#1 of 17 #1 English-language movie of Week 33, 2015
2015 · Biography, Drama
$201.6M worldwide · 63% of the chart's total
$161.2M US & Canada · 80% $40.4M elsewhere · 20%
English box office · Week 33 · Aug 9–15, 2015
English Box Office, Week 33 of 2015: English Releases of Aug 9–15
Straight Outta Compton (2015) is the highest-grossing English-language movie released in week 33 of 2015 (Aug 9–15), with $201.6M worldwide, ahead of The Man from U.N.C.L.E. (2015) at $110M and Mistress America (2015) at $3.3M. 17 English-language films released that week report a worldwide gross, $322.2M in all, 65% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is down 17% on Week 32, 2015, whose releases took $388.6M. By genre, Music leads with $203.9M across 2 English releases.
- week 33 releases with a gross
- 17
- combined worldwide
- $322.2M
- films crossed $100M
- 2
- vs Week 32, 2015
- −17%
#1 of 17 Top 5
What Were the Biggest English Hits of Week 33 of 2015?
Straight Outta Compton (2015) leads with $201.6M, 63% of the total. The top 5 together took $320.2M, 99% of what all 17 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 33 of 2015, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 33 of 2015 (Aug 9–15).
- 1 Aug 14, 2015 US and Canada: $161.2M Rest of the world: $40.4M Worldwide: $201.6M
- 2 Aug 14, 2015 US and Canada: $45.4M Rest of the world: $64.6M Worldwide: $110M
- 3 Aug 14, 2015 US and Canada: $2.5M Rest of the world: $840.6K Worldwide: $3.3M
- 4 Aug 14, 2015 US and Canada: – Rest of the world: – Worldwide: $2.9M
- 5 Aug 12, 2015 US and Canada: – Rest of the world: – Worldwide: $2.2M
- 6
Aug 14, 2015 US and Canada: $732.7K Rest of the world: Worldwide: $732.7K - 7
Aug 14, 2015 US and Canada: $433.9K Rest of the world: Worldwide: $433.9K - 8
Aug 14, 2015 US and Canada: – Rest of the world: – Worldwide: $291.1K - 9
Aug 14, 2015 US and Canada: $67K Rest of the world: $110.3K Worldwide: $177.3K - 10
Aug 13, 2015 US and Canada: – Rest of the world: – Worldwide: $152.7K - 11
Aug 14, 2015 US and Canada: $50.9K Rest of the world: $23.7K Worldwide: $74.6K - 12
Aug 14, 2015 US and Canada: – Rest of the world: – Worldwide: $61.2K - 13
Aug 14, 2015 US and Canada: – Rest of the world: – Worldwide: $42.2K - 14
Aug 14, 2015 US and Canada: – Rest of the world: – Worldwide: $33.4K - 15
Aug 13, 2015 US and Canada: – Rest of the world: – Worldwide: $12.1K - 16
The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers (2015) Aug 12, 2015 · Drama, Fantasy $6.5K worldwideAug 12, 2015 US and Canada: – Rest of the world: – Worldwide: $6.5K - 17
Aug 14, 2015 US and Canada: $1.7K Rest of the world: Worldwide: $1.7K
US & Canada vs the world
Where Did the Money Come From in Week 33 of 2015?
Of the top 10, Once I Was a Beehive (2015) earned the biggest share at home (100% in the US & Canada), while People Places Things (2015) made 62% of its gross abroad. Across all 17 films, $210.4M (65%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
- 1 Straight Outta Compton (2015) $201.6M $161.2M US & Canada · 80% $40.4M elsewhere · 20%
- 2 The Man from U.N.C.L.E. (2015) $110M $45.4M US & Canada · 41% $64.6M elsewhere · 59%
- 3 Mistress America (2015) $3.3M $2.5M US & Canada · 75% $840.6K elsewhere · 25%
- 4 Air (2015) $2.9M No US & Canada figure reported
- 5 Barbie in Rock ’N Royals (2015) $2.2M No US & Canada figure reported
- 6 Once I Was a Beehive (2015) $732.7K $732.7K US & Canada · 100% elsewhere · 0%
- 7 Rosenwald (2015) $433.9K $433.9K US & Canada · 100% elsewhere · 0%
- 8 Exeter (2015) $291.1K No US & Canada figure reported
- 9 People Places Things (2015) $177.3K $67K US & Canada · 38% $110.3K elsewhere · 62%
- 10 A Date with Miss Fortune (2015) $152.7K No US & Canada figure reported
Gross bands
How Many Week 33 of 2015 Releases Crossed $100 Million?
2 of 17 films crossed $100M and took $311.7M between them, 97% of the total. 15 films, 88% of the list, earned under $10M.
97%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 2 films, 12% of the list $311.7M · 97% of the gross
- $10M to $100M 0 films, 0% of the list No films
- Under $10M 15 films, 88% of the list $10.5M · 3% of the gross
Weeks around it
How Does Week 33 Compare With the Weeks Around It?
Week 33 releases took $322.2M. The biggest of these 9 weeks is week 28 (Jul 5–11) with $1.2B, led by Minions (2015).
- Week 27 Wk 27 Jun 28–Jul 4 Terminator Genisys (2015) $594M Terminator Genisys (2015)
- Week 28 Wk 28 Jul 5–11 Minions (2015) $1.2B Minions (2015)
- Week 29 Wk 29 Jul 12–18 Ant-Man (2015) $722M Ant-Man (2015)
- Week 30 Wk 30 Jul 19–25 Pixels (2015) $438.4M Pixels (2015)
- Week 31 Wk 31 Jul 26–Aug 1 Mission: Impossible - Rogue Nation (2015) $829.4M Mission: Impossible - Rogue Nation (2015)
- Week 32 Wk 32 Aug 2–8 Fantastic Four (2015) $388.6M Fantastic Four (2015)
- Week 33 Wk 33 Aug 9–15 Straight Outta Compton (2015) $322.2M Straight Outta Compton (2015)
- Week 34 Wk 34 Aug 16–22 The Mend (2015) $342.9M The Mend (2015)
- Week 35 Wk 35 Aug 23–29 No Escape (2015) $68.3M No Escape (2015)
Earlier years
How Does Week 33 of 2015 Compare With Earlier Years?
Of these 10 years, Week 33, 2010 earned the most: $533.4M from 8 films, led by The Expendables (2010). Week 33, 2015 took $322.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 33, 2006 Aug 13–19 10 films | 10 | $222.6M | – | The Illusionist (2006) $87.9M |
| Week 33, 2007 Aug 12–18 11 films · +29% | 11 | $287.1M | +29% | Superbad (2007) $170.8M |
| Week 33, 2008 Aug 10–16 9 films · +70% | 9 | $487.5M | +70% | Tropic Thunder (2008) $195.7M |
| Week 33, 2009 Aug 9–15 10 films · −27% | 10 | $353.8M | −27% | District 9 (2009) $210.9M |
| Week 33, 2010 Aug 8–14 8 films · +51% | 8 | $533.4M | +51% | The Expendables (2010) $274.5M |
| Week 33, 2011 Aug 7–13 7 films · −19% | 7 | $430.7M | −19% | The Help (2011) $221.8M |
| Week 33, 2012 Aug 12–18 14 films · +22% | 14 | $525.2M | +22% | The Expendables 2 (2012) $315M |
| Week 33, 2013 Aug 11–17 16 films · −57% | 16 | $225.1M | −57% | One Direction: The Invasion (2013) $74.4M |
| Week 33, 2014 Aug 10–16 10 films · +93% | 10 | $435.2M | +93% | The Expendables 3 (2014) $214.7M |
| Week 33, 2015 Aug 9–15 17 films · −26% | 17 | $322.2M | −26% | Straight Outta Compton (2015) $201.6M |
By genre
Which English Genres Earned the Most in Week 33 of 2015?
Music took $203.9M across 2 films, 63% of the total, ahead of Drama ($202.5M) and Biography ($202.1M). A film counts once for each of its genres.
Week 33 of 2015 English Box Office by Genre
-
Music $203.9M2 films · #1 Straight Outta Compton (2015) -
Drama $202.5M6 films · #1 Straight Outta Compton (2015) -
Biography $202.1M2 films · #1 Straight Outta Compton (2015) -
Comedy $114.5M6 films · #1 The Man from U.N.C.L.E. (2015) -
Action $110.1M2 films · #1 The Man from U.N.C.L.E. (2015) -
Adventure $110M1 film · #1 The Man from U.N.C.L.E. (2015) -
Thriller $3.3M5 films · #1 Air (2015) -
Family $3M3 films · #1 Barbie in Rock ’N Royals (2015) -
Sci-Fi $2.9M1 film · #1 Air (2015) -
Animation $2.2M1 film · #1 Barbie in Rock ’N Royals (2015)
Archive
English Box Office in 2015, Week by Week
53 weeks of 2015 with reported grosses; the biggest is week 51 (Dec 13–19) with $2.5B, led by Star Wars: Episode VII - The Force Awakens (2015).
- Week 1 $49.5M
- Week 2 $332.7M
- Week 3 $433.4M
- Week 4 $133.9M
- Week 5 $89.1M
- Week 6 $657.3M
- Week 7 $1B
- Week 8 $108.5M
- Week 9 $212.4M
- Week 10 $209.4M
- Week 11 $106.1M
- Week 12 $352M
- Week 13 $23.4M
- Week 14 $1.6B
- Week 15 $109.2M
- Week 16 $208M
- Week 17 $148.4M
- Week 18 $1.5B
- Week 19 $68.9M
- Week 20 $692.4M
- Week 21 $340.7M
- Week 22 $506.1M
- Week 23 $199.4M
- Week 24 $1.7B
- Week 25 $1.7B
- Week 26 $288.4M
- Week 27 $594M
- Week 28 $1.2B
- Week 29 $722M
- Week 30 $438.4M
- Week 31 $829.4M
- Week 32 $388.6M
- Week 33 $322.2M
- Week 34 $342.9M
- Week 35 $68.3M
- Week 36 $113.6M
- Week 37 $216.6M
- Week 38 $723.5M
- Week 39 $679.4M
- Week 40 $700.3M
- Week 41 $169.1M
- Week 42 $457.9M
- Week 43 $266.3M
- Week 44 $67.9M
- Week 45 $396.1M
- Week 46 $79.7M
- Week 47 $836.5M
- Week 48 $606.6M
- Week 49 $158.8M
- Week 50 $230.1M
- Week 51 $2.5B
- Week 52 $1.2B
- Week 53 $5.7M
FAQ
English Box Office Week 33 of 2015: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 17 films as the chart.
What is the highest-grossing English-language movie in week 33 of 2015 (Aug 9–15)?
Straight Outta Compton (2015) leads with $201.6M worldwide, $161.2M of it in the US & Canada. Next come The Man from U.N.C.L.E. (2015) at $110M and Mistress America (2015) at $3.3M.
How much did English-language movies released in week 33 of 2015 (Aug 9–15) earn?
17 English-language films released in week 33 of 2015 (Aug 9–15) report a worldwide gross, $322.2M in all, or $19M per film on average. Week 32, 2015 releases took $388.6M.
How many English-language movies released in week 33 of 2015 (Aug 9–15) made $1 billion?
None. 2 films crossed $100 million, led by Straight Outta Compton (2015) with $201.6M.
How is the week 33, 2015 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 33 of 2015 (Aug 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 33, 2015 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.