#1 of 15 #1 English-language movie of Week 22, 2017
2017 · Action, Adventure
$824M worldwide · 85% of the chart's total
$412.8M US & Canada · 50% $411.1M elsewhere · 50%
English box office · Week 22 · May 28–Jun 3, 2017
English Box Office, Week 22 of 2017: English Releases of May 28–Jun 3
Wonder Woman (2017) is the highest-grossing English-language movie released in week 22 of 2017 (May 28–Jun 3), with $824M worldwide, ahead of Captain Underpants: The First Epic Movie (2017) at $125.4M and God of War (2017) at $9.6M. 15 English-language films released that week report a worldwide gross, $968.1M in all, 51% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is down 1% on Week 21, 2017, whose releases took $976.4M. By genre, Action leads with $959M across 3 English releases.
- week 22 releases with a gross
- 15
- combined worldwide
- $968.1M
- films crossed $100M
- 2
- vs Week 21, 2017
- −1%
#1 of 15 Top 5
What Were the Biggest English Hits of Week 22 of 2017?
Wonder Woman (2017) leads with $824M, 85% of the total. The top 5 together took $966.2M, almost all of what the 15 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 $125.4M Captain Underpants: The First Epic Movie (2017)$73.9M US & Canada · 59% $51.5M elsewhere · 41% -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 22 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 22 of 2017 (May 28–Jun 3).
- 1 Jun 2, 2017 US and Canada: $412.8M Rest of the world: $411.1M Worldwide: $824M
- 2 Jun 2, 2017 US and Canada: $73.9M Rest of the world: $51.5M Worldwide: $125.4M
- 3 Jun 2, 2017 US and Canada: $53K Rest of the world: $9.5M Worldwide: $9.6M
- 4 Jun 2, 2017 US and Canada: $1.3M Rest of the world: $5.4M Worldwide: $6.7M
- 5 May 31, 2017 US and Canada: – Rest of the world: – Worldwide: $503.8K
- 6
Jun 2, 2017 US and Canada: $359.7K Rest of the world: $143.2K Worldwide: $502.9K - 7
Jun 2, 2017 US and Canada: $407.9K Rest of the world: Worldwide: $407.9K - 8
Jun 2, 2017 US and Canada: $254.5K Rest of the world: Worldwide: $254.5K - 9
Jun 2, 2017 US and Canada: $248.4K Rest of the world: Worldwide: $248.4K - 10
Jun 1, 2017 US and Canada: – Rest of the world: – Worldwide: $161.2K - 11
Jun 2, 2017 US and Canada: – Rest of the world: – Worldwide: $129.4K - 12
Jun 2, 2017 US and Canada: $22.9K Rest of the world: $89.4K Worldwide: $112.4K - 13
Jun 2, 2017 US and Canada: $69.8K Rest of the world: Worldwide: $69.8K - 14
Jun 2, 2017 US and Canada: – Rest of the world: – Worldwide: $23.9K - 15
May 29, 2017 US and Canada: – Rest of the world: – Worldwide: $3.1K
US & Canada vs the world
Where Did the Money Come From in Week 22 of 2017?
Of the top 10, Love, Kennedy (2017) earned the biggest share at home (100% in the US & Canada), while God of War (2017) made 99% of its gross abroad. Across all 15 films, $489.5M (51%) came from the US & Canada. 2 films of the top 10 report no US & Canada figure.
- 1 Wonder Woman (2017) $824M $412.8M US & Canada · 50% $411.1M elsewhere · 50%
- 2 Captain Underpants: The First Epic Movie (2017) $125.4M $73.9M US & Canada · 59% $51.5M elsewhere · 41%
- 3 God of War (2017) $9.6M $53K US & Canada · <1% $9.5M elsewhere · 99%
- 4 Churchill (2017) $6.7M $1.3M US & Canada · 19% $5.4M elsewhere · 81%
- 5 Masterpiece (2017) $503.8K No US & Canada figure reported
- 6 Letters from Baghdad (2017) $502.9K $359.7K US & Canada · 72% $143.2K elsewhere · 28%
- 7 Love, Kennedy (2017) $407.9K $407.9K US & Canada · 100% elsewhere · 0%
- 8 Dean (2017) $254.5K $254.5K US & Canada · 100% elsewhere · 0%
- 9 Band Aid (2017) $248.4K $248.4K US & Canada · 100% elsewhere · 0%
- 10 Be Afraid (2017) $161.2K No US & Canada figure reported
Gross bands
How Many Week 22 of 2017 Releases Crossed $100 Million?
2 of 15 films crossed $100M and took $949.4M between them, 98% of the total. 13 films, 87% of the list, earned under $10M.
85% 13%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 1 film, 7% of the list $824M · 85% of the gross
- $100M to $500M 1 film, 7% of the list $125.4M · 13% of the gross
- $10M to $100M 0 films, 0% of the list No films
- Under $10M 13 films, 87% of the list $18.7M · 2% of the gross
Weeks around it
How Does Week 22 Compare With the Weeks Around It?
Week 22 releases took $968.1M. The biggest of these 9 weeks is week 21 (May 21–27) with $976.4M, led by Pirates of the Caribbean: Dead Men Tell No Tales (2017).
- Week 16 Wk 16 Apr 16–22 Born in China (2017) $61.3M Born in China (2017)
- Week 17 Wk 17 Apr 23–29 How to Be a Latin Lover (2017) $108.9M How to Be a Latin Lover (2017)
- Week 18 Wk 18 Apr 30–May 6 Guardians of the Galaxy Vol. 2 (2017) $930.6M Guardians of the Galaxy Vol. 2 (2017)
- Week 19 Wk 19 May 7–13 King Arthur: Legend of the Sword (2017) $244.6M King Arthur: Legend of the Sword (2017)
- Week 20 Wk 20 May 14–20 Alien: Covenant (2017) $345M Alien: Covenant (2017)
- Week 21 Wk 21 May 21–27 Pirates of the Caribbean: Dead Men Tell No Tales (2017) $976.4M Pirates of the Caribbean: Dead Men Tell No Tales (2017)
- Week 22 Wk 22 May 28–Jun 3 Wonder Woman (2017) $968.1M Wonder Woman (2017)
- Week 23 Wk 23 Jun 4–10 The Mummy (2017) $467.2M The Mummy (2017)
- Week 24 Wk 24 Jun 11–17 Cars 3 (2017) $584.4M Cars 3 (2017)
Earlier years
How Does Week 22 of 2017 Compare With Earlier Years?
Of these 10 years, Week 22, 2011 earned the most: $1.3B from 3 films, led by Kung Fu Panda 2 (2011). Week 22, 2017 took $968.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 22, 2008 May 25–31 10 films | 10 | $95.3M | – | The Strangers (2008) $82.4M |
| Week 22, 2009 May 24–30 6 films · +767% | 6 | $826.3M | +767% | Up (2009) $735.1M |
| Week 22, 2010 May 23–29 7 films · −18% | 7 | $677M | −18% | Prince of Persia: The Sands of Time (2010) $336.4M |
| Week 22, 2011 May 22–28 3 films · +94% | 3 | $1.3B | +94% | Kung Fu Panda 2 (2011) $665.7M |
| Week 22, 2012 May 27–Jun 2 13 films · −69% | 13 | $411.4M | −69% | Snow White and the Huntsman (2012) $396.6M |
| Week 22, 2013 May 26–Jun 1 8 films · +46% | 8 | $601.8M | +46% | Now You See Me (2013) $351.7M |
| Week 22, 2014 May 25–31 13 films · +44% | 13 | $865.2M | +44% | Maleficent (2014) $759.9M |
| Week 22, 2015 May 24–30 10 films · −42% | 10 | $506.1M | −42% | San Andreas (2015) $474.6M |
| Week 22, 2016 May 22–28 9 films · +67% | 9 | $844.4M | +67% | X-Men: Apocalypse (2016) $543.9M |
| Week 22, 2017 May 28–Jun 3 15 films · +15% | 15 | $968.1M | +15% | Wonder Woman (2017) $824M |
By genre
Which English Genres Earned the Most in Week 22 of 2017?
Action took $959M across 3 films, 99% of the total, ahead of Adventure ($949.4M) and Sci-Fi ($824.1M). A film counts once for each of its genres.
Week 22 of 2017 English Box Office by Genre
-
Action $959M3 films · #1 Wonder Woman (2017) -
Adventure $949.4M2 films · #1 Wonder Woman (2017) -
Sci-Fi $824.1M2 films · #1 Wonder Woman (2017) -
Fantasy $824M1 film · #1 Wonder Woman (2017) -
War $824M1 film · #1 Wonder Woman (2017) -
Comedy $126.4M4 films · #1 Captain Underpants: The First Epic Movie (2017) -
Family $125.8M2 films · #1 Captain Underpants: The First Epic Movie (2017) -
Animation $125.4M1 film · #1 Captain Underpants: The First Epic Movie (2017) -
History $9.6M2 films · #1 God of War (2017) -
Drama $7.5M5 films · #1 Churchill (2017)
Archive
English Box Office in 2017, Week by Week
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $1.7B, led by Jumanji: Welcome to the Jungle (2017).
- Week 1 $82.3M
- Week 2 $159.9M
- Week 3 $653.1M
- Week 4 $532.7M
- Week 5 $116.3M
- Week 6 $888.7M
- Week 7 $70.4M
- Week 8 $294.6M
- Week 9 $741.7M
- Week 10 $582.7M
- Week 11 $1.3B
- Week 12 $172.9M
- Week 13 $745.9M
- Week 14 $375.2M
- Week 15 $1.3B
- Week 16 $61.3M
- Week 17 $108.9M
- Week 18 $930.6M
- Week 19 $244.6M
- Week 20 $345M
- Week 21 $976.4M
- Week 22 $968.1M
- Week 23 $467.2M
- Week 24 $584.4M
- Week 25 $691.8M
- Week 26 $1.3B
- Week 27 $883.5M
- Week 28 $636.2M
- Week 29 $902.5M
- Week 30 $349.4M
- Week 31 $161.9M
- Week 32 $412.7M
- Week 33 $120.8M
- Week 34 $19.3M
- Week 35 $23.1M
- Week 36 $765.4M
- Week 37 $75.1M
- Week 38 $647.2M
- Week 39 $193.8M
- Week 40 $411.2M
- Week 41 $311.2M
- Week 42 $271M
- Week 43 $155.1M
- Week 44 $1.1B
- Week 45 $696.7M
- Week 46 $1.1B
- Week 47 $229M
- Week 48 $248.4M
- Week 49 $67.4M
- Week 50 $1.6B
- Week 51 $1.7B
- Week 52 $173M
- Week 53 $41.3K
FAQ
English Box Office Week 22 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 15 films as the chart.
What is the highest-grossing English-language movie in week 22 of 2017 (May 28–Jun 3)?
Wonder Woman (2017) leads with $824M worldwide, $412.8M of it in the US & Canada. Next come Captain Underpants: The First Epic Movie (2017) at $125.4M and God of War (2017) at $9.6M.
How much did English-language movies released in week 22 of 2017 (May 28–Jun 3) earn?
15 English-language films released in week 22 of 2017 (May 28–Jun 3) report a worldwide gross, $968.1M in all, or $64.5M per film on average. Week 21, 2017 releases took $976.4M.
How many English-language movies released in week 22 of 2017 (May 28–Jun 3) made $1 billion?
None. 2 films crossed $100 million, led by Wonder Woman (2017) with $824M.
How is the week 22, 2017 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 22 of 2017 (May 28–Jun 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 22, 2017 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.