#1 of 16 #1 English-language movie of Week 17, 2017
How to Be a Latin Lover (2017)
2017 · Comedy
$62.5M worldwide · 57% of the chart's total
$32.1M US & Canada · 51% $30.4M elsewhere · 49%
English box office · Week 17 · Apr 23–29, 2017
English Box Office, Week 17 of 2017: English Releases of Apr 23–29
How to Be a Latin Lover (2017) is the highest-grossing English-language movie released in week 17 of 2017 (Apr 23–29), with $62.5M worldwide, ahead of The Circle (2017) at $40.7M and Sleight (2017) at $4M. 16 English-language films released that week report a worldwide gross, $108.9M in all, 52% of it from the US & Canada. That is up 78% on Week 16, 2017, whose releases took $61.3M. By genre, Comedy leads with $62.5M across 1 English release.
- week 17 releases with a gross
- 16
- combined worldwide
- $108.9M
- How to Be a Latin Lover (2017), the #1
- $62.5M
- vs Week 16, 2017
- +78%
#1 of 16 Top 5
What Were the Biggest English Hits of Week 17 of 2017?
How to Be a Latin Lover (2017) leads with $62.5M, 57% of the total. The top 5 together took $107.9M, 99% of what all 16 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 17 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2017 (Apr 23–29).
- 1 Apr 28, 2017 US and Canada: $32.1M Rest of the world: $30.4M Worldwide: $62.5M
- 2 Apr 28, 2017 US and Canada: $20.5M Rest of the world: $20.2M Worldwide: $40.7M
- 3 Apr 28, 2017 US and Canada: $4M Rest of the world: $3.5K Worldwide: $4M
- 4 Apr 29, 2017 US and Canada: – Rest of the world: – Worldwide: $368.4K
- 5 Apr 26, 2017 US and Canada: $315K Rest of the world: Worldwide: $315K
- 6
Apr 27, 2017 US and Canada: – Rest of the world: – Worldwide: $295K - 7
Apr 28, 2017 US and Canada: – Rest of the world: – Worldwide: $200.4K - 8
Apr 24, 2017 US and Canada: – Rest of the world: – Worldwide: $175.7K - 9
Apr 28, 2017 US and Canada: – Rest of the world: – Worldwide: $87.3K - 10
Apr 28, 2017 US and Canada: $73.1K Rest of the world: Worldwide: $73.1K - 11
Apr 26, 2017 US and Canada: $59.3K Rest of the world: Worldwide: $59.3K - 12
Apr 28, 2017 US and Canada: – Rest of the world: – Worldwide: $33.7K - 13
Apr 25, 2017 US and Canada: $31.5K Rest of the world: Worldwide: $31.5K - 14
Apr 28, 2017 US and Canada: – Rest of the world: – Worldwide: $31.2K - 15
Apr 28, 2017 US and Canada: – Rest of the world: – Worldwide: $23.7K - 16
Apr 28, 2017 US and Canada: – Rest of the world: – Worldwide: $297
US & Canada vs the world
Where Did the Money Come From in Week 17 of 2017?
Of the top 10, Obit (2017) earned the biggest share at home (100% in the US & Canada), while The Circle (2017) made 50% of its gross abroad. Across all 16 films, $57.1M (52%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
- 1 How to Be a Latin Lover (2017) $62.5M $32.1M US & Canada · 51% $30.4M elsewhere · 49%
- 2 The Circle (2017) $40.7M $20.5M US & Canada · 50% $20.2M elsewhere · 50%
- 3 Sleight (2017) $4M $4M US & Canada · 100% $3.5K elsewhere · <1%
- 4 Pecking Order (2017) $368.4K No US & Canada figure reported
- 5 Obit (2017) $315K $315K US & Canada · 100% elsewhere · 0%
- 6 Never Leave Alive (2017) $295K No US & Canada figure reported
- 7 Beyond the River (2017) $200.4K No US & Canada figure reported
- 8 The Girl from the Song (2017) $175.7K No US & Canada figure reported
- 9 Voice from the Stone (2017) $87.3K No US & Canada figure reported
- 10 Buster's Mal Heart (2017) $73.1K $73.1K US & Canada · 100% elsewhere · 0%
Gross bands
How Many Week 17 of 2017 Releases Crossed $100 Million?
None of the 16 films reached $100M. 14 films, 88% of the list, earned under $10M. Each band shows its films and its share of the $108.9M total.
95%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 2 films, 13% of the list $103.2M · 95% of the gross
- Under $10M 14 films, 88% of the list $5.7M · 5% of the gross
Weeks around it
How Does Week 17 Compare With the Weeks Around It?
Week 17 releases took $108.9M. The biggest of these 9 weeks is week 11 (Mar 12–18) with $1.3B, led by Beauty and the Beast (2017).
- Week 11 Wk 11 Mar 12–18 Beauty and the Beast (2017) $1.3B Beauty and the Beast (2017)
- Week 12 Wk 12 Mar 19–25 Saban's Power Rangers (2017) $172.9M Saban's Power Rangers (2017)
- Week 13 Wk 13 Mar 26–Apr 1 The Boss Baby (2017) $745.9M The Boss Baby (2017)
- Week 14 Wk 14 Apr 2–8 Smurfs: The Lost Village (2017) $375.2M Smurfs: The Lost Village (2017)
- Week 15 Wk 15 Apr 9–15 The Fate of the Furious (2017) $1.3B The Fate of the Furious (2017)
- Week 16 Wk 16 Apr 16–22 Born in China (2017) $61.3M Born in China (2017)
- Week 17 Wk 17 Apr 23–29 How to Be a Latin Lover (2017) $108.9M How to Be a Latin Lover (2017)
- Week 18 Wk 18 Apr 30–May 6 Guardians of the Galaxy Vol. 2 (2017) $930.6M Guardians of the Galaxy Vol. 2 (2017)
- Week 19 Wk 19 May 7–13 King Arthur: Legend of the Sword (2017) $244.6M King Arthur: Legend of the Sword (2017)
Earlier years
How Does Week 17 of 2017 Compare With Earlier Years?
Of these 10 years, Week 17, 2014 earned the most: $320.9M from 11 films, led by The Other Woman (2014). Week 17, 2017 took $108.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 2008 Apr 20–26 15 films | 15 | $141.3M | – | Baby Mama (2008) $64.4M |
| Week 17, 2009 Apr 19–25 12 films · −90% | 12 | $14.7M | −90% | Il Divo (2009) $11.3M |
| Week 17, 2010 Apr 18–24 12 films · +436% | 12 | $79.1M | +436% | The Back-up Plan (2010) $77.5M |
| Week 17, 2011 Apr 17–23 12 films · +163% | 12 | $208.2M | +163% | Water for Elephants (2011) $117.1M |
| Week 17, 2012 Apr 22–28 14 films · +10% | 14 | $229.6M | +10% | The Pirates! Band of Misfits (2012) $123.1M |
| Week 17, 2013 Apr 21–27 9 films · −25% | 9 | $171.5M | −25% | Pain & Gain (2013) $87.3M |
| Week 17, 2014 Apr 20–26 11 films · +87% | 11 | $320.9M | +87% | The Other Woman (2014) $196.7M |
| Week 17, 2015 Apr 19–25 16 films · −54% | 16 | $148.4M | −54% | The Age of Adaline (2015) $65.7M |
| Week 17, 2016 Apr 17–23 12 films · +28% | 12 | $190.6M | +28% | The Huntsman: Winter's War (2016) $165M |
| Week 17, 2017 Apr 23–29 16 films · −43% | 16 | $108.9M | −43% | How to Be a Latin Lover (2017) $62.5M |
By genre
Which English Genres Earned the Most in Week 17 of 2017?
Comedy took $62.5M across 1 film, 57% of the total, ahead of Drama ($45.2M) and Thriller ($44.8M). A film counts once for each of its genres.
Week 17 of 2017 English Box Office by Genre
-
Comedy $62.5M1 film · #1 How to Be a Latin Lover (2017) -
Drama $45.2M8 films · #1 The Circle (2017) -
Thriller $44.8M5 films · #1 The Circle (2017) -
Sci-Fi $44.7M3 films · #1 The Circle (2017) -
Action $4.3M2 films · #1 Sleight (2017) -
Documentary $774.6K5 films · #1 Pecking Order (2017) -
Adventure $295K1 film · #1 Never Leave Alive (2017) -
Romance $209.4K2 films · #1 The Girl from the Song (2017) -
Mystery $160.4K2 films · #1 Voice from the Stone (2017) -
History $59.6K2 films · #1 Bang! The Bert Berns Story (2017)
Archive
English Box Office in 2017, Week by Week
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $1.7B, led by Jumanji: Welcome to the Jungle (2017).
- Week 1 $82.3M
- Week 2 $159.9M
- Week 3 $653.1M
- Week 4 $532.7M
- Week 5 $116.3M
- Week 6 $888.7M
- Week 7 $70.4M
- Week 8 $294.6M
- Week 9 $741.7M
- Week 10 $582.7M
- Week 11 $1.3B
- Week 12 $172.9M
- Week 13 $745.9M
- Week 14 $375.2M
- Week 15 $1.3B
- Week 16 $61.3M
- Week 17 $108.9M
- Week 18 $930.6M
- Week 19 $244.6M
- Week 20 $345M
- Week 21 $976.4M
- Week 22 $968.1M
- Week 23 $467.2M
- Week 24 $584.4M
- Week 25 $691.8M
- Week 26 $1.3B
- Week 27 $883.5M
- Week 28 $636.2M
- Week 29 $902.5M
- Week 30 $349.4M
- Week 31 $161.9M
- Week 32 $412.7M
- Week 33 $120.8M
- Week 34 $19.3M
- Week 35 $23.1M
- Week 36 $765.4M
- Week 37 $75.1M
- Week 38 $647.2M
- Week 39 $193.8M
- Week 40 $411.2M
- Week 41 $311.2M
- Week 42 $271M
- Week 43 $155.1M
- Week 44 $1.1B
- Week 45 $696.7M
- Week 46 $1.1B
- Week 47 $229M
- Week 48 $248.4M
- Week 49 $67.4M
- Week 50 $1.6B
- Week 51 $1.7B
- Week 52 $173M
- Week 53 $41.3K
FAQ
English Box Office Week 17 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 16 films as the chart.
What is the highest-grossing English-language movie in week 17 of 2017 (Apr 23–29)?
How to Be a Latin Lover (2017) leads with $62.5M worldwide, $32.1M of it in the US & Canada. Next come The Circle (2017) at $40.7M and Sleight (2017) at $4M.
How much did English-language movies released in week 17 of 2017 (Apr 23–29) earn?
16 English-language films released in week 17 of 2017 (Apr 23–29) report a worldwide gross, $108.9M in all, or $6.8M per film on average. Week 16, 2017 releases took $61.3M.
How many English-language movies released in week 17 of 2017 (Apr 23–29) made $1 billion?
None. The biggest, How to Be a Latin Lover (2017), earned $62.5M.
How is the week 17, 2017 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2017 (Apr 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 17, 2017 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.