#1 of 19 #1 English-language movie of Week 19, 2017
King Arthur: Legend of the Sword (2017)
2017 · Action, Adventure
$149.2M worldwide · 61% of the chart's total
$39.2M US & Canada · 26% $110M elsewhere · 74%
English box office · Week 19 · May 7–13, 2017
English Box Office, Week 19 of 2017: English Releases of May 7–13
King Arthur: Legend of the Sword (2017) is the highest-grossing English-language movie released in week 19 of 2017 (May 7–13), with $149.2M worldwide, ahead of Snatched (2017) at $60.8M and Paris Can Wait (2017) at $13.2M. 19 English-language films released that week report a worldwide gross, $244.6M in all, 42% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 74% on Week 18, 2017, whose releases took $930.6M. By genre, Action leads with $210.1M across 3 English releases.
- week 19 releases with a gross
- 19
- combined worldwide
- $244.6M
- film crossed $100M
- 1
- vs Week 18, 2017
- −74%
#1 of 19 Top 5
What Were the Biggest English Hits of Week 19 of 2017?
King Arthur: Legend of the Sword (2017) leads with $149.2M, 61% of the total. The top 5 together took $235.8M, 96% of what all 19 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 19 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 19 of 2017 (May 7–13).
- 1 May 12, 2017 US and Canada: $39.2M Rest of the world: $110M Worldwide: $149.2M
- 2 May 12, 2017 US and Canada: $45.9M Rest of the world: $15M Worldwide: $60.8M
- 3 May 12, 2017 US and Canada: $5.6M Rest of the world: $7.6M Worldwide: $13.2M
- 4 May 12, 2017 US and Canada: $6.3M Rest of the world: $8.5K Worldwide: $6.3M
- 5 May 8, 2017 US and Canada: $3.8M Rest of the world: $2.4M Worldwide: $6.2M
- 6
May 12, 2017 US and Canada: $1.8M Rest of the world: $2.7M Worldwide: $4.5M - 7
May 9, 2017 US and Canada: – Rest of the world: – Worldwide: $907.9K - 8
May 9, 2017 US and Canada: – Rest of the world: – Worldwide: $907.9K - 9
May 12, 2017 US and Canada: – Rest of the world: – Worldwide: $815.8K - 10
May 12, 2017 US and Canada: $21K Rest of the world: $638.9K Worldwide: $659.9K - 11
May 11, 2017 US and Canada: – Rest of the world: – Worldwide: $298.1K - 12
Star Raiders: The Adventures of Saber Raine (2017) May 8, 2017 · Sci-Fi, Adventure $260.2K worldwideMay 8, 2017 US and Canada: $260.2K Rest of the world: Worldwide: $260.2K - 13
May 12, 2017 US and Canada: – Rest of the world: – Worldwide: $234.4K - 14
May 11, 2017 US and Canada: – Rest of the world: – Worldwide: $172.6K - 15
May 8, 2017 US and Canada: – Rest of the world: – Worldwide: $34.9K - 16
May 12, 2017 US and Canada: $11.5K Rest of the world: $10.1K Worldwide: $21.7K - 17
May 12, 2017 US and Canada: $17.8K Rest of the world: Worldwide: $17.8K - 18
May 11, 2017 US and Canada: $1.4K Rest of the world: Worldwide: $1.4K - 19
May 9, 2017 US and Canada: $1.3K Rest of the world: Worldwide: $1.3K
US & Canada vs the world
Where Did the Money Come From in Week 19 of 2017?
Of the top 10, Lowriders (2017) earned the biggest share at home (100% in the US & Canada), while Whisky Galore! (2017) made 97% of its gross abroad. Across all 19 films, $102.9M (42%) came from the US & Canada. 3 films of the top 10 report no US & Canada figure.
- 1 King Arthur: Legend of the Sword (2017) $149.2M $39.2M US & Canada · 26% $110M elsewhere · 74%
- 2 Snatched (2017) $60.8M $45.9M US & Canada · 75% $15M elsewhere · 25%
- 3 Paris Can Wait (2017) $13.2M $5.6M US & Canada · 43% $7.6M elsewhere · 57%
- 4 Lowriders (2017) $6.3M $6.3M US & Canada · 100% $8.5K elsewhere · <1%
- 5 Norm (2017) $6.2M $3.8M US & Canada · 61% $2.4M elsewhere · 39%
- 6 The Wall (2017) $4.5M $1.8M US & Canada · 40% $2.7M elsewhere · 60%
- 7 National Theatre Live: Consent (2017) $907.9K No US & Canada figure reported
- 8 National Theatre Live: wonder.land (2017) $907.9K No US & Canada figure reported
- 9 Mindhorn (2017) $815.8K No US & Canada figure reported
- 10 Whisky Galore! (2017) $659.9K $21K US & Canada · 3% $638.9K elsewhere · 97%
Gross bands
How Many Week 19 of 2017 Releases Crossed $100 Million?
1 of 19 films crossed $100M and took $149.2M between them, 61% of the total. 16 films, 84% of the list, earned under $10M.
61% 30% 9%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 1 film, 5% of the list $149.2M · 61% of the gross
- $10M to $100M 2 films, 11% of the list $74M · 30% of the gross
- Under $10M 16 films, 84% of the list $21.3M · 9% of the gross
Weeks around it
How Does Week 19 Compare With the Weeks Around It?
Week 19 releases took $244.6M. The biggest of these 9 weeks is week 15 (Apr 9–15) with $1.3B, led by The Fate of the Furious (2017).
- Week 13 Wk 13 Mar 26–Apr 1 The Boss Baby (2017) $745.9M The Boss Baby (2017)
- Week 14 Wk 14 Apr 2–8 Smurfs: The Lost Village (2017) $375.2M Smurfs: The Lost Village (2017)
- Week 15 Wk 15 Apr 9–15 The Fate of the Furious (2017) $1.3B The Fate of the Furious (2017)
- Week 16 Wk 16 Apr 16–22 Born in China (2017) $61.3M Born in China (2017)
- Week 17 Wk 17 Apr 23–29 How to Be a Latin Lover (2017) $108.9M How to Be a Latin Lover (2017)
- Week 18 Wk 18 Apr 30–May 6 Guardians of the Galaxy Vol. 2 (2017) $930.6M Guardians of the Galaxy Vol. 2 (2017)
- Week 19 Wk 19 May 7–13 King Arthur: Legend of the Sword (2017) $244.6M King Arthur: Legend of the Sword (2017)
- Week 20 Wk 20 May 14–20 Alien: Covenant (2017) $345M Alien: Covenant (2017)
- Week 21 Wk 21 May 21–27 Pirates of the Caribbean: Dead Men Tell No Tales (2017) $976.4M Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Earlier years
How Does Week 19 of 2017 Compare With Earlier Years?
Of these 10 years, Week 19, 2016 earned the most: $1.2B from 8 films, led by Captain America: Civil War (2016). Week 19, 2017 took $244.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 19, 2008 May 4–10 14 films | 14 | $318.3M | – | What Happens in Vegas (2008) $219.4M |
| Week 19, 2009 May 3–9 7 films · +25% | 7 | $398.1M | +25% | Star Trek (2009) $385.7M |
| Week 19, 2010 May 2–8 11 films · +62% | 11 | $645.4M | +62% | Iron Man 2 (2010) $623.9M |
| Week 19, 2011 May 1–7 16 films · −10% | 16 | $577.7M | −10% | Thor (2011) $449.3M |
| Week 19, 2012 May 6–12 10 films · −56% | 10 | $253.3M | −56% | Dark Shadows (2012) $245.5M |
| Week 19, 2013 May 5–11 10 films · +46% | 10 | $369.9M | +46% | The Great Gatsby (2013) $353.7M |
| Week 19, 2014 May 4–10 11 films · −17% | 11 | $308.4M | −17% | Neighbors (2014) $270.7M |
| Week 19, 2015 May 3–9 11 films · −78% | 11 | $68.9M | −78% | Hot Pursuit (2015) $51.7M |
| Week 19, 2016 May 1–7 8 films · +1592% | 8 | $1.2B | +1592% | Captain America: Civil War (2016) $1.2B |
| Week 19, 2017 May 7–13 19 films · −79% | 19 | $244.6M | −79% | King Arthur: Legend of the Sword (2017) $149.2M |
By genre
Which English Genres Earned the Most in Week 19 of 2017?
Action took $210.1M across 3 films, 86% of the total, ahead of Drama ($175.6M) and Adventure ($149.5M). A film counts once for each of its genres.
Week 19 of 2017 English Box Office by Genre
-
Action $210.1M3 films · #1 King Arthur: Legend of the Sword (2017) -
Drama $175.6M10 films · #1 King Arthur: Legend of the Sword (2017) -
Adventure $149.5M3 films · #1 King Arthur: Legend of the Sword (2017) -
Fantasy $149.2M2 films · #1 King Arthur: Legend of the Sword (2017) -
Comedy $75.5M4 films · #1 Snatched (2017) -
Romance $13.9M2 films · #1 Paris Can Wait (2017) -
Thriller $4.7M3 films · #1 The Wall (2017) -
War $4.5M1 film · #1 The Wall (2017) -
Sci-Fi $261.5K2 films · #1 Star Raiders: The Adventures of Saber Raine (2017) -
Horror $256.1K2 films · #1 Hounds of Love (2017)
Archive
English Box Office in 2017, Week by Week
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $1.7B, led by Jumanji: Welcome to the Jungle (2017).
- Week 1 $82.3M
- Week 2 $159.9M
- Week 3 $653.1M
- Week 4 $532.7M
- Week 5 $116.3M
- Week 6 $888.7M
- Week 7 $70.4M
- Week 8 $294.6M
- Week 9 $741.7M
- Week 10 $582.7M
- Week 11 $1.3B
- Week 12 $172.9M
- Week 13 $745.9M
- Week 14 $375.2M
- Week 15 $1.3B
- Week 16 $61.3M
- Week 17 $108.9M
- Week 18 $930.6M
- Week 19 $244.6M
- Week 20 $345M
- Week 21 $976.4M
- Week 22 $968.1M
- Week 23 $467.2M
- Week 24 $584.4M
- Week 25 $691.8M
- Week 26 $1.3B
- Week 27 $883.5M
- Week 28 $636.2M
- Week 29 $902.5M
- Week 30 $349.4M
- Week 31 $161.9M
- Week 32 $412.7M
- Week 33 $120.8M
- Week 34 $19.3M
- Week 35 $23.1M
- Week 36 $765.4M
- Week 37 $75.1M
- Week 38 $647.2M
- Week 39 $193.8M
- Week 40 $411.2M
- Week 41 $311.2M
- Week 42 $271M
- Week 43 $155.1M
- Week 44 $1.1B
- Week 45 $696.7M
- Week 46 $1.1B
- Week 47 $229M
- Week 48 $248.4M
- Week 49 $67.4M
- Week 50 $1.6B
- Week 51 $1.7B
- Week 52 $173M
- Week 53 $41.3K
FAQ
English Box Office Week 19 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 19 films as the chart.
What is the highest-grossing English-language movie in week 19 of 2017 (May 7–13)?
King Arthur: Legend of the Sword (2017) leads with $149.2M worldwide, $39.2M of it in the US & Canada. Next come Snatched (2017) at $60.8M and Paris Can Wait (2017) at $13.2M.
How much did English-language movies released in week 19 of 2017 (May 7–13) earn?
19 English-language films released in week 19 of 2017 (May 7–13) report a worldwide gross, $244.6M in all, or $12.9M per film on average. Week 18, 2017 releases took $930.6M.
How many English-language movies released in week 19 of 2017 (May 7–13) made $1 billion?
None. 1 film crossed $100 million, led by King Arthur: Legend of the Sword (2017) with $149.2M.
How is the week 19, 2017 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 19 of 2017 (May 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 19, 2017 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.