#1 of 6 2017 · Drama, History
$129K worldwide · 41% of the chart's total
I Called Him Morgan (2017) is the highest-grossing documentary movie released in week 12 of 2017 (Mar 19–25), with $129K worldwide, ahead of After Auschwitz (2017) at $73.9K and Russian Jews. Part Two. 1918-1948. (2017) at $45.5K. 6 documentary films released that week report a worldwide gross, $312.3K in all, 69% of it from the US & Canada. By language, English leads with $262.7K across 4 documentary releases.
#1 of 6 2017 · Drama, History
$129K worldwide · 41% of the chart's total
I Called Him Morgan (2017) leads with $129K, 41% of the total. The top 5 together took $308.2K, 99% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 2017 (Mar 19–25).
Mar 24, 2017 US and Canada: $129K Rest of the world: Worldwide: $129K
Mar 25, 2017 US and Canada: $73.9K Rest of the world: Worldwide: $73.9K
Mar 23, 2017 US and Canada: – Rest of the world: – Worldwide: $45.5K
Mar 24, 2017 US and Canada: – Rest of the world: – Worldwide: $34.5K
Mar 24, 2017 US and Canada: $12.8K Rest of the world: $12.5K Worldwide: $25.3K
Mar 22, 2017 US and Canada: – Rest of the world: – Worldwide: $4.1K Of the top 6, I Called Him Morgan (2017) earned the biggest share at home (100% in the US & Canada), while In Search of Israeli Cuisine (2017) made 49% of its gross abroad. Across all 6 films, $215.6K (69%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 12 releases took $312.3K. The biggest of these 9 weeks is week 8 (Feb 19–25) with $10.3M, led by Kiki (2017).
Of these 10 years, Week 12, 2009 earned the most: $2.9M from 2 films, led by Valentino: The Last Emperor (2009). Week 12, 2017 took $312.3K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 2008 Mar 16–22 2 films | 2 | $306.1K | – | Planet B-Boy (2008) $300.4K |
| Week 12, 2009 Mar 15–21 2 films · +840% | 2 | $2.9M | +840% | Valentino: The Last Emperor (2009) $2.2M |
| Week 12, 2010 Mar 14–20 3 films · −96% | 3 | $127.2K | −96% | See What I’m Saying: The Deaf Entertainers Documentary (2010) $118.2K |
| Week 12, 2011 Mar 13–19 3 films · +1935% | 3 | $2.6M | +1935% | Bill Cunningham New York (2011) $2M |
| Week 12, 2012 Mar 18–24 2 films · −65% | 2 | $913.5K | −65% | Raul: O Início, o Fim e o Meio (2012) $909.4K |
| Week 12, 2013 Mar 17–23 2 films · −78% | 2 | $202K | −78% | No Place on Earth (2013) $200.2K |
| Week 12, 2014 Mar 16–22 2 films · +316% | 2 | $839.7K | +316% | Jodorowsky's Dune (2014) $662.7K |
| Week 12, 2015 Mar 15–21 No films | 0 | – | – | – |
| Week 12, 2016 Mar 13–19 4 films | 4 | $79.1K | – | Trabantem do posledního dechu (2016) $25.9K |
| Week 12, 2017 Mar 19–25 6 films · +295% | 6 | $312.3K | +295% | I Called Him Morgan (2017) $129K |
50 weeks of 2017 with reported grosses; the biggest is week 2 (Jan 8–14) with $30.1M, led by Reset (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
I Called Him Morgan (2017) leads with $129K worldwide, $129K of it in the US & Canada. Next come After Auschwitz (2017) at $73.9K and Russian Jews. Part Two. 1918-1948. (2017) at $45.5K.
6 documentary films released in week 12 of 2017 (Mar 19–25) report a worldwide gross, $312.3K in all, or $52K per film on average.
None. The biggest, I Called Him Morgan (2017), earned $129K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 2017 (Mar 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.