#1 of 6 Buena Vista Social Club: Adios (2017)
2017 · Documentary
$701.6K worldwide · 35% of the chart's total
Buena Vista Social Club: Adios (2017) is the highest-grossing documentary movie released in week 21 of 2017 (May 21–27), with $701.6K worldwide, ahead of Long Strange Trip (2017) at $352K and Sachin (2017) at $288.6K. 6 documentary films released that week report a worldwide gross, $2M in all, 31% of it from the US & Canada. By language, English leads with $1.4M across 4 documentary releases.
#1 of 6 Buena Vista Social Club: Adios (2017)
2017 · Documentary
$701.6K worldwide · 35% of the chart's total
Buena Vista Social Club: Adios (2017) leads with $701.6K, 35% of the total. The top 5 together took $1.8M, 93% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 21 of 2017 (May 21–27).
May 26, 2017 US and Canada: $123.4K Rest of the world: $578.1K Worldwide: $701.6K
May 26, 2017 US and Canada: $352K Rest of the world: Worldwide: $352K
May 26, 2017 US and Canada: – Rest of the world: – Worldwide: $288.6K
May 26, 2017 US and Canada: – Rest of the world: – Worldwide: $288.6K
May 24, 2017 US and Canada: $147.8K Rest of the world: Worldwide: $147.8K Of the top 6, Long Strange Trip (2017) earned the biggest share at home (100% in the US & Canada), while Buena Vista Social Club: Adios (2017) made 82% of its gross abroad. Across all 6 films, $623.2K (31%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 21 releases took $2M. The biggest of these 9 weeks is week 16 (Apr 16–22) with $25.7M, led by Born in China (2017).
Of these 10 years, Week 21, 2015 earned the most: $33.2M from 3 films, led by The Crossing (2015). Week 21, 2017 took $2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 21, 2008 May 18–24 2 films | 2 | $163.5K | – | A Jihad for Love (2008) $105.7K |
| Week 21, 2009 May 17–23 3 films · +23% | 3 | $200.5K | +23% | Burma VJ: Reporter i et lukket land (2009) $127.1K |
| Week 21, 2010 May 16–22 5 films · −37% | 5 | $126.9K | −37% | Racing Dreams (2010) $65.1K |
| Week 21, 2011 May 15–21 3 films · +535% | 3 | $805.3K | +535% | Joschka und Herr Fischer (2011) $741.7K |
| Week 21, 2012 May 20–26 2 films · −65% | 2 | $281.4K | −65% | 5 Broken Cameras (2012) $146.5K |
| Week 21, 2013 May 19–25 3 films · +98% | 3 | $557.3K | +98% | We Steal Secrets: The Story of WikiLeaks (2013) $457.5K |
| Week 21, 2014 May 18–24 4 films · +1% | 4 | $560.3K | +1% | The Hornet's Nest (2014) $312.7K |
| Week 21, 2015 May 17–23 3 films · +5833% | 3 | $33.2M | +5833% | The Crossing (2015) $32.8M |
| Week 21, 2016 May 15–21 3 films · −95% | 3 | $1.7M | −95% | Weiner (2016) $1.7M |
| Week 21, 2017 May 21–27 6 films · +13% | 6 | $2M | +13% | Buena Vista Social Club: Adios (2017) $701.6K |
50 weeks of 2017 with reported grosses; the biggest is week 2 (Jan 8–14) with $30.1M, led by Reset (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Buena Vista Social Club: Adios (2017) leads with $701.6K worldwide, $123.4K of it in the US & Canada. Next come Long Strange Trip (2017) at $352K and Sachin (2017) at $288.6K.
6 documentary films released in week 21 of 2017 (May 21–27) report a worldwide gross, $2M in all, or $330.4K per film on average.
None. The biggest, Buena Vista Social Club: Adios (2017), earned $701.6K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 21 of 2017 (May 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.