#1 of 5 2012 · Action, Adventure
$303M worldwide · 100% of the chart's total
Battleship (2012) is the highest-grossing thriller movie released in week 20 of 2012 (May 13–19), with $303M worldwide, ahead of Lovely Molly (2012) at $638.3K and Distortion (2012) at $153.5K. 5 thriller films released that week report a worldwide gross, $303.9M in all, 22% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 22% on Week 19, 2012, whose releases took $248.6M. By language, English leads with $303.7M across 3 thriller releases.
#1 of 5 2012 · Action, Adventure
$303M worldwide · 100% of the chart's total
Battleship (2012) leads with $303M, 100% of the total. The top 5 together took $303.9M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 20 of 2012 (May 13–19).
May 18, 2012 US and Canada: $65.4M Rest of the world: $237.6M Worldwide: $303M
May 18, 2012 US and Canada: $18.5K Rest of the world: $619.8K Worldwide: $638.3K
May 17, 2012 US and Canada: – Rest of the world: – Worldwide: $153.5K
May 18, 2012 US and Canada: – Rest of the world: – Worldwide: $27.4K
May 18, 2012 US and Canada: $2.5K Rest of the world: $12.7K Worldwide: $15.2K Of the top 5, Battleship (2012) earned the biggest share at home (22% in the US & Canada), while Lovely Molly (2012) made 97% of its gross abroad. Across all 5 films, $65.4M (22%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 20 releases took $303.9M. The biggest of these 9 weeks is week 18 (Apr 29–May 5) with $1.5B, led by The Avengers (2012).
Of these 10 years, Week 20, 2006 earned the most: $784M from 4 films, led by The Da Vinci Code (2006). Week 20, 2012 took $303.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 20, 2003 May 11–17 1 film | 1 | $741.8M | – | The Matrix Reloaded (2003) $741.8M |
| Week 20, 2004 May 9–15 2 films · −100% | 2 | $2.6M | −100% | The Consequences of Love (2004) $2.6M |
| Week 20, 2005 May 8–14 6 films · +3164% | 6 | $83.9M | +3164% | Unleashed (2005) $50.9M |
| Week 20, 2006 May 14–20 4 films · +834% | 4 | $784M | +834% | The Da Vinci Code (2006) $760M |
| Week 20, 2007 May 13–19 4 films · −98% | 4 | $15.3M | −98% | Severance (2007) $5.5M |
| Week 20, 2008 May 11–17 2 films · −92% | 2 | $1.2M | −92% | Sangre De Mi Sangre (2008) $1M |
| Week 20, 2009 May 10–16 2 films · +41702% | 2 | $490.7M | +41702% | Angels & Demons (2009) $485.9M |
| Week 20, 2010 May 9–15 3 films · −100% | 3 | $1.9M | −100% | Bedevilled (2010) $1.1M |
| Week 20, 2011 May 8–14 3 films · +4107% | 3 | $78.5M | +4107% | Priest (2011) $78.3M |
| Week 20, 2012 May 13–19 5 films · +287% | 5 | $303.9M | +287% | Battleship (2012) $303M |
50 weeks of 2012 with reported grosses; the biggest is week 18 (Apr 29–May 5) with $1.5B, led by The Avengers (2012).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Battleship (2012) leads with $303M worldwide, $65.4M of it in the US & Canada. Next come Lovely Molly (2012) at $638.3K and Distortion (2012) at $153.5K.
5 thriller films released in week 20 of 2012 (May 13–19) report a worldwide gross, $303.9M in all, or $60.8M per film on average. Week 19, 2012 releases took $248.6M.
None. 1 film crossed $100 million, led by Battleship (2012) with $303M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 20 of 2012 (May 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.