#1 of 16 #1 English-language movie of Week 17, 2015
2015 · Drama, Romance
$65.7M worldwide · 44% of the chart's total
$42.6M US & Canada · 65% $23M elsewhere · 35%
English box office · Week 17 · Apr 19–25, 2015
English Box Office, Week 17 of 2015: English Releases of Apr 19–25
The Age of Adaline (2015) is the highest-grossing English-language movie released in week 17 of 2015 (Apr 19–25), with $65.7M worldwide, ahead of The Water Diviner (2015) at $35.4M and Kung Fu Killer (2015) at $24.1M. 16 English-language films released that week report a worldwide gross, $148.4M in all, 37% of it from the US & Canada. That is down 29% on Week 16, 2015, whose releases took $208M. By genre, Drama leads with $121.7M across 10 English releases.
- week 17 releases with a gross
- 16
- combined worldwide
- $148.4M
- The Age of Adaline (2015), the #1
- $65.7M
- vs Week 16, 2015
- −29%
#1 of 16 Top 5
What Were the Biggest English Hits of Week 17 of 2015?
The Age of Adaline (2015) leads with $65.7M, 44% of the total. The top 5 together took $145M, 98% of what all 16 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 17 of 2015, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2015 (Apr 19–25).
- 1 Apr 24, 2015 US and Canada: $42.6M Rest of the world: $23M Worldwide: $65.7M
- 2 Apr 24, 2015 US and Canada: $4.2M Rest of the world: $31.2M Worldwide: $35.4M
- 3 Apr 24, 2015 US and Canada: $129.8K Rest of the world: $23.9M Worldwide: $24.1M
- 4 Apr 24, 2015 US and Canada: $6.5M Rest of the world: $11.1M Worldwide: $17.6M
- 5 Apr 24, 2015 US and Canada: – Rest of the world: – Worldwide: $2.3M
- 6
Apr 24, 2015 US and Canada: $287 Rest of the world: $1.6M Worldwide: $1.6M - 7
Apr 24, 2015 US and Canada: – Rest of the world: – Worldwide: $686.4K - 8
Apr 24, 2015 US and Canada: $478.6K Rest of the world: Worldwide: $478.6K - 9
Apr 24, 2015 US and Canada: $161.8K Rest of the world: $72.6K Worldwide: $234.4K - 10
Don't Think I've Forgotten: Cambodia's Lost Rock and Roll (2015) Apr 22, 2015 · Music, Documentary $133.4K worldwideApr 22, 2015 US and Canada: $133.4K Rest of the world: Worldwide: $133.4K - 11
Apr 24, 2015 US and Canada: $108.8K Rest of the world: Worldwide: $108.8K - 12
Apr 24, 2015 US and Canada: $78.4K Rest of the world: Worldwide: $78.4K - 13
Apr 24, 2015 US and Canada: – Rest of the world: – Worldwide: $65.8K - 14
Apr 25, 2015 US and Canada: $22.3K Rest of the world: Worldwide: $22.3K - 15
Apr 24, 2015 US and Canada: $19.6K Rest of the world: Worldwide: $19.6K - 16
Apr 24, 2015 US and Canada: $11K Rest of the world: Worldwide: $11K
US & Canada vs the world
Where Did the Money Come From in Week 17 of 2015?
Of the top 10, Brotherly Love (2015) earned the biggest share at home (100% in the US & Canada), while Lou! (2015) made 100% of its gross abroad. Across all 16 films, $54.5M (37%) came from the US & Canada. 2 films of the top 10 report no US & Canada figure.
- 1 The Age of Adaline (2015) $65.7M $42.6M US & Canada · 65% $23M elsewhere · 35%
- 2 The Water Diviner (2015) $35.4M $4.2M US & Canada · 12% $31.2M elsewhere · 88%
- 3 Kung Fu Killer (2015) $24.1M $129.8K US & Canada · <1% $23.9M elsewhere · 99%
- 4 Little Boy (2015) $17.6M $6.5M US & Canada · 37% $11.1M elsewhere · 63%
- 5 See You in Valhalla (2015) $2.3M No US & Canada figure reported
- 6 Lou! (2015) $1.6M $287 US & Canada · <1% $1.6M elsewhere · 100%
- 7 Kurt Cobain: Montage of Heck (2015) $686.4K No US & Canada figure reported
- 8 Brotherly Love (2015) $478.6K $478.6K US & Canada · 100% elsewhere · 0%
- 9 After the Ball (2015) $234.4K $161.8K US & Canada · 69% $72.6K elsewhere · 31%
- 10 Don't Think I've Forgotten: Cambodia's Lost Rock and Roll (2015) $133.4K $133.4K US & Canada · 100% elsewhere · 0%
Gross bands
How Many Week 17 of 2015 Releases Crossed $100 Million?
None of the 16 films reached $100M. 12 films, 75% of the list, earned under $10M. Each band shows its films and its share of the $148.4M total.
96%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 4 films, 25% of the list $142.7M · 96% of the gross
- Under $10M 12 films, 75% of the list $5.7M · 4% of the gross
Weeks around it
How Does Week 17 Compare With the Weeks Around It?
Week 17 releases took $148.4M. The biggest of these 9 weeks is week 14 (Mar 29–Apr 4) with $1.6B, led by Furious 7 (2015).
- Week 11 Wk 11 Mar 8–14 Run All Night (2015) $106.1M Run All Night (2015)
- Week 12 Wk 12 Mar 15–21 The Divergent Series: Insurgent (2015) $352M The Divergent Series: Insurgent (2015)
- Week 13 Wk 13 Mar 22–28 While We're Young (2015) $23.4M While We're Young (2015)
- Week 14 Wk 14 Mar 29–Apr 4 Furious 7 (2015) $1.6B Furious 7 (2015)
- Week 15 Wk 15 Apr 5–11 The Longest Ride (2015) $109.2M The Longest Ride (2015)
- Week 16 Wk 16 Apr 12–18 Paul Blart: Mall Cop 2 (2015) $208M Paul Blart: Mall Cop 2 (2015)
- Week 17 Wk 17 Apr 19–25 The Age of Adaline (2015) $148.4M The Age of Adaline (2015)
- Week 18 Wk 18 Apr 26–May 2 Avengers: Age of Ultron (2015) $1.5B Avengers: Age of Ultron (2015)
- Week 19 Wk 19 May 3–9 Hot Pursuit (2015) $68.9M Hot Pursuit (2015)
Earlier years
How Does Week 17 of 2015 Compare With Earlier Years?
Of these 10 years, Week 17, 2014 earned the most: $320.9M from 11 films, led by The Other Woman (2014). Week 17, 2015 took $148.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 2006 Apr 23–29 12 films | 12 | $240.3M | – | RV (2006) $87.5M |
| Week 17, 2007 Apr 22–28 13 films · −57% | 13 | $104.2M | −57% | Next (2007) $77.6M |
| Week 17, 2008 Apr 20–26 15 films · +36% | 15 | $141.3M | +36% | Baby Mama (2008) $64.4M |
| Week 17, 2009 Apr 19–25 12 films · −90% | 12 | $14.7M | −90% | Il Divo (2009) $11.3M |
| Week 17, 2010 Apr 18–24 12 films · +436% | 12 | $79.1M | +436% | The Back-up Plan (2010) $77.5M |
| Week 17, 2011 Apr 17–23 12 films · +163% | 12 | $208.2M | +163% | Water for Elephants (2011) $117.1M |
| Week 17, 2012 Apr 22–28 14 films · +10% | 14 | $229.6M | +10% | The Pirates! Band of Misfits (2012) $123.1M |
| Week 17, 2013 Apr 21–27 9 films · −25% | 9 | $171.5M | −25% | Pain & Gain (2013) $87.3M |
| Week 17, 2014 Apr 20–26 11 films · +87% | 11 | $320.9M | +87% | The Other Woman (2014) $196.7M |
| Week 17, 2015 Apr 19–25 16 films · −54% | 16 | $148.4M | −54% | The Age of Adaline (2015) $65.7M |
By genre
Which English Genres Earned the Most in Week 17 of 2015?
Drama took $121.7M across 10 films, 82% of the total, ahead of Romance ($65.7M) and War ($53M). A film counts once for each of its genres.
Week 17 of 2015 English Box Office by Genre
-
Drama $121.7M10 films · #1 The Age of Adaline (2015) -
Romance $65.7M1 film · #1 The Age of Adaline (2015) -
War $53M2 films · #1 The Water Diviner (2015) -
Thriller $24.1M2 films · #1 Kung Fu Killer (2015) -
Action $24.1M1 film · #1 Kung Fu Killer (2015) -
Comedy $21.8M7 films · #1 Little Boy (2015) -
Documentary $905.3K4 films · #1 Kurt Cobain: Montage of Heck (2015) -
Music $819.8K2 films · #1 Kurt Cobain: Montage of Heck (2015) -
Biography $686.4K1 film · #1 Kurt Cobain: Montage of Heck (2015) -
Adventure $65.8K1 film · #1 Gardeners of Eden (2015)
Archive
English Box Office in 2015, Week by Week
53 weeks of 2015 with reported grosses; the biggest is week 51 (Dec 13–19) with $2.5B, led by Star Wars: Episode VII - The Force Awakens (2015).
- Week 1 $49.5M
- Week 2 $332.7M
- Week 3 $433.4M
- Week 4 $133.9M
- Week 5 $89.1M
- Week 6 $657.3M
- Week 7 $1B
- Week 8 $108.5M
- Week 9 $212.4M
- Week 10 $209.4M
- Week 11 $106.1M
- Week 12 $352M
- Week 13 $23.4M
- Week 14 $1.6B
- Week 15 $109.2M
- Week 16 $208M
- Week 17 $148.4M
- Week 18 $1.5B
- Week 19 $68.9M
- Week 20 $692.4M
- Week 21 $340.7M
- Week 22 $506.1M
- Week 23 $199.4M
- Week 24 $1.7B
- Week 25 $1.7B
- Week 26 $288.4M
- Week 27 $594M
- Week 28 $1.2B
- Week 29 $722M
- Week 30 $438.4M
- Week 31 $829.4M
- Week 32 $388.6M
- Week 33 $322.2M
- Week 34 $342.9M
- Week 35 $68.3M
- Week 36 $113.6M
- Week 37 $216.6M
- Week 38 $723.5M
- Week 39 $679.4M
- Week 40 $700.3M
- Week 41 $169.1M
- Week 42 $457.9M
- Week 43 $266.3M
- Week 44 $67.9M
- Week 45 $396.1M
- Week 46 $79.7M
- Week 47 $836.5M
- Week 48 $606.6M
- Week 49 $158.8M
- Week 50 $230.1M
- Week 51 $2.5B
- Week 52 $1.2B
- Week 53 $5.7M
FAQ
English Box Office Week 17 of 2015: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 16 films as the chart.
What is the highest-grossing English-language movie in week 17 of 2015 (Apr 19–25)?
The Age of Adaline (2015) leads with $65.7M worldwide, $42.6M of it in the US & Canada. Next come The Water Diviner (2015) at $35.4M and Kung Fu Killer (2015) at $24.1M.
How much did English-language movies released in week 17 of 2015 (Apr 19–25) earn?
16 English-language films released in week 17 of 2015 (Apr 19–25) report a worldwide gross, $148.4M in all, or $9.3M per film on average. Week 16, 2015 releases took $208M.
How many English-language movies released in week 17 of 2015 (Apr 19–25) made $1 billion?
None. The biggest, The Age of Adaline (2015), earned $65.7M.
How is the week 17, 2015 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2015 (Apr 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 17, 2015 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.