#1 of 8 2017 · Thriller, Documentary
$1.3M worldwide · 51% of the chart's total
So Help Me God (2017) is the highest-grossing documentary movie released in week 37 of 2017 (Sep 10–16), with $1.3M worldwide, ahead of May It Last: A Portrait of the Avett Brothers (2017) at $725.3K and Black Sabbath: The End of The End (2017) at $309K. 8 documentary films released that week report a worldwide gross, $2.5M in all, 34% of it from the US & Canada. That is up 109% on Week 36, 2017, whose releases took $1.2M. By language, French leads with $1.3M across 1 documentary release.
#1 of 8 2017 · Thriller, Documentary
$1.3M worldwide · 51% of the chart's total
So Help Me God (2017) leads with $1.3M, 51% of the total. The top 5 together took $2.4M, 98% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2017 (Sep 10–16).
Sep 11, 2017 US and Canada: – Rest of the world: – Worldwide: $1.3M
Sep 15, 2017 US and Canada: $35.2K Rest of the world: Worldwide: $35.2K
Sep 15, 2017 US and Canada: $13.7K Rest of the world: Worldwide: $13.7K
Sep 15, 2017 US and Canada: $880 Rest of the world: Worldwide: $880 Of the top 8, May It Last: A Portrait of the Avett Brothers (2017) earned the biggest share at home (100% in the US & Canada), while Manolo: The Boy Who Made Shoes for Lizards (2017) made 7% of its gross abroad. Across all 8 films, $835.1K (34%) came from the US & Canada. 3 films of the top 8 report no US & Canada figure.
Week 37 releases took $2.5M. The biggest of these 9 weeks is week 37 (Sep 10–16) with $2.5M, led by So Help Me God (2017).
Of these 10 years, Week 37, 2012 earned the most: $4.5M from 5 films, led by Palme (2012). Week 37, 2017 took $2.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2008 Sep 7–13 3 films | 3 | $219.2K | – | Flow: For Love of Water (2008) $142.6K |
| Week 37, 2009 Sep 6–12 5 films · +563% | 5 | $1.5M | +563% | La Danse: The Paris Opera Ballet (2009) $1.1M |
| Week 37, 2010 Sep 5–11 5 films · +123% | 5 | $3.2M | +123% | Don’t Cry for Me Sudan (2010) $2.2M |
| Week 37, 2011 Sep 4–10 7 films · −81% | 7 | $601.9K | −81% | The Black Power Mixtape 1967-1975 (2011) $280.3K |
| Week 37, 2012 Sep 9–15 5 films · +648% | 5 | $4.5M | +648% | Palme (2012) $3.3M |
| Week 37, 2013 Sep 8–14 7 films · −89% | 7 | $500.8K | −89% | Gardening With Soul (2013) $293.6K |
| Week 37, 2014 Sep 7–13 6 films · +26% | 6 | $630.8K | +26% | The Green Prince (2014) $339.2K |
| Week 37, 2015 Sep 6–12 4 films · +192% | 4 | $1.8M | +192% | Meet the Patels (2015) $1.7M |
| Week 37, 2016 Sep 4–10 8 films · +36% | 8 | $2.5M | +36% | Dancer (2016) $1.1M |
| Week 37, 2017 Sep 10–16 8 films · −1% | 8 | $2.5M | −1% | So Help Me God (2017) $1.3M |
French-language documentary films took $1.3M across 1 film, 51% of the total, ahead of English-language documentary films ($1.1M) and Korean-language documentary films ($71.2K).
50 weeks of 2017 with reported grosses; the biggest is week 2 (Jan 8–14) with $30.1M, led by Reset (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
So Help Me God (2017) leads with $1.3M worldwide. Next come May It Last: A Portrait of the Avett Brothers (2017) at $725.3K and Black Sabbath: The End of The End (2017) at $309K.
8 documentary films released in week 37 of 2017 (Sep 10–16) report a worldwide gross, $2.5M in all, or $310.4K per film on average. Week 36, 2017 releases took $1.2M.
None. The biggest, So Help Me God (2017), earned $1.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2017 (Sep 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.