#1 of 4 #1 documentary movie of Week 26, 2017
The B-Side: Elsa Dorfman's Portrait Photography (2017)
2017 · Documentary
$125.2K worldwide · 66% of the chart's total
$125.2K US & Canada · 100% elsewhere · 0%
Documentary box office · Week 26 · Jun 25–Jul 1, 2017
Documentary Box Office, Week 26 of 2017: Documentary Releases of Jun 25–Jul 1
The B-Side: Elsa Dorfman's Portrait Photography (2017) is the highest-grossing documentary movie released in week 26 of 2017 (Jun 25–Jul 1), with $125.2K worldwide, ahead of Dries (2017) at $50.7K and The Reagan Show (2017) at $7.1K. 4 documentary films released that week report a worldwide gross, $189.3K in all, 72% of it from the US & Canada.
- week 26 releases with a gross
- 4
- combined worldwide
- $189.3K
- The B-Side: Elsa Dorfman's Portrait Photography (2017), the #1
- $125.2K
- earned in the US & Canada
- 72%
#1 of 4 Top 4
What Were the Biggest Documentary Hits of Week 26 of 2017?
The B-Side: Elsa Dorfman's Portrait Photography (2017) leads with $125.2K, 66% of the total. The top 4 together took $189.3K, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1 $125.2K The B-Side: Elsa Dorfman's Portrait Photography (2017)$125.2K US & Canada · 100% elsewhere · 0%
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Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Documentary Release of Week 26 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 26 of 2017 (Jun 25–Jul 1).
- 1 The B-Side: Elsa Dorfman's Portrait Photography (2017)Jun 30, 2017 US and Canada: $125.2K Rest of the world: Worldwide: $125.2K
Jun 30, 2017 · English · Documentary $125.2K worldwide - 2 Jun 29, 2017 US and Canada: – Rest of the world: – Worldwide: $50.7K
- 3 Jun 30, 2017 US and Canada: $5.5K Rest of the world: $1.6K Worldwide: $7.1K
- 4 Jun 30, 2017 US and Canada: $6.3K Rest of the world: Worldwide: $6.3K
US & Canada vs the world
Where Did the Money Come From in Week 26 of 2017?
Of the top 4, The B-Side: Elsa Dorfman's Portrait Photography (2017) earned the biggest share at home (100% in the US & Canada), while The Reagan Show (2017) made 23% of its gross abroad. Across all 4 films, $137K (72%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.
- 1 The B-Side: Elsa Dorfman's Portrait Photography (2017) $125.2K $125.2K US & Canada · 100% elsewhere · 0%
- 2 Dries (2017) $50.7K No US & Canada figure reported
- 3 The Reagan Show (2017) $7.1K $5.5K US & Canada · 77% $1.6K elsewhere · 23%
- 4 The Skyjacker's Tale (2017) $6.3K $6.3K US & Canada · 100% elsewhere · 0%
Weeks around it
How Does Week 26 Compare With the Weeks Around It?
Week 26 releases took $189.3K. The biggest of these 9 weeks is week 24 (Jun 11–17) with $5.3M, led by Return to the Wolves (2017).
- Week 20 Wk 20 May 14–20 Fight for Space (2017) $500.9K Fight for Space (2017)
- Week 21 Wk 21 May 21–27 Buena Vista Social Club: Adios (2017) $2M Buena Vista Social Club: Adios (2017)
- Week 22 Wk 22 May 28–Jun 3 Letters from Baghdad (2017) $617.8K Letters from Baghdad (2017)
- Week 23 Wk 23 Jun 4–10 Chris Brown: Welcome to My Life (2017) $1.1M Chris Brown: Welcome to My Life (2017)
- Week 24 Wk 24 Jun 11–17 Return to the Wolves (2017) $5.3M Return to the Wolves (2017)
- Week 25 Wk 25 Jun 18–24 My Journey Through French Cinema (2017) $109.2K My Journey Through French Cinema (2017)
- Week 26 Wk 26 Jun 25–Jul 1 The B-Side: Elsa Dorfman's Portrait Photography (2017) $189.3K The B-Side: Elsa Dorfman's Portrait Photography (2017)
- Week 27 Wk 27 Jul 2–8 City of Ghosts (2017) $417.1K City of Ghosts (2017)
- Week 28 Wk 28 Jul 9–15 Unrest (2017) $120.2K Unrest (2017)
Earlier years
How Does Week 26 of 2017 Compare With Earlier Years?
Of these 10 years, Week 26, 2012 earned the most: $9.7M from 3 films, led by Searching for Sugar Man (2012). Week 26, 2017 took $189.3K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 26, 2008 Jun 22–28 4 films | 4 | $530.2K | – | Café de los maestros (2008) $363.2K |
| Week 26, 2009 Jun 21–27 2 films · −32% | 2 | $359.9K | −32% | Keep Surfing (2009) $247K |
| Week 26, 2010 Jun 20–26 2 films · +378% | 2 | $1.7M | +378% | Restrepo (2010) $1.4M |
| Week 26, 2011 Jun 19–25 3 films · −72% | 3 | $475.1K | −72% | Conan O'Brien Can't Stop (2011) $268K |
| Week 26, 2012 Jun 24–30 3 films · +1934% | 3 | $9.7M | +1934% | Searching for Sugar Man (2012) $9.4M |
| Week 26, 2013 Jun 23–29 3 films · −94% | 3 | $606.1K | −94% | Hidden Universe (2013) $439.7K |
| Week 26, 2014 Jun 22–28 5 films · −16% | 5 | $508.6K | −16% | Under the Electric Sky (2014) $207.6K |
| Week 26, 2015 Jun 21–27 2 films · −83% | 2 | $86.8K | −83% | Batkid Begins (2015) $74.7K |
| Week 26, 2016 Jun 19–25 2 films · −44% | 2 | $48.4K | −44% | Nuts! (2016) $44.2K |
| Week 26, 2017 Jun 25–Jul 1 4 films · +291% | 4 | $189.3K | +291% | The B-Side: Elsa Dorfman's Portrait Photography (2017) $125.2K |
Archive
Documentary Box Office in 2017, Week by Week
50 weeks of 2017 with reported grosses; the biggest is week 2 (Jan 8–14) with $30.1M, led by Reset (2017).
- Week 1 $461.7K
- Week 2 $30.1M
- Week 3 $349.9K
- Week 4 $94.4K
- Week 5 $5.3K
- Week 6 $5.1M
- Week 7 $85.4K
- Week 8 $10.3M
- Week 9 $553.2K
- Week 10 $831.1K
- Week 11 $65.2K
- Week 12 $312.3K
- Week 13 $1.1M
- Week 14 $585K
- Week 15 $538.2K
- Week 16 $25.7M
- Week 17 $14.2M
- Week 18 $1.4M
- Week 19 $191.9K
- Week 20 $500.9K
- Week 21 $2M
- Week 22 $617.8K
- Week 23 $1.1M
- Week 24 $5.3M
- Week 25 $109.2K
- Week 26 $189.3K
- Week 27 $417.1K
- Week 28 $120.2K
- Week 29 $7.2K
- Week 30 $5.7M
- Week 31 $1.3M
- Week 32 $79.2K
- Week 33 $1.5M
- Week 34 $8.3K
- Week 35 $566.7K
- Week 36 $1.2M
- Week 37 $2.5M
- Week 38 $113.4K
- Week 39 $2.3M
- Week 40 $18.2M
- Week 41 $2.5M
- Week 42 $3M
- Week 43 $137.7K
- Week 44 $160.5K
- Week 45 $339.3K
- Week 46 $1.8M
- Week 47 $16.1M
- Week 48 $45.7K
- Week 49 $4.5M
- Week 50 $8.7M
- Week 51 No grosses
- Week 52 No grosses
- Week 53 No grosses
FAQ
Documentary Box Office Week 26 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing documentary movie in week 26 of 2017 (Jun 25–Jul 1)?
The B-Side: Elsa Dorfman's Portrait Photography (2017) leads with $125.2K worldwide, $125.2K of it in the US & Canada. Next come Dries (2017) at $50.7K and The Reagan Show (2017) at $7.1K.
How much did documentary movies released in week 26 of 2017 (Jun 25–Jul 1) earn?
4 documentary films released in week 26 of 2017 (Jun 25–Jul 1) report a worldwide gross, $189.3K in all, or $47.3K per film on average.
How many documentary movies released in week 26 of 2017 (Jun 25–Jul 1) made $1 billion?
None. The biggest, The B-Side: Elsa Dorfman's Portrait Photography (2017), earned $125.2K.
How is the week 26, 2017 documentary box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 26 of 2017 (Jun 25–Jul 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 26, 2017 documentary box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.