#1 of 19 #1 English-language movie of Week 31, 2017
2017 · Action, Adventure
$113.2M worldwide · 70% of the chart's total
$50.7M US & Canada · 45% $62.5M elsewhere · 55%
English box office · Week 31 · Jul 30–Aug 5, 2017
English Box Office, Week 31 of 2017: English Releases of Jul 30–Aug 5
The Dark Tower (2017) is the highest-grossing English-language movie released in week 31 of 2017 (Jul 30–Aug 5), with $113.2M worldwide, ahead of Wind River (2017) at $44.2M and Step (2017) at $1.2M. 19 English-language films released that week report a worldwide gross, $161.9M in all, 54% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 54% on Week 30, 2017, whose releases took $349.4M. By genre, Action leads with $157.4M across 2 English releases.
- week 31 releases with a gross
- 19
- combined worldwide
- $161.9M
- film crossed $100M
- 1
- vs Week 30, 2017
- −54%
#1 of 19 Top 5
What Were the Biggest English Hits of Week 31 of 2017?
The Dark Tower (2017) leads with $113.2M, 70% of the total. The top 5 together took $160.4M, 99% of what all 19 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 31 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 31 of 2017 (Jul 30–Aug 5).
- 1 Aug 4, 2017 US and Canada: $50.7M Rest of the world: $62.5M Worldwide: $113.2M
- 2 Aug 4, 2017 US and Canada: $33.8M Rest of the world: $10.4M Worldwide: $44.2M
- 3 Aug 4, 2017 US and Canada: $1.1M Rest of the world: $6.5K Worldwide: $1.2M
- 4 Aug 4, 2017 US and Canada: $1M Rest of the world: $77.1K Worldwide: $1.1M
- 5 Aug 2, 2017 US and Canada: – Rest of the world: – Worldwide: $734.1K
- 6
Aug 2, 2017 US and Canada: – Rest of the world: – Worldwide: $508.7K - 7
Aug 4, 2017 US and Canada: – Rest of the world: – Worldwide: $332.9K - 8
Aug 4, 2017 US and Canada: – Rest of the world: – Worldwide: $315.1K - 9
Aug 4, 2017 US and Canada: $113.4K Rest of the world: Worldwide: $113.4K - 10
Aug 1, 2017 US and Canada: – Rest of the world: – Worldwide: $91.1K - 11
Aug 4, 2017 US and Canada: – Rest of the world: – Worldwide: $52K - 12
Aug 4, 2017 US and Canada: – Rest of the world: – Worldwide: $43.2K - 13
Aug 4, 2017 US and Canada: $16.5K Rest of the world: Worldwide: $16.5K - 14
Aug 3, 2017 US and Canada: – Rest of the world: – Worldwide: $14.5K - 15
Aug 4, 2017 US and Canada: $10.2K Rest of the world: Worldwide: $10.2K - 16
Aug 4, 2017 US and Canada: $9.1K Rest of the world: Worldwide: $9.1K - 17
Aug 4, 2017 US and Canada: – Rest of the world: – Worldwide: $6.9K - 18
Aug 4, 2017 US and Canada: $1.2K Rest of the world: $4K Worldwide: $5.3K - 19
Aug 4, 2017 US and Canada: – Rest of the world: – Worldwide: $522
US & Canada vs the world
Where Did the Money Come From in Week 31 of 2017?
Of the top 10, We Love You, Sally Carmichael! (2017) earned the biggest share at home (100% in the US & Canada), while The Dark Tower (2017) made 55% of its gross abroad. Across all 19 films, $86.8M (54%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
- 1 The Dark Tower (2017) $113.2M $50.7M US & Canada · 45% $62.5M elsewhere · 55%
- 2 Wind River (2017) $44.2M $33.8M US & Canada · 76% $10.4M elsewhere · 24%
- 3 Step (2017) $1.2M $1.1M US & Canada · 99% $6.5K elsewhere · <1%
- 4 Columbus (2017) $1.1M $1M US & Canada · 93% $77.1K elsewhere · 7%
- 5 The Good Time Girls (2017) $734.1K No US & Canada figure reported
- 6 Waru (2017) $508.7K No US & Canada figure reported
- 7 Fun Mom Dinner (2017) $332.9K No US & Canada figure reported
- 8 Message from the King (2017) $315.1K No US & Canada figure reported
- 9 We Love You, Sally Carmichael! (2017) $113.4K $113.4K US & Canada · 100% elsewhere · 0%
- 10 Proximity (2017) $91.1K No US & Canada figure reported
Gross bands
How Many Week 31 of 2017 Releases Crossed $100 Million?
1 of 19 films crossed $100M and took $113.2M between them, 70% of the total. 17 films, 89% of the list, earned under $10M.
70% 27%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 1 film, 5% of the list $113.2M · 70% of the gross
- $10M to $100M 1 film, 5% of the list $44.2M · 27% of the gross
- Under $10M 17 films, 89% of the list $4.5M · 3% of the gross
Weeks around it
How Does Week 31 Compare With the Weeks Around It?
Week 31 releases took $161.9M. The biggest of these 9 weeks is week 26 (Jun 25–Jul 1) with $1.3B, led by Despicable Me 3 (2017).
- Week 25 Wk 25 Jun 18–24 Transformers: The Last Knight (2017) $691.8M Transformers: The Last Knight (2017)
- Week 26 Wk 26 Jun 25–Jul 1 Despicable Me 3 (2017) $1.3B Despicable Me 3 (2017)
- Week 27 Wk 27 Jul 2–8 Spider-Man: Homecoming (2017) $883.5M Spider-Man: Homecoming (2017)
- Week 28 Wk 28 Jul 9–15 War for the Planet of the Apes (2017) $636.2M War for the Planet of the Apes (2017)
- Week 29 Wk 29 Jul 16–22 Dunkirk (2017) $902.5M Dunkirk (2017)
- Week 30 Wk 30 Jul 23–29 The Emoji Movie (2017) $349.4M The Emoji Movie (2017)
- Week 31 Wk 31 Jul 30–Aug 5 The Dark Tower (2017) $161.9M The Dark Tower (2017)
- Week 32 Wk 32 Aug 6–12 Annabelle: Creation (2017) $412.7M Annabelle: Creation (2017)
- Week 33 Wk 33 Aug 13–19 Logan Lucky (2017) $120.8M Logan Lucky (2017)
Earlier years
How Does Week 31 of 2017 Compare With Earlier Years?
Of these 10 years, Week 31, 2015 earned the most: $829.4M from 14 films, led by Mission: Impossible - Rogue Nation (2015). Week 31, 2017 took $161.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 31, 2008 Jul 27–Aug 2 9 films | 9 | $431.4M | – | The Mummy: Tomb of the Dragon Emperor (2008) $403.4M |
| Week 31, 2009 Jul 26–Aug 1 10 films · −66% | 10 | $144.6M | −66% | Funny People (2009) $71.6M |
| Week 31, 2010 Jul 25–31 12 films · +87% | 12 | $269.8M | +87% | Cats & Dogs: The Revenge of Kitty Galore (2010) $112.5M |
| Week 31, 2011 Jul 24–30 14 films · +191% | 14 | $784.5M | +191% | The Smurfs (2011) $563.9M |
| Week 31, 2012 Jul 29–Aug 4 14 films · −57% | 14 | $336.4M | −57% | Total Recall (2012) $198.5M |
| Week 31, 2013 Jul 28–Aug 3 14 films · +45% | 14 | $488.8M | +45% | The Smurfs 2 (2013) $347.5M |
| Week 31, 2014 Jul 27–Aug 2 12 films · +69% | 12 | $824.6M | +69% | Guardians of the Galaxy (2014) $773.4M |
| Week 31, 2015 Jul 26–Aug 1 14 films · +1% | 14 | $829.4M | +1% | Mission: Impossible - Rogue Nation (2015) $710.9M |
| Week 31, 2016 Jul 24–30 15 films · −16% | 15 | $696.5M | −16% | Jason Bourne (2016) $415.5M |
| Week 31, 2017 Jul 30–Aug 5 19 films · −77% | 19 | $161.9M | −77% | The Dark Tower (2017) $113.2M |
By genre
Which English Genres Earned the Most in Week 31 of 2017?
Action took $157.4M across 2 films, 97% of the total, ahead of Western ($114M) and Horror ($113.3M). A film counts once for each of its genres.
Week 31 of 2017 English Box Office by Genre
-
Action $157.4M2 films · #1 The Dark Tower (2017) -
Western $114M2 films · #1 The Dark Tower (2017) -
Horror $113.3M3 films · #1 The Dark Tower (2017) -
Sci-Fi $113.2M2 films · #1 The Dark Tower (2017) -
Adventure $113.2M1 film · #1 The Dark Tower (2017) -
Fantasy $113.2M1 film · #1 The Dark Tower (2017) -
Drama $45.9M6 films · #1 Wind River (2017) -
Thriller $44.6M5 films · #1 Wind River (2017) -
Crime $44.2M2 films · #1 Wind River (2017) -
Mystery $44.2M1 film · #1 Wind River (2017)
Archive
English Box Office in 2017, Week by Week
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $1.7B, led by Jumanji: Welcome to the Jungle (2017).
- Week 1 $82.3M
- Week 2 $159.9M
- Week 3 $653.1M
- Week 4 $532.7M
- Week 5 $116.3M
- Week 6 $888.7M
- Week 7 $70.4M
- Week 8 $294.6M
- Week 9 $741.7M
- Week 10 $582.7M
- Week 11 $1.3B
- Week 12 $172.9M
- Week 13 $745.9M
- Week 14 $375.2M
- Week 15 $1.3B
- Week 16 $61.3M
- Week 17 $108.9M
- Week 18 $930.6M
- Week 19 $244.6M
- Week 20 $345M
- Week 21 $976.4M
- Week 22 $968.1M
- Week 23 $467.2M
- Week 24 $584.4M
- Week 25 $691.8M
- Week 26 $1.3B
- Week 27 $883.5M
- Week 28 $636.2M
- Week 29 $902.5M
- Week 30 $349.4M
- Week 31 $161.9M
- Week 32 $412.7M
- Week 33 $120.8M
- Week 34 $19.3M
- Week 35 $23.1M
- Week 36 $765.4M
- Week 37 $75.1M
- Week 38 $647.2M
- Week 39 $193.8M
- Week 40 $411.2M
- Week 41 $311.2M
- Week 42 $271M
- Week 43 $155.1M
- Week 44 $1.1B
- Week 45 $696.7M
- Week 46 $1.1B
- Week 47 $229M
- Week 48 $248.4M
- Week 49 $67.4M
- Week 50 $1.6B
- Week 51 $1.7B
- Week 52 $173M
- Week 53 $41.3K
FAQ
English Box Office Week 31 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 19 films as the chart.
What is the highest-grossing English-language movie in week 31 of 2017 (Jul 30–Aug 5)?
The Dark Tower (2017) leads with $113.2M worldwide, $50.7M of it in the US & Canada. Next come Wind River (2017) at $44.2M and Step (2017) at $1.2M.
How much did English-language movies released in week 31 of 2017 (Jul 30–Aug 5) earn?
19 English-language films released in week 31 of 2017 (Jul 30–Aug 5) report a worldwide gross, $161.9M in all, or $8.5M per film on average. Week 30, 2017 releases took $349.4M.
How many English-language movies released in week 31 of 2017 (Jul 30–Aug 5) made $1 billion?
None. 1 film crossed $100 million, led by The Dark Tower (2017) with $113.2M.
How is the week 31, 2017 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 31 of 2017 (Jul 30–Aug 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 31, 2017 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.