#1 of 8 2017 · Drama, Fantasy
$2.3M worldwide · 73% of the chart's total
Because I Love You (2017) is the highest-grossing drama movie released in week 1 of 2017 (Jan 1–7), with $2.3M worldwide, ahead of Poorna (2017) at $583K and A Chance in the World (2017) at $112K. 8 drama films released that week report a worldwide gross, $3.1M in all, 4% of it from the US & Canada. That is down 99% on Week 53, 2016, whose releases took $296.4M. By language, Korean leads with $2.3M across 1 drama release.
#1 of 8 2017 · Drama, Fantasy
$2.3M worldwide · 73% of the chart's total
Because I Love You (2017) leads with $2.3M, 73% of the total. The top 5 together took $3.1M, 99% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 1 of 2017 (Jan 1–7).
Jan 4, 2017 US and Canada: – Rest of the world: – Worldwide: $2.3M
Jan 6, 2017 US and Canada: – Rest of the world: – Worldwide: $583K
2017 US and Canada: $112K Rest of the world: Worldwide: $112K
Jan 5, 2017 US and Canada: – Rest of the world: – Worldwide: $49.8K
Jan 5, 2017 US and Canada: – Rest of the world: – Worldwide: $40.3K
Jan 6, 2017 US and Canada: – Rest of the world: – Worldwide: $35.7K
Jan 2, 2017 US and Canada: – Rest of the world: – Worldwide: $8.6K
Jan 6, 2017 US and Canada: – Rest of the world: – Worldwide: $499 Week 1 releases took $3.1M. The biggest of these 9 weeks is week 52, 2016 (Dec 18–24) with $1.7B, led by Sing (2016).
Of these 10 years, Week 1, 2015 earned the most: $50.1M from 2 films, led by The Woman in Black 2: Angel of Death (2015). Week 1, 2017 took $3.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 1, 2008 Jan 1–5 10 films | 10 | $10.9M | – | My Name Ain’t Johnny (2008) $10.4M |
| Week 1, 2009 Jan 1–3 5 films · −84% | 5 | $1.7M | −84% | Nothing Personal (2009) $973.4K |
| Week 1, 2010 Jan 1–2 8 films · +206% | 8 | $5.3M | +206% | Don Quixote (2010) $5.1M |
| Week 1, 2011 Jan 1 2 films · −93% | 2 | $365K | −93% | Sommer der Gaukler (2011) $343.5K |
| Week 1, 2012 Jan 1–7 10 films · +2345% | 10 | $8.9M | +2345% | Last Stop: Kurtuluş (2012) $3.2M |
| Week 1, 2013 Jan 1–5 3 films · −80% | 3 | $1.8M | −80% | The Priest’s Children (2013) $1.4M |
| Week 1, 2014 Jan 1–4 4 films · +1986% | 4 | $36.9M | +1986% | The Best Offer (2014) $20.9M |
| Week 1, 2015 Jan 1–3 2 films · +36% | 2 | $50.1M | +36% | The Woman in Black 2: Angel of Death (2015) $48.9M |
| Week 1, 2016 Jan 1–2 5 films · −20% | 5 | $40.1M | −20% | Sherlock: The Abominable Bride (2016) $39.1M |
| Week 1, 2017 Jan 1–7 8 films · −92% | 8 | $3.1M | −92% | Because I Love You (2017) $2.3M |
Korean-language drama films took $2.3M across 1 film, 73% of the total, ahead of Hindi-language drama films ($583K) and English-language drama films ($206.1K).
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $982.1M, led by The Greatest Showman (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Because I Love You (2017) leads with $2.3M worldwide. Next come Poorna (2017) at $583K and A Chance in the World (2017) at $112K.
8 drama films released in week 1 of 2017 (Jan 1–7) report a worldwide gross, $3.1M in all, or $388.9K per film on average. Week 53, 2016 releases took $296.4M.
None. The biggest, Because I Love You (2017), earned $2.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 1 of 2017 (Jan 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.