#1 of 11 Pirates of the Caribbean: Dead Men Tell No Tales (2017)
2017 · Action, Adventure
$795.9M worldwide · 82% of the chart's total
Pirates of the Caribbean: Dead Men Tell No Tales (2017) is the highest-grossing English-language movie released in week 21 of 2017 (May 21–27), with $795.9M worldwide, ahead of Baywatch (2017) at $177.9M and Buena Vista Social Club: Adios (2017) at $701.6K. 11 English-language films released that week report a worldwide gross, $976.4M in all, 24% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 183% on Week 20, 2017, whose releases took $345M. By genre, Comedy leads with $974.2M across 4 English releases.
#1 of 11 Pirates of the Caribbean: Dead Men Tell No Tales (2017)
2017 · Action, Adventure
$795.9M worldwide · 82% of the chart's total
Pirates of the Caribbean: Dead Men Tell No Tales (2017) leads with $795.9M, 82% of the total. The top 5 together took $975.3M, almost all of what the 11 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 21 of 2017 (May 21–27).
May 25, 2017 US and Canada: $58.1M Rest of the world: $119.8M Worldwide: $177.9M
May 26, 2017 US and Canada: $123.4K Rest of the world: $578.1K Worldwide: $701.6K
May 26, 2017 US and Canada: $28.7K Rest of the world: $369.1K Worldwide: $397.8K
May 26, 2017 US and Canada: – Rest of the world: – Worldwide: $391.4K
May 26, 2017 US and Canada: $352K Rest of the world: Worldwide: $352K
May 24, 2017 US and Canada: $147.8K Rest of the world: Worldwide: $147.8K
May 26, 2017 US and Canada: $43.2K Rest of the world: $1K Worldwide: $44.2K
May 25, 2017 US and Canada: – Rest of the world: – Worldwide: $14.7K Of the top 10, Long Strange Trip (2017) earned the biggest share at home (100% in the US & Canada), while Berlin Syndrome (2017) made 93% of its gross abroad. Across all 11 films, $231.3M (24%) came from the US & Canada. 3 films of the top 10 report no US & Canada figure.
2 of 11 films crossed $100M and took $973.8M between them, 100% of the total. 9 films, 82% of the list, earned under $10M.
Week 21 releases took $976.4M. The biggest of these 9 weeks is week 15 (Apr 9–15) with $1.3B, led by The Fate of the Furious (2017).
Of these 10 years, Week 21, 2013 earned the most: $1.5B from 9 films, led by Fast & Furious 6 (2013). Week 21, 2017 took $976.4M.
Comedy took $974.2M across 4 films, 100% of the total, ahead of Action ($973.8M) and Adventure ($795.9M). A film counts once for each of its genres.
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $1.7B, led by Jumanji: Welcome to the Jungle (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 11 films as the chart.
Pirates of the Caribbean: Dead Men Tell No Tales (2017) leads with $795.9M worldwide, $172.6M of it in the US & Canada. Next come Baywatch (2017) at $177.9M and Buena Vista Social Club: Adios (2017) at $701.6K.
11 English-language films released in week 21 of 2017 (May 21–27) report a worldwide gross, $976.4M in all, or $88.8M per film on average. Week 20, 2017 releases took $345M.
None. 2 films crossed $100 million, led by Pirates of the Caribbean: Dead Men Tell No Tales (2017) with $795.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 21 of 2017 (May 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.