#1 of 7 2017 · Biography, Documentary
$1.9M worldwide · 64% of the chart's total
Jane (2017) is the highest-grossing documentary movie released in week 42 of 2017 (Oct 15–21), with $1.9M worldwide, ahead of The Paris Opera (2017) at $781K and The Ballad of Shirley Collins (2017) at $202.9K. 7 documentary films released that week report a worldwide gross, $3M in all, 61% of it from the US & Canada. That is up 20% on Week 41, 2017, whose releases took $2.5M. By language, English leads with $2.2M across 6 documentary releases.
#1 of 7 2017 · Biography, Documentary
$1.9M worldwide · 64% of the chart's total
Jane (2017) leads with $1.9M, 64% of the total. The top 5 together took $3M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2017 (Oct 15–21).
Oct 20, 2017 US and Canada: $1.7M Rest of the world: $197.8K Worldwide: $1.9M
Oct 18, 2017 US and Canada: $55.5K Rest of the world: $725.6K Worldwide: $781K
Oct 16, 2017 US and Canada: – Rest of the world: – Worldwide: $202.9K
Oct 20, 2017 US and Canada: $30.4K Rest of the world: Worldwide: $30.4K
Oct 20, 2017 US and Canada: $5.9K Rest of the world: $14.7K Worldwide: $20.6K
Oct 21, 2017 US and Canada: – Rest of the world: – Worldwide: $14.8K
Oct 20, 2017 US and Canada: $12.7K Rest of the world: Worldwide: $12.7K Of the top 7, Dealt (2017) earned the biggest share at home (100% in the US & Canada), while The Paris Opera (2017) made 93% of its gross abroad. Across all 7 films, $1.8M (61%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 42 releases took $3M. The biggest of these 9 weeks is week 40 (Oct 1–7) with $18.2M, led by Earth: One Amazing Day (2017).
Of these 10 years, Week 42, 2010 earned the most: $178.1M from 1 film, led by Jackass 3-D (2010). Week 42, 2017 took $3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 2008 Oct 12–18 3 films | 3 | $4.4M | – | The Meerkats (2008) $4.1M |
| Week 42, 2009 Oct 11–17 2 films · −65% | 2 | $1.5M | −65% | Food Beware: The French Organic Revolution (2009) $1.5M |
| Week 42, 2010 Oct 10–16 1 film · +11561% | 1 | $178.1M | +11561% | Jackass 3-D (2010) $178.1M |
| Week 42, 2011 Oct 9–15 7 films · −99% | 7 | $1.1M | −99% | To Be Heard (2011) $813.4K |
| Week 42, 2012 Oct 14–20 5 films · −73% | 5 | $299.2K | −73% | Brooklyn Castle (2012) $219.4K |
| Week 42, 2013 Oct 13–19 7 films · +3947% | 7 | $12.1M | +3947% | The Fifth Estate (2013) $9.1M |
| Week 42, 2014 Oct 12–18 3 films · −99% | 3 | $146.8K | −99% | Stations of the Elevated (2014) $74.5K |
| Week 42, 2015 Oct 11–17 7 films · +415% | 7 | $756.5K | +415% | I Believe in Miracles (2015) $239.8K |
| Week 42, 2016 Oct 9–15 6 films · +3246% | 6 | $25.3M | +3246% | Kevin Hart: What Now? (2016) $23.6M |
| Week 42, 2017 Oct 15–21 7 films · −88% | 7 | $3M | −88% | Jane (2017) $1.9M |
50 weeks of 2017 with reported grosses; the biggest is week 2 (Jan 8–14) with $30.1M, led by Reset (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Jane (2017) leads with $1.9M worldwide, $1.7M of it in the US & Canada. Next come The Paris Opera (2017) at $781K and The Ballad of Shirley Collins (2017) at $202.9K.
7 documentary films released in week 42 of 2017 (Oct 15–21) report a worldwide gross, $3M in all, or $426.2K per film on average. Week 41, 2017 releases took $2.5M.
None. The biggest, Jane (2017), earned $1.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2017 (Oct 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.