#1 of 27 2017 · Sci-Fi, Drama
$277.9M worldwide · 68% of the chart's total
Blade Runner 2049 (2017) is the highest-grossing English-language movie released in week 40 of 2017 (Oct 1–7), with $277.9M worldwide, ahead of My Little Pony: The Movie (2017) at $60.3M and Woody Woodpecker (2017) at $15.3M. 27 English-language films released that week report a worldwide gross, $411.2M in all, 30% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 112% on Week 39, 2017, whose releases took $193.8M. By genre, Thriller leads with $294.7M across 9 English releases.
#1 of 27 2017 · Sci-Fi, Drama
$277.9M worldwide · 68% of the chart's total
Blade Runner 2049 (2017) leads with $277.9M, 68% of the total. The top 5 together took $380.2M, 92% of what all 27 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 40 of 2017 (Oct 1–7).
Oct 6, 2017 US and Canada: $92.1M Rest of the world: $185.9M Worldwide: $277.9M
Oct 6, 2017 US and Canada: $21.9M Rest of the world: $38.4M Worldwide: $60.3M
Oct 5, 2017 US and Canada: – Rest of the world: – Worldwide: $15.3M
Oct 4, 2017 US and Canada: – Rest of the world: – Worldwide: $13.8M
Oct 6, 2017 US and Canada: $81.3K Rest of the world: $12.8M Worldwide: $12.9M
Oct 6, 2017 US and Canada: $5.9M Rest of the world: $5M Worldwide: $10.9M
Oct 6, 2017 US and Canada: $7.8K Rest of the world: $9.6M Worldwide: $9.7M
Oct 6, 2017 US and Canada: – Rest of the world: – Worldwide: $6.6M
Oct 6, 2017 US and Canada: $1.6M Rest of the world: Worldwide: $1.6M
Oct 5, 2017 US and Canada: $607.3K Rest of the world: $97.7K Worldwide: $705K
Oct 6, 2017 US and Canada: $22.8K Rest of the world: $485.4K Worldwide: $508.2K
Oct 6, 2017 US and Canada: $20.4K Rest of the world: $155.9K Worldwide: $176.3K
Oct 6, 2017 US and Canada: $101.9K Rest of the world: $60.5K Worldwide: $162.4K
Oct 6, 2017 US and Canada: $119.2K Rest of the world: $27.3K Worldwide: $146.5K
Oct 6, 2017 US and Canada: – Rest of the world: – Worldwide: $135.5K
Oct 6, 2017 US and Canada: $90.5K Rest of the world: $6K Worldwide: $96.5K
Oct 5, 2017 US and Canada: – Rest of the world: – Worldwide: $81.3K
Oct 6, 2017 US and Canada: $65.4K Rest of the world: Worldwide: $65.4K
Oct 6, 2017 US and Canada: – Rest of the world: – Worldwide: $64.5K
Oct 6, 2017 US and Canada: $47.6K Rest of the world: Worldwide: $47.6K
Oct 7, 2017 US and Canada: – Rest of the world: – Worldwide: $47.2K
Oct 6, 2017 US and Canada: $21.9K Rest of the world: $14.7K Worldwide: $36.6K
Oct 6, 2017 US and Canada: $19.7K Rest of the world: Worldwide: $19.7K
Oct 4, 2017 US and Canada: $15.9K Rest of the world: Worldwide: $15.9K
Oct 3, 2017 US and Canada: – Rest of the world: – Worldwide: $13.5K
Oct 6, 2017 US and Canada: – Rest of the world: – Worldwide: $5.1K
Oct 6, 2017 US and Canada: – Rest of the world: – Worldwide: $3.1K Of the top 10, The Stray (2017) earned the biggest share at home (100% in the US & Canada), while Overdrive (2017) made 100% of its gross abroad. Across all 27 films, $122.7M (30%) came from the US & Canada. 3 films of the top 10 report no US & Canada figure.
1 of 27 films crossed $100M and took $277.9M between them, 68% of the total. 21 films, 78% of the list, earned under $10M.
Week 40 releases took $411.2M. The biggest of these 9 weeks is week 36 (Sep 3–9) with $765.4M, led by It (2017).
Of these 10 years, Week 40, 2013 earned the most: $807.7M from 23 films, led by Gravity (2013). Week 40, 2017 took $411.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 40, 2008 Sep 28–Oct 4 12 films | 12 | $268.1M | – | Beverly Hills Chihuahua (2008) $149.3M |
| Week 40, 2009 Sep 27–Oct 3 12 films · −30% | 12 | $188M | −30% | Zombieland (2009) $102.4M |
| Week 40, 2010 Sep 26–Oct 2 10 films · +50% | 10 | $282.2M | +50% | The Social Network (2010) $224.9M |
| Week 40, 2011 Sep 25–Oct 1 21 films · −42% | 21 | $163.1M | −42% | 50/50 (2011) $41.1M |
| Week 40, 2012 Sep 30–Oct 6 19 films · +228% | 19 | $535.2M | +228% | Taken 2 (2012) $376.2M |
| Week 40, 2013 Sep 29–Oct 5 23 films · +51% | 23 | $807.7M | +51% | Gravity (2013) $723.8M |
| Week 40, 2014 Sep 28–Oct 4 16 films · −12% | 16 | $711M | −12% | Gone Girl (2014) $370.9M |
| Week 40, 2015 Sep 27–Oct 3 15 films · −2% | 15 | $700.3M | −2% | The Martian (2015) $630.6M |
| Week 40, 2016 Sep 25–Oct 1 15 films · −34% | 15 | $459.8M | −34% | Miss Peregrine's Home for Peculiar Children (2016) $296.5M |
| Week 40, 2017 Oct 1–7 27 films · −11% | 27 | $411.2M | −11% | Blade Runner 2049 (2017) $277.9M |
Thriller took $294.7M across 9 films, 72% of the total, ahead of Drama ($291.3M) and Mystery ($284.7M). A film counts once for each of its genres.
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $1.7B, led by Jumanji: Welcome to the Jungle (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 27 films as the chart.
Blade Runner 2049 (2017) leads with $277.9M worldwide, $92.1M of it in the US & Canada. Next come My Little Pony: The Movie (2017) at $60.3M and Woody Woodpecker (2017) at $15.3M.
27 English-language films released in week 40 of 2017 (Oct 1–7) report a worldwide gross, $411.2M in all, or $15.2M per film on average. Week 39, 2017 releases took $193.8M.
None. 1 film crossed $100 million, led by Blade Runner 2049 (2017) with $277.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 40 of 2017 (Oct 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.