 films, led by G.I. Joe: The Rise of Cobra (2009). Week 32, 2012 took $277.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 32, 2003 Aug 3–9 1 film | 1 | $207.7M | – | S.W.A.T. (2003) $207.7M |
| Week 32, 2004 Aug 1–7 4 films · +33% | 4 | $276.4M | +33% | Collateral (2004) $220.2M |
| Week 32, 2005 Jul 31–Aug 6 1 film · −99% | 1 | $1.9M | −99% | Secuestro express (2005) $1.9M |
| Week 32, 2006 Aug 6–12 1 film · −99% | 1 | $17.4K | −99% | The Paper Will Be Blue (2006) $17.4K |
| Week 32, 2007 Aug 5–11 3 films · +1500457% | 3 | $261.4M | +1500457% | Rush Hour 3 (2007) $258.1M |
| Week 32, 2008 Aug 3–9 7 films · −56% | 7 | $114.5M | −56% | Pineapple Express (2008) $101.6M |
| Week 32, 2009 Aug 2–8 4 films · +186% | 4 | $328M | +186% | G.I. Joe: The Rise of Cobra (2009) $302.5M |
| Week 32, 2010 Aug 1–7 5 films · −85% | 5 | $49.2M | −85% | The Man from Nowhere (2010) $44.7M |
| Week 32, 2011 Jul 31–Aug 6 1 film · −99% | 1 | $681.4K | −99% | Ghastly (2011) $681.4K |
| Week 32, 2012 Aug 5–11 5 films · +40562% | 5 | $277.1M | +40562% | The Bourne Legacy (2012) $276.1M |
50 weeks of 2012 with reported grosses; the biggest is week 18 (Apr 29–May 5) with $1.5B, led by The Avengers (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Bourne Legacy (2012) leads with $276.1M worldwide, $113.2M of it in the US & Canada. Next come Twixt (2012) at $649.8K and Offender (2012) at $183K.
5 thriller films released in week 32 of 2012 (Aug 5–11) report a worldwide gross, $277.1M in all, or $55.4M per film on average. Week 31, 2012 releases took $200.4M.
None. 1 film crossed $100 million, led by The Bourne Legacy (2012) with $276.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 32 of 2012 (Aug 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.