#1 of 21 #1 drama movie of Week 32, 2017
2017 · Action, Drama
$86.3M worldwide · 38% of the chart's total
$1.5M US & Canada · 2% $84.7M elsewhere · 98%
Drama box office · Week 32 · Aug 6–12, 2017
Drama Box Office, Week 32 of 2017: Drama Releases of Aug 6–12
A Taxi Driver (2017) is the highest-grossing drama movie released in week 32 of 2017 (Aug 6–12), with $86.3M worldwide, ahead of Guilty of Mind (2017) at $45.7M and Toilet: Ek Prem Katha (2017) at $36M. 21 drama films released that week report a worldwide gross, $228.1M in all, 12% of it from the US & Canada. That is up 55% on Week 31, 2017, whose releases took $146.9M. By language, Korean leads with $86.3M across 1 drama release.
- week 32 releases with a gross
- 21
- combined worldwide
- $228.1M
- A Taxi Driver (2017), the #1
- $86.3M
- vs Week 31, 2017
- +55%
#1 of 21 Top 5
What Were the Biggest Drama Hits of Week 32 of 2017?
A Taxi Driver (2017) leads with $86.3M, 38% of the total. The top 5 together took $209.5M, 92% of what all 21 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Drama Release of Week 32 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 32 of 2017 (Aug 6–12).
- 1 Aug 11, 2017 US and Canada: $1.5M Rest of the world: $84.7M Worldwide: $86.3M
- 2 Aug 11, 2017 US and Canada: – Rest of the world: – Worldwide: $45.7M
- 3 Aug 11, 2017 US and Canada: $1.8M Rest of the world: $34.1M Worldwide: $36M
- 4 Aug 11, 2017 US and Canada: $17.3M Rest of the world: $4.8M Worldwide: $22.1M
- 5 Aug 11, 2017 US and Canada: $172.1K Rest of the world: $19.3M Worldwide: $19.5M
- 6
Aug 11, 2017 US and Canada: $81.1K Rest of the world: $3.9M Worldwide: $4M - 7
Aug 11, 2017 US and Canada: $2M Rest of the world: $1.2M Worldwide: $3.3M - 8
Aug 11, 2017 US and Canada: $3M Rest of the world: $122.5K Worldwide: $3.1M - 9
Aug 11, 2017 US and Canada: $624.3K Rest of the world: $1.9M Worldwide: $2.6M - 10
Aug 11, 2017 US and Canada: $1.2M Rest of the world: $831.2K Worldwide: $2M - 11
Aug 9, 2017 US and Canada: $13.7K Rest of the world: $1.7M Worldwide: $1.7M - 12
Aug 11, 2017 US and Canada: – Rest of the world: – Worldwide: $836.4K - 13
Aug 11, 2017 US and Canada: $3.3K Rest of the world: $543.3K Worldwide: $546.6K - 14
Aug 11, 2017 US and Canada: $30.2K Rest of the world: $291.6K Worldwide: $321.8K - 15
Aug 7, 2017 US and Canada: – Rest of the world: – Worldwide: $67.4K - 16
Aug 11, 2017 US and Canada: – Rest of the world: – Worldwide: $43.2K - 17
Aug 11, 2017 US and Canada: – Rest of the world: – Worldwide: $33.9K - 18
Aug 12, 2017 US and Canada: $31.6K Rest of the world: Worldwide: $31.6K - 19
Aug 7, 2017 US and Canada: – Rest of the world: – Worldwide: $20.3K - 20
Aug 9, 2017 US and Canada: – Rest of the world: – Worldwide: $4.5K - 21
Aug 10, 2017 US and Canada: $3.6K Rest of the world: Worldwide: $3.6K
US & Canada vs the world
Where Did the Money Come From in Week 32 of 2017?
Of the top 10, Ingrid Goes West (2017) earned the biggest share at home (96% in the US & Canada), while In This Corner of the World (2017) made 99% of its gross abroad. Across all 21 films, $27.8M (12%) came from the US & Canada. 1 film of the top 10 reports no US & Canada figure.
- 1 A Taxi Driver (2017) $86.3M $1.5M US & Canada · 2% $84.7M elsewhere · 98%
- 2 Guilty of Mind (2017) $45.7M No US & Canada figure reported
- 3 Toilet: Ek Prem Katha (2017) $36M $1.8M US & Canada · 5% $34.1M elsewhere · 95%
- 4 The Glass Castle (2017) $22.1M $17.3M US & Canada · 78% $4.8M elsewhere · 22%
- 5 In This Corner of the World (2017) $19.5M $172.1K US & Canada · <1% $19.3M elsewhere · 99%
- 6 The Nile Hilton Incident (2017) $4M $81.1K US & Canada · 2% $3.9M elsewhere · 98%
- 7 Good Time (2017) $3.3M $2M US & Canada · 62% $1.2M elsewhere · 38%
- 8 Ingrid Goes West (2017) $3.1M $3M US & Canada · 96% $122.5K elsewhere · 4%
- 9 The Only Living Boy in New York (2017) $2.6M $624.3K US & Canada · 24% $1.9M elsewhere · 76%
- 10 The Trip to Spain (2017) $2M $1.2M US & Canada · 58% $831.2K elsewhere · 42%
Gross bands
How Many Week 32 of 2017 Releases Crossed $100 Million?
None of the 21 films reached $100M. 16 films, 76% of the list, earned under $10M. Each band shows its films and its share of the $228.1M total.
92% 8%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 5 films, 24% of the list $209.5M · 92% of the gross
- Under $10M 16 films, 76% of the list $18.6M · 8% of the gross
Weeks around it
How Does Week 32 Compare With the Weeks Around It?
Week 32 releases took $228.1M. The biggest of these 9 weeks is week 30 (Jul 23–29) with $935M, led by Wolf Warrior 2 (2017).
- Week 26 Wk 26 Jun 25–Jul 1 Anarchist from Colony (2017) $34.3M Anarchist from Colony (2017)
- Week 27 Wk 27 Jul 2–8 The House That Never Dies II (2017) $68.1M The House That Never Dies II (2017)
- Week 28 Wk 28 Jul 9–15 War for the Planet of the Apes (2017) $624.2M War for the Planet of the Apes (2017)
- Week 29 Wk 29 Jul 16–22 Dunkirk (2017) $555.4M Dunkirk (2017)
- Week 30 Wk 30 Jul 23–29 Wolf Warrior 2 (2017) $935M Wolf Warrior 2 (2017)
- Week 31 Wk 31 Jul 30–Aug 5 The Battleship Island (2017) $146.9M The Battleship Island (2017)
- Week 32 Wk 32 Aug 6–12 A Taxi Driver (2017) $228.1M A Taxi Driver (2017)
- Week 33 Wk 33 Aug 13–19 Logan Lucky (2017) $93M Logan Lucky (2017)
- Week 34 Wk 34 Aug 20–26 Sekigahara (2017) $45.6M Sekigahara (2017)
Earlier years
How Does Week 32 of 2017 Compare With Earlier Years?
Of these 10 years, Week 32, 2013 earned the most: $666.1M from 8 films, led by Elysium (2013). Week 32, 2017 took $228.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 32, 2008 Aug 3–9 16 films | 16 | $89.2M | – | The Sisterhood of the Traveling Pants 2 (2008) $44.4M |
| Week 32, 2009 Aug 2–8 10 films · +81% | 10 | $161.6M | +81% | Julie & Julia (2009) $129.5M |
| Week 32, 2010 Aug 1–7 17 films · +8% | 17 | $174.1M | +8% | Step Up 3-D (2010) $159.3M |
| Week 32, 2011 Jul 31–Aug 6 7 films · −86% | 7 | $24.6M | −86% | Red Dog (2011) $21.2M |
| Week 32, 2012 Aug 5–11 13 films · +420% | 13 | $127.9M | +420% | Hope Springs (2012) $114.3M |
| Week 32, 2013 Aug 4–10 8 films · +421% | 8 | $666.1M | +421% | Elysium (2013) $286.1M |
| Week 32, 2014 Aug 3–9 5 films · −70% | 5 | $199.2M | −70% | The Hundred-Foot Journey (2014) $90.2M |
| Week 32, 2015 Aug 2–8 13 films · ±0% | 13 | $199.6M | ±0% | Assassination (2015) $96.1M |
| Week 32, 2016 Jul 31–Aug 6 13 films · −31% | 13 | $137.3M | −31% | The Little Prince (2016) $97.6M |
| Week 32, 2017 Aug 6–12 21 films · +66% | 21 | $228.1M | +66% | A Taxi Driver (2017) $86.3M |
By language
Which Languages Do the Biggest Drama Movies Speak in Week 32 of 2017?
Korean-language drama films took $86.3M across 1 film, 38% of the total, ahead of Chinese-language drama films ($45.7M) and English-language drama films ($36.2M).
Week 32 of 2017 Drama Box Office by Language
-
Korean $86.3M1 film · #1 A Taxi Driver (2017) -
Chinese $45.7M1 film · #1 Guilty of Mind (2017) -
English $36.2M8 films · #1 The Glass Castle (2017) -
Hindi $36M2 films · #1 Toilet: Ek Prem Katha (2017) -
Japanese $19.5M2 films · #1 In This Corner of the World (2017) -
Arabic $4M1 film · #1 The Nile Hilton Incident (2017) -
French $321.8K1 film · #1 Nocturama (2017) -
Turkish $77.1K2 films · #1 Mezarcı (2017) -
German $67.4K1 film · #1 Goliath (2017) -
Romanian $20.3K1 film · #1 Charleston (2017)
Archive
Drama Box Office in 2017, Week by Week
53 weeks of 2017 with reported grosses; the biggest is week 51 (Dec 17–23) with $982.1M, led by The Greatest Showman (2017).
- Week 1 $3.1M
- Week 2 $7.6M
- Week 3 $34M
- Week 4 $524.4M
- Week 5 $116.4M
- Week 6 $415.3M
- Week 7 $63.3M
- Week 8 $15.9M
- Week 9 $752.1M
- Week 10 $17.3M
- Week 11 $60.8M
- Week 12 $43.7M
- Week 13 $201.6M
- Week 14 $521.5M
- Week 15 $38.7M
- Week 16 $37.6M
- Week 17 $122M
- Week 18 $65.4M
- Week 19 $181.7M
- Week 20 $129.2M
- Week 21 $183.1M
- Week 22 $14.2M
- Week 23 $35.5M
- Week 24 $193M
- Week 25 $97.1M
- Week 26 $34.3M
- Week 27 $68.1M
- Week 28 $624.2M
- Week 29 $555.4M
- Week 30 $935M
- Week 31 $146.9M
- Week 32 $228.1M
- Week 33 $93M
- Week 34 $45.6M
- Week 35 $38M
- Week 36 $806.9M
- Week 37 $69.9M
- Week 38 $207.5M
- Week 39 $104.6M
- Week 40 $366.6M
- Week 41 $187.7M
- Week 42 $120.2M
- Week 43 $59.5M
- Week 44 $968.6M
- Week 45 $547.7M
- Week 46 $338M
- Week 47 $242.7M
- Week 48 $163.2M
- Week 49 $93.4M
- Week 50 $252.2M
- Week 51 $982.1M
- Week 52 $379.3M
- Week 53 $60.7K
FAQ
Drama Box Office Week 32 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 21 films as the chart.
What is the highest-grossing drama movie in week 32 of 2017 (Aug 6–12)?
A Taxi Driver (2017) leads with $86.3M worldwide, $1.5M of it in the US & Canada. Next come Guilty of Mind (2017) at $45.7M and Toilet: Ek Prem Katha (2017) at $36M.
How much did drama movies released in week 32 of 2017 (Aug 6–12) earn?
21 drama films released in week 32 of 2017 (Aug 6–12) report a worldwide gross, $228.1M in all, or $10.9M per film on average. Week 31, 2017 releases took $146.9M.
How many drama movies released in week 32 of 2017 (Aug 6–12) made $1 billion?
None. The biggest, A Taxi Driver (2017), earned $86.3M.
How is the week 32, 2017 drama box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 32 of 2017 (Aug 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 32, 2017 drama box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.