#1 of 5 Kurt Cobain: Montage of Heck (2015)
2015 · Biography, Music
$686.4K worldwide · 66% of the chart's total
Kurt Cobain: Montage of Heck (2015) is the highest-grossing documentary movie released in week 17 of 2015 (Apr 19–25), with $686.4K worldwide, ahead of The Great Museum (2015) at $133.9K and Don't Think I've Forgotten: Cambodia's Lost Rock and Roll (2015) at $133.4K. 5 documentary films released that week report a worldwide gross, $1M in all, 16% of it from the US & Canada. That is down 94% on Week 16, 2015, whose releases took $16.9M. By language, English leads with $905.3K across 4 documentary releases.
#1 of 5 Kurt Cobain: Montage of Heck (2015)
2015 · Biography, Music
$686.4K worldwide · 66% of the chart's total
Kurt Cobain: Montage of Heck (2015) leads with $686.4K, 66% of the total. The top 5 together took $1M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2015 (Apr 19–25).
Apr 24, 2015 US and Canada: $18K Rest of the world: $115.9K Worldwide: $133.9K
Apr 24, 2015 US and Canada: – Rest of the world: – Worldwide: $65.8K
Apr 24, 2015 US and Canada: $19.6K Rest of the world: Worldwide: $19.6K Of the top 5, Don't Think I've Forgotten: Cambodia's Lost Rock and Roll (2015) earned the biggest share at home (100% in the US & Canada), while The Great Museum (2015) made 87% of its gross abroad. Across all 5 films, $171.1K (16%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 17 releases took $1M. The biggest of these 9 weeks is week 16 (Apr 12–18) with $16.9M, led by Monkey Kingdom (2015).
Of these 10 years, Week 17, 2010 earned the most: $83.3M from 6 films, led by Oceans (2010). Week 17, 2015 took $1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 2006 Apr 23–29 No films | 0 | – | – | – |
| Week 17, 2007 Apr 22–28 2 films | 2 | $294.9K | – | O Mundo em Duas Voltas (2007) $225.1K |
| Week 17, 2008 Apr 20–26 5 films · +376% | 5 | $1.4M | +376% | Up the Yangtze (2008) $1M |
| Week 17, 2009 Apr 19–25 1 film · −31% | 1 | $964.9K | −31% | Tyson (2009) $964.9K |
| Week 17, 2010 Apr 18–24 6 films · +8534% | 6 | $83.3M | +8534% | Oceans (2010) $83.1M |
| Week 17, 2011 Apr 17–23 5 films · −58% | 5 | $34.6M | −58% | African Cats (2011) $30.9M |
| Week 17, 2012 Apr 22–28 2 films · −100% | 2 | $23.5K | −100% | Payback (2012) $18K |
| Week 17, 2013 Apr 21–27 No films | 0 | – | – | – |
| Week 17, 2014 Apr 20–26 3 films | 3 | $68.3K | – | Next Goal Wins (2014) $43.1K |
| Week 17, 2015 Apr 19–25 5 films · +1421% | 5 | $1M | +1421% | Kurt Cobain: Montage of Heck (2015) $686.4K |
50 weeks of 2015 with reported grosses; the biggest is week 29 (Jul 12–18) with $40.3M, led by Northern Limit Line (2015).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Kurt Cobain: Montage of Heck (2015) leads with $686.4K worldwide. Next come The Great Museum (2015) at $133.9K and Don't Think I've Forgotten: Cambodia's Lost Rock and Roll (2015) at $133.4K.
5 documentary films released in week 17 of 2015 (Apr 19–25) report a worldwide gross, $1M in all, or $207.8K per film on average. Week 16, 2015 releases took $16.9M.
None. The biggest, Kurt Cobain: Montage of Heck (2015), earned $686.4K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2015 (Apr 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.