#1 of 10 Night at the Museum: Battle of the Smithsonian (2009)
2009 · Action, Adventure
$413.1M worldwide · 49% of the chart's total
Night at the Museum: Battle of the Smithsonian (2009) is the highest-grossing English-language movie released in week 21 of 2009 (May 17–23), with $413.1M worldwide, ahead of Terminator Salvation (2009) at $371.4M and Dance Flick (2009) at $31.4M. 10 English-language films released that week report a worldwide gross, $837.7M in all, 40% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 68% on Week 20, 2009, whose releases took $499M. By genre, Action leads with $815.9M across 3 English releases.
#1 of 10 Night at the Museum: Battle of the Smithsonian (2009)
2009 · Action, Adventure
$413.1M worldwide · 49% of the chart's total
Night at the Museum: Battle of the Smithsonian (2009) leads with $413.1M, 49% of the total. The top 5 together took $835.7M, almost all of what the 10 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 21 of 2009 (May 17–23).
May 21, 2009 US and Canada: $125.3M Rest of the world: $246M Worldwide: $371.4M
May 22, 2009 US and Canada: $25.7M Rest of the world: $5.8M Worldwide: $31.4M
May 22, 2009 US and Canada: $2.7M Rest of the world: $15.8M Worldwide: $18.5M
May 22, 2009 US and Canada: – Rest of the world: – Worldwide: $1.4M
May 22, 2009 US and Canada: $695.8K Rest of the world: $365.1K Worldwide: $1.1M
May 17, 2009 US and Canada: $754.3K Rest of the world: Worldwide: $754.3K
May 20, 2009 US and Canada: $51.7K Rest of the world: $75.4K Worldwide: $127.1K
May 22, 2009 US and Canada: $55.5K Rest of the world: Worldwide: $55.5K
May 19, 2009 US and Canada: $17.9K Rest of the world: Worldwide: $17.9K Of the top 10, Middle Men (2009) earned the biggest share at home (100% in the US & Canada), while Easy Virtue (2009) made 86% of its gross abroad. Across all 10 films, $332.5M (40%) came from the US & Canada. 1 film of the top 10 reports no US & Canada figure.
2 of 10 films crossed $100M and took $784.5M between them, 94% of the total. 6 films, 60% of the list, earned under $10M.
Week 21 releases took $837.7M. The biggest of these 9 weeks is week 21 (May 17–23) with $837.7M, led by Night at the Museum: Battle of the Smithsonian (2009).
Of these 10 years, Week 21, 2007 earned the most: $1B from 8 films, led by Pirates of the Caribbean: At World's End (2007). Week 21, 2009 took $837.7M.
Action took $815.9M across 3 films, 97% of the total, ahead of Adventure ($784.5M) and Comedy ($465.1M). A film counts once for each of its genres.
53 weeks of 2009 with reported grosses; the biggest is week 51 (Dec 13–19) with $3.2B, led by Avatar (2009).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 10 films as the chart.
Night at the Museum: Battle of the Smithsonian (2009) leads with $413.1M worldwide, $177.2M of it in the US & Canada. Next come Terminator Salvation (2009) at $371.4M and Dance Flick (2009) at $31.4M.
10 English-language films released in week 21 of 2009 (May 17–23) report a worldwide gross, $837.7M in all, or $83.8M per film on average. Week 20, 2009 releases took $499M.
None. 2 films crossed $100 million, led by Night at the Museum: Battle of the Smithsonian (2009) with $413.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 21 of 2009 (May 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.