#1 of 30 Murder on the Orient Express (2017)
2017 · Drama, Mystery
$352.8M worldwide · 64% of the chart's total
Murder on the Orient Express (2017) is the highest-grossing drama movie released in week 45 of 2017 (Nov 5–11), with $352.8M worldwide, ahead of Three Billboards Outside Ebbing, Missouri (2017) at $162.7M and Santa & Andrés (2017) at $19.2M. 30 drama films released that week report a worldwide gross, $547.7M in all, 29% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is down 43% on Week 44, 2017, whose releases took $968.6M. By language, English leads with $515.8M across 8 drama releases.
#1 of 30 Murder on the Orient Express (2017)
2017 · Drama, Mystery
$352.8M worldwide · 64% of the chart's total
Murder on the Orient Express (2017) leads with $352.8M, 64% of the total. The top 5 together took $540.1M, 99% of what all 30 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 45 of 2017 (Nov 5–11).
Nov 10, 2017 US and Canada: – Rest of the world: – Worldwide: $19.2M
Nov 10, 2017 US and Canada: $37K Rest of the world: $3.6M Worldwide: $3.6M
Nov 10, 2017 US and Canada: – Rest of the world: – Worldwide: $1.8M
Nov 9, 2017 US and Canada: – Rest of the world: – Worldwide: $1.5M
Nov 10, 2017 US and Canada: $147.4K Rest of the world: $1.3M Worldwide: $1.5M
Nov 8, 2017 US and Canada: – Rest of the world: – Worldwide: $1.3M
Nov 10, 2017 US and Canada: – Rest of the world: – Worldwide: $728.8K
Nov 10, 2017 US and Canada: – Rest of the world: – Worldwide: $637.3K
Nov 9, 2017 US and Canada: – Rest of the world: – Worldwide: $546.2K
Nov 8, 2017 US and Canada: – Rest of the world: – Worldwide: $530.8K
Nov 8, 2017 US and Canada: – Rest of the world: – Worldwide: $322K
Nov 10, 2017 US and Canada: $87.4K Rest of the world: $77.1K Worldwide: $164.5K
Nov 7, 2017 US and Canada: – Rest of the world: – Worldwide: $55.1K
Nov 9, 2017 US and Canada: – Rest of the world: – Worldwide: $51.7K
Nov 10, 2017 US and Canada: – Rest of the world: – Worldwide: $44.8K
Nov 5, 2017 US and Canada: – Rest of the world: – Worldwide: $38.9K
Nov 11, 2017 US and Canada: – Rest of the world: – Worldwide: $15.6K
Nov 10, 2017 US and Canada: – Rest of the world: – Worldwide: $12.4K
Nov 9, 2017 US and Canada: – Rest of the world: – Worldwide: $9K
Nov 10, 2017 US and Canada: – Rest of the world: – Worldwide: $3.6K
Nov 10, 2017 US and Canada: $3.4K Rest of the world: Worldwide: $3.4K
Nov 5, 2017 US and Canada: – Rest of the world: – Worldwide: $3.2K
Nov 10, 2017 US and Canada: – Rest of the world: – Worldwide: $1.9K
Nov 7, 2017 US and Canada: – Rest of the world: – Worldwide: $1.1K
Nov 10, 2017 US and Canada: – Rest of the world: – Worldwide: $688
Nov 10, 2017 US and Canada: – Rest of the world: – Worldwide: $532
Nov 6, 2017 US and Canada: – Rest of the world: – Worldwide: $202 Of the top 10, Three Billboards Outside Ebbing, Missouri (2017) earned the biggest share at home (33% in the US & Canada), while Heart Blackened (2017) made 99% of its gross abroad. Across all 30 films, $157.6M (29%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
2 of 30 films crossed $100M and took $515.5M between them, 94% of the total. 27 films, 90% of the list, earned under $10M.
Week 45 releases took $547.7M. The biggest of these 9 weeks is week 44 (Oct 29–Nov 4) with $968.6M, led by Thor: Ragnarok (2017).
Of these 10 years, Week 45, 2017 earned the most: $547.7M from 30 films, led by Murder on the Orient Express (2017).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 45, 2008 Nov 2–8 17 films | 17 | $59.9M | – | The Boy in the Striped Pajamas (2008) $40.4M |
| Week 45, 2009 Nov 1–7 14 films · +619% | 14 | $430.4M | +619% | A Christmas Carol (2009) $325.3M |
| Week 45, 2010 Oct 31–Nov 6 13 films · −67% | 13 | $144M | −67% | 127 Hours (2010) $60.7M |
| Week 45, 2011 Oct 30–Nov 5 14 films · −80% | 14 | $28.2M | −80% | Kaiji 2: The Ultimate Gambler (2011) $20M |
| Week 45, 2012 Nov 4–10 18 films · +1043% | 18 | $322.7M | +1043% | Lincoln (2012) $275.3M |
| Week 45, 2013 Nov 3–9 14 films · −19% | 14 | $261.2M | −19% | The Wind Rises (2013) $137.1M |
| Week 45, 2014 Nov 2–8 19 films · −50% | 19 | $131.2M | −50% | The Theory of Everything (2014) $123.7M |
| Week 45, 2015 Nov 1–7 22 films · +127% | 22 | $298.2M | +127% | Spotlight (2015) $98.7M |
| Week 45, 2016 Oct 30–Nov 5 14 films · −13% | 14 | $259M | −13% | Hacksaw Ridge (2016) $180.6M |
| Week 45, 2017 Nov 5–11 30 films · +111% | 30 | $547.7M | +111% | Murder on the Orient Express (2017) $352.8M |
English-language drama films took $515.8M across 8 films, 94% of the total, ahead of Spanish-language drama films ($19.3M) and Korean-language drama films ($3.6M).
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $982.1M, led by The Greatest Showman (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 30 films as the chart.
Murder on the Orient Express (2017) leads with $352.8M worldwide, $102.8M of it in the US & Canada. Next come Three Billboards Outside Ebbing, Missouri (2017) at $162.7M and Santa & Andrés (2017) at $19.2M.
30 drama films released in week 45 of 2017 (Nov 5–11) report a worldwide gross, $547.7M in all, or $18.3M per film on average. Week 44, 2017 releases took $968.6M.
None. 2 films crossed $100 million, led by Murder on the Orient Express (2017) with $352.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 45 of 2017 (Nov 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.