#1 of 7 2015 · Documentary
$239.8K worldwide · 32% of the chart's total
I Believe in Miracles (2015) is the highest-grossing documentary movie released in week 42 of 2015 (Oct 11–17), with $239.8K worldwide, ahead of All Things Must Pass (2015) at $172.4K and A Ballerina's Tale (2015) at $132K. 7 documentary films released that week report a worldwide gross, $756.5K in all, 52% of it from the US & Canada. By language, English leads with $724.7K across 6 documentary releases.
#1 of 7 2015 · Documentary
$239.8K worldwide · 32% of the chart's total
I Believe in Miracles (2015) leads with $239.8K, 32% of the total. The top 5 together took $717.9K, 95% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2015 (Oct 11–17).
Oct 13, 2015 US and Canada: – Rest of the world: – Worldwide: $239.8K
Oct 16, 2015 US and Canada: $172.4K Rest of the world: Worldwide: $172.4K
Oct 14, 2015 US and Canada: $132K Rest of the world: Worldwide: $132K
Oct 16, 2015 US and Canada: $85.8K Rest of the world: Worldwide: $85.8K
Oct 16, 2015 US and Canada: – Rest of the world: – Worldwide: $31.7K
Oct 16, 2015 US and Canada: $6.8K Rest of the world: Worldwide: $6.8K Of the top 7, All Things Must Pass (2015) earned the biggest share at home (100% in the US & Canada), while Mad Tiger (2015) made 0% of its gross abroad. Across all 7 films, $397K (52%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 42 releases took $756.5K. The biggest of these 9 weeks is week 41 (Oct 4–10) with $26.3M, led by Twenty Two (2015).
Of these 10 years, Week 42, 2010 earned the most: $178.1M from 1 film, led by Jackass 3-D (2010). Week 42, 2015 took $756.5K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 2006 Oct 15–21 3 films | 3 | $240.5K | – | Jonestown: The Life and Death of Peoples Temple (2006) $148.3K |
| Week 42, 2007 Oct 14–20 3 films · +4429% | 3 | $10.9M | +4429% | Once Upon a Time in Norway (2007) $10.6M |
| Week 42, 2008 Oct 12–18 3 films · −60% | 3 | $4.4M | −60% | The Meerkats (2008) $4.1M |
| Week 42, 2009 Oct 11–17 2 films · −65% | 2 | $1.5M | −65% | Food Beware: The French Organic Revolution (2009) $1.5M |
| Week 42, 2010 Oct 10–16 1 film · +11561% | 1 | $178.1M | +11561% | Jackass 3-D (2010) $178.1M |
| Week 42, 2011 Oct 9–15 7 films · −99% | 7 | $1.1M | −99% | To Be Heard (2011) $813.4K |
| Week 42, 2012 Oct 14–20 5 films · −73% | 5 | $299.2K | −73% | Brooklyn Castle (2012) $219.4K |
| Week 42, 2013 Oct 13–19 7 films · +3947% | 7 | $12.1M | +3947% | The Fifth Estate (2013) $9.1M |
| Week 42, 2014 Oct 12–18 3 films · −99% | 3 | $146.8K | −99% | Stations of the Elevated (2014) $74.5K |
| Week 42, 2015 Oct 11–17 7 films · +415% | 7 | $756.5K | +415% | I Believe in Miracles (2015) $239.8K |
50 weeks of 2015 with reported grosses; the biggest is week 29 (Jul 12–18) with $40.3M, led by Northern Limit Line (2015).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
I Believe in Miracles (2015) leads with $239.8K worldwide. Next come All Things Must Pass (2015) at $172.4K and A Ballerina's Tale (2015) at $132K.
7 documentary films released in week 42 of 2015 (Oct 11–17) report a worldwide gross, $756.5K in all, or $108.1K per film on average.
None. The biggest, I Believe in Miracles (2015), earned $239.8K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2015 (Oct 11–17). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.