#1 of 19 #1 drama movie of Week 19, 2017
King Arthur: Legend of the Sword (2017)
2017 · Action, Adventure
$149.2M worldwide · 82% of the chart's total
$39.2M US & Canada · 26% $110M elsewhere · 74%
Drama box office · Week 19 · May 7–13, 2017
Drama Box Office, Week 19 of 2017: Drama Releases of May 7–13
King Arthur: Legend of the Sword (2017) is the highest-grossing drama movie released in week 19 of 2017 (May 7–13), with $149.2M worldwide, ahead of Paris Can Wait (2017) at $13.2M and Lowriders (2017) at $6.3M. 19 drama films released that week report a worldwide gross, $181.7M in all, 29% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 178% on Week 18, 2017, whose releases took $65.4M. By language, English leads with $175.6M across 10 drama releases.
- week 19 releases with a gross
- 19
- combined worldwide
- $181.7M
- film crossed $100M
- 1
- vs Week 18, 2017
- +178%
#1 of 19 Top 5
What Were the Biggest Drama Hits of Week 19 of 2017?
King Arthur: Legend of the Sword (2017) leads with $149.2M, 82% of the total. The top 5 together took $175.7M, 97% of what all 19 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Drama Release of Week 19 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 19 of 2017 (May 7–13).
- 1 King Arthur: Legend of the Sword (2017)May 12, 2017 US and Canada: $39.2M Rest of the world: $110M Worldwide: $149.2M
May 12, 2017 · English · Action, Adventure, Drama $149.2M worldwide - 2 May 12, 2017 US and Canada: $5.6M Rest of the world: $7.6M Worldwide: $13.2M
- 3 May 12, 2017 US and Canada: $6.3M Rest of the world: $8.5K Worldwide: $6.3M
- 4 May 12, 2017 US and Canada: $1.8M Rest of the world: $2.7M Worldwide: $4.5M
- 5 May 9, 2017 US and Canada: – Rest of the world: – Worldwide: $2.5M
- 6
May 12, 2017 US and Canada: – Rest of the world: – Worldwide: $1.6M - 7
May 12, 2017 US and Canada: $78.4K Rest of the world: $1.3M Worldwide: $1.4M - 8
May 9, 2017 US and Canada: – Rest of the world: – Worldwide: $907.9K - 9
May 9, 2017 US and Canada: – Rest of the world: – Worldwide: $907.9K - 10
May 12, 2017 US and Canada: – Rest of the world: – Worldwide: $600.4K - 11
May 11, 2017 US and Canada: – Rest of the world: – Worldwide: $298.1K - 12
May 12, 2017 US and Canada: – Rest of the world: – Worldwide: $234.4K - 13
May 12, 2017 US and Canada: – Rest of the world: – Worldwide: $69.9K - 14
May 8, 2017 US and Canada: – Rest of the world: – Worldwide: $34.9K - 15
May 12, 2017 US and Canada: $17.8K Rest of the world: Worldwide: $17.8K - 16
May 11, 2017 US and Canada: – Rest of the world: – Worldwide: $16.6K - 17
May 10, 2017 US and Canada: – Rest of the world: – Worldwide: $6.3K - 18
May 13, 2017 US and Canada: – Rest of the world: – Worldwide: $2.9K - 19
May 12, 2017 US and Canada: – Rest of the world: – Worldwide: $2.4K
US & Canada vs the world
Where Did the Money Come From in Week 19 of 2017?
Of the top 10, Lowriders (2017) earned the biggest share at home (100% in the US & Canada), while Stefan Zweig: Farewell to Europe (2017) made 94% of its gross abroad. Across all 19 films, $53M (29%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
- 1 King Arthur: Legend of the Sword (2017) $149.2M $39.2M US & Canada · 26% $110M elsewhere · 74%
- 2 Paris Can Wait (2017) $13.2M $5.6M US & Canada · 43% $7.6M elsewhere · 57%
- 3 Lowriders (2017) $6.3M $6.3M US & Canada · 100% $8.5K elsewhere · <1%
- 4 The Wall (2017) $4.5M $1.8M US & Canada · 40% $2.7M elsewhere · 60%
- 5 The Tooth and the Nail (2017) $2.5M No US & Canada figure reported
- 6 Meri Pyaari Bindu (2017) $1.6M No US & Canada figure reported
- 7 Stefan Zweig: Farewell to Europe (2017) $1.4M $78.4K US & Canada · 6% $1.3M elsewhere · 94%
- 8 National Theatre Live: Consent (2017) $907.9K No US & Canada figure reported
- 9 National Theatre Live: wonder.land (2017) $907.9K No US & Canada figure reported
- 10 Lahoriye (2017) $600.4K No US & Canada figure reported
Gross bands
How Many Week 19 of 2017 Releases Crossed $100 Million?
1 of 19 films crossed $100M and took $149.2M between them, 82% of the total. 17 films, 89% of the list, earned under $10M.
82% 11%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 1 film, 5% of the list $149.2M · 82% of the gross
- $10M to $100M 1 film, 5% of the list $13.2M · 7% of the gross
- Under $10M 17 films, 89% of the list $19.3M · 11% of the gross
Weeks around it
How Does Week 19 Compare With the Weeks Around It?
Week 19 releases took $181.7M. The biggest of these 9 weeks is week 14 (Apr 2–8) with $521.5M, led by Your Name. (2017).
- Week 13 Wk 13 Mar 26–Apr 1 Ghost in the Shell (2017) $201.6M Ghost in the Shell (2017)
- Week 14 Wk 14 Apr 2–8 Your Name. (2017) $521.5M Your Name. (2017)
- Week 15 Wk 15 Apr 9–15 The Lost City of Z (2017) $38.7M The Lost City of Z (2017)
- Week 16 Wk 16 Apr 16–22 Unforgettable (2017) $37.6M Unforgettable (2017)
- Week 17 Wk 17 Apr 23–29 Battle of Memories (2017) $122M Battle of Memories (2017)
- Week 18 Wk 18 Apr 30–May 6 Bad Genius (2017) $65.4M Bad Genius (2017)
- Week 19 Wk 19 May 7–13 King Arthur: Legend of the Sword (2017) $181.7M King Arthur: Legend of the Sword (2017)
- Week 20 Wk 20 May 14–20 Everything, Everything (2017) $129.2M Everything, Everything (2017)
- Week 21 Wk 21 May 21–27 Baywatch (2017) $183.1M Baywatch (2017)
Earlier years
How Does Week 19 of 2017 Compare With Earlier Years?
Of these 10 years, Week 19, 2011 earned the most: $617.7M from 22 films, led by Thor (2011). Week 19, 2017 took $181.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 19, 2008 May 4–10 13 films | 13 | $8.5M | – | Frontier(s) (2008) $2.8M |
| Week 19, 2009 May 3–9 9 films · +449% | 9 | $46.9M | +449% | April Bride (2009) $32.1M |
| Week 19, 2010 May 2–8 7 films · −53% | 7 | $21.9M | −53% | Welcome (2010) $13.6M |
| Week 19, 2011 May 1–7 22 films · +2716% | 22 | $617.7M | +2716% | Thor (2011) $449.3M |
| Week 19, 2012 May 6–12 13 films · −56% | 13 | $273.7M | −56% | Dark Shadows (2012) $245.5M |
| Week 19, 2013 May 5–11 7 films · +35% | 7 | $370.9M | +35% | The Great Gatsby (2013) $353.7M |
| Week 19, 2014 May 4–10 12 films · −96% | 12 | $14.2M | −96% | Wood Job! (2014) $5.5M |
| Week 19, 2015 May 3–9 17 films · +54% | 17 | $22M | +54% | Blind Date (2015) $3.9M |
| Week 19, 2016 May 1–7 14 films · −20% | 14 | $17.6M | −20% | A Bigger Splash (2016) $7.5M |
| Week 19, 2017 May 7–13 19 films · +931% | 19 | $181.7M | +931% | King Arthur: Legend of the Sword (2017) $149.2M |
By language
Which Languages Do the Biggest Drama Movies Speak in Week 19 of 2017?
English-language drama films took $175.6M across 10 films, 97% of the total, ahead of Korean-language drama films ($2.5M) and Hindi-language drama films ($1.6M).
Week 19 of 2017 Drama Box Office by Language
- English $175.6M10 films · #1 King Arthur: Legend of the Sword (2017)
-
Korean $2.5M1 film · #1 The Tooth and the Nail (2017) -
Hindi $1.6M1 film · #1 Meri Pyaari Bindu (2017) -
German $1.4M1 film · #1 Stefan Zweig: Farewell to Europe (2017) - Punjabi $600.4K1 film · #1 Lahoriye (2017)
-
Polish $69.9K1 film · #1 Stars (2017) -
Spanish $16.6K1 film · #1 Keyla (2017) -
Turkish $6.3K1 film · #1 Beyaz Balina (2017) -
Japanese $2.9K1 film · #1 Sagrada Reset Part 2 (2017) - Malayalam $2.4K1 film · #1 Ramante Edanthottam (2017)
Archive
Drama Box Office in 2017, Week by Week
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $982.1M, led by The Greatest Showman (2017).
- Week 1 $3.1M
- Week 2 $7.6M
- Week 3 $34M
- Week 4 $524.4M
- Week 5 $116.4M
- Week 6 $415.3M
- Week 7 $63.3M
- Week 8 $15.9M
- Week 9 $752.1M
- Week 10 $17.3M
- Week 11 $60.8M
- Week 12 $43.7M
- Week 13 $201.6M
- Week 14 $521.5M
- Week 15 $38.7M
- Week 16 $37.6M
- Week 17 $122M
- Week 18 $65.4M
- Week 19 $181.7M
- Week 20 $129.2M
- Week 21 $183.1M
- Week 22 $14.2M
- Week 23 $35.5M
- Week 24 $193M
- Week 25 $97.1M
- Week 26 $34.3M
- Week 27 $68.1M
- Week 28 $624.2M
- Week 29 $555.4M
- Week 30 $935M
- Week 31 $146.9M
- Week 32 $228.1M
- Week 33 $93M
- Week 34 $45.6M
- Week 35 $38M
- Week 36 $806.9M
- Week 37 $69.9M
- Week 38 $207.5M
- Week 39 $104.6M
- Week 40 $366.6M
- Week 41 $187.7M
- Week 42 $120.2M
- Week 43 $59.5M
- Week 44 $968.6M
- Week 45 $547.7M
- Week 46 $338M
- Week 47 $242.7M
- Week 48 $163.2M
- Week 49 $93.4M
- Week 50 $252.2M
- Week 51 $982.1M
- Week 52 $379.3M
- Week 53 $60.7K
FAQ
Drama Box Office Week 19 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 19 films as the chart.
What is the highest-grossing drama movie in week 19 of 2017 (May 7–13)?
King Arthur: Legend of the Sword (2017) leads with $149.2M worldwide, $39.2M of it in the US & Canada. Next come Paris Can Wait (2017) at $13.2M and Lowriders (2017) at $6.3M.
How much did drama movies released in week 19 of 2017 (May 7–13) earn?
19 drama films released in week 19 of 2017 (May 7–13) report a worldwide gross, $181.7M in all, or $9.6M per film on average. Week 18, 2017 releases took $65.4M.
How many drama movies released in week 19 of 2017 (May 7–13) made $1 billion?
None. 1 film crossed $100 million, led by King Arthur: Legend of the Sword (2017) with $149.2M.
How is the week 19, 2017 drama box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 19 of 2017 (May 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 19, 2017 drama box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.