#1 of 17 #1 English-language movie of Week 20, 2015
2015 · Action, Adventure
$380.4M worldwide · 55% of the chart's total
$154.3M US & Canada · 41% $226.2M elsewhere · 59%
English box office · Week 20 · May 10–16, 2015
English Box Office, Week 20 of 2015: English Releases of May 10–16
Mad Max: Fury Road (2015) is the highest-grossing English-language movie released in week 20 of 2015 (May 10–16), with $380.4M worldwide, ahead of Pitch Perfect 2 (2015) at $287.1M and The Connection (2015) at $12.1M. 17 English-language films released that week report a worldwide gross, $692.4M in all, 50% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is 10 times the total of Week 19, 2015, whose releases took $68.9M. By genre, Thriller leads with $395.6M across 9 English releases.
- week 20 releases with a gross
- 17
- combined worldwide
- $692.4M
- films crossed $100M
- 2
- vs Week 19, 2015
- ×10
#1 of 17 Top 5
What Were the Biggest English Hits of Week 20 of 2015?
Mad Max: Fury Road (2015) leads with $380.4M, 55% of the total. The top 5 together took $688.6M, 99% of what all 17 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 20 of 2015, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 20 of 2015 (May 10–16).
- 1 May 15, 2015 US and Canada: $154.3M Rest of the world: $226.2M Worldwide: $380.4M
- 2 May 15, 2015 US and Canada: $184.3M Rest of the world: $102.8M Worldwide: $287.1M
- 3 May 15, 2015 US and Canada: $191K Rest of the world: $11.9M Worldwide: $12.1M
- 4 May 15, 2015 US and Canada: $7.4M Rest of the world: $2.8K Worldwide: $7.5M
- 5 May 15, 2015 US and Canada: $316.5K Rest of the world: $1.2M Worldwide: $1.5M
- 6
May 15, 2015 US and Canada: $229.1K Rest of the world: $1.1M Worldwide: $1.3M - 7
May 15, 2015 US and Canada: $1.2M Rest of the world: $3.1K Worldwide: $1.2M - 8
May 15, 2015 US and Canada: – Rest of the world: – Worldwide: $714.1K - 9
May 15, 2015 US and Canada: – Rest of the world: – Worldwide: $163.1K - 10
May 15, 2015 US and Canada: – Rest of the world: – Worldwide: $148.2K - 11
May 15, 2015 US and Canada: $103.5K Rest of the world: $21.2K Worldwide: $124.7K - 12
May 15, 2015 US and Canada: $21.8K Rest of the world: $72.8K Worldwide: $94.6K - 13
May 14, 2015 US and Canada: – Rest of the world: – Worldwide: $73.5K - 14
May 16, 2015 US and Canada: $6.8K Rest of the world: $34.4K Worldwide: $41.2K - 15
May 15, 2015 US and Canada: – Rest of the world: – Worldwide: $19.6K - 16
May 15, 2015 US and Canada: – Rest of the world: – Worldwide: $7.6K - 17
May 15, 2015 US and Canada: $7.6K Rest of the world: Worldwide: $7.6K
US & Canada vs the world
Where Did the Money Come From in Week 20 of 2015?
Of the top 10, I'll See You in My Dreams (2015) earned the biggest share at home (100% in the US & Canada), while The Connection (2015) made 98% of its gross abroad. Across all 17 films, $348.1M (50%) came from the US & Canada. 3 films of the top 10 report no US & Canada figure.
- 1 Mad Max: Fury Road (2015) $380.4M $154.3M US & Canada · 41% $226.2M elsewhere · 59%
- 2 Pitch Perfect 2 (2015) $287.1M $184.3M US & Canada · 64% $102.8M elsewhere · 36%
- 3 The Connection (2015) $12.1M $191K US & Canada · 2% $11.9M elsewhere · 98%
- 4 I'll See You in My Dreams (2015) $7.5M $7.4M US & Canada · 100% $2.8K elsewhere · <1%
- 5 Good Kill (2015) $1.5M $316.5K US & Canada · 21% $1.2M elsewhere · 79%
- 6 Slow West (2015) $1.3M $229.1K US & Canada · 18% $1.1M elsewhere · 82%
- 7 Where Hope Grows (2015) $1.2M $1.2M US & Canada · 100% $3.1K elsewhere · <1%
- 8 Always Watching: A Marble Hornets Story (2015) $714.1K No US & Canada figure reported
- 9 Pound of Flesh (2015) $163.1K No US & Canada figure reported
- 10 Absolution (2015) $148.2K No US & Canada figure reported
Gross bands
How Many Week 20 of 2015 Releases Crossed $100 Million?
2 of 17 films crossed $100M and took $667.6M between them, 96% of the total. 14 films, 82% of the list, earned under $10M.
96%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 2 films, 12% of the list $667.6M · 96% of the gross
- $10M to $100M 1 film, 6% of the list $12.1M · 2% of the gross
- Under $10M 14 films, 82% of the list $12.8M · 2% of the gross
Weeks around it
How Does Week 20 Compare With the Weeks Around It?
Week 20 releases took $692.4M. The biggest of these 9 weeks is week 14 (Mar 29–Apr 4) with $1.6B, led by Furious 7 (2015).
- Week 14 Wk 14 Mar 29–Apr 4 Furious 7 (2015) $1.6B Furious 7 (2015)
- Week 15 Wk 15 Apr 5–11 The Longest Ride (2015) $109.2M The Longest Ride (2015)
- Week 16 Wk 16 Apr 12–18 Paul Blart: Mall Cop 2 (2015) $208M Paul Blart: Mall Cop 2 (2015)
- Week 17 Wk 17 Apr 19–25 The Age of Adaline (2015) $148.4M The Age of Adaline (2015)
- Week 18 Wk 18 Apr 26–May 2 Avengers: Age of Ultron (2015) $1.5B Avengers: Age of Ultron (2015)
- Week 19 Wk 19 May 3–9 Hot Pursuit (2015) $68.9M Hot Pursuit (2015)
- Week 20 Wk 20 May 10–16 Mad Max: Fury Road (2015) $692.4M Mad Max: Fury Road (2015)
- Week 21 Wk 21 May 17–23 Tomorrowland (2015) $340.7M Tomorrowland (2015)
- Week 22 Wk 22 May 24–30 San Andreas (2015) $506.1M San Andreas (2015)
Earlier years
How Does Week 20 of 2015 Compare With Earlier Years?
Of these 10 years, Week 20, 2006 earned the most: $1.1B from 7 films, led by The Da Vinci Code (2006). Week 20, 2015 took $692.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 20, 2006 May 14–20 7 films | 7 | $1.1B | – | The Da Vinci Code (2006) $760M |
| Week 20, 2007 May 13–19 12 films · −27% | 12 | $822.5M | −27% | Shrek the Third (2007) $808.3M |
| Week 20, 2008 May 11–17 3 films · −49% | 3 | $420.7M | −49% | The Chronicles of Narnia: Prince Caspian (2008) $419.7M |
| Week 20, 2009 May 10–16 7 films · +19% | 7 | $499M | +19% | Angels & Demons (2009) $485.9M |
| Week 20, 2010 May 9–15 12 films · −73% | 12 | $134.8M | −73% | Letters to Juliet (2010) $79.3M |
| Week 20, 2011 May 8–14 13 films · +203% | 13 | $408.2M | +203% | Bridesmaids (2011) $324.8M |
| Week 20, 2012 May 13–19 13 films · +40% | 13 | $570.3M | +40% | Battleship (2012) $303M |
| Week 20, 2013 May 12–18 9 films · −16% | 9 | $477M | −16% | Star Trek Into Darkness (2013) $467.4M |
| Week 20, 2014 May 11–17 10 films · +25% | 10 | $594.2M | +25% | Godzilla (2014) $525M |
| Week 20, 2015 May 10–16 17 films · +17% | 17 | $692.4M | +17% | Mad Max: Fury Road (2015) $380.4M |
By genre
Which English Genres Earned the Most in Week 20 of 2015?
Thriller took $395.6M across 9 films, 57% of the total, ahead of Action ($394.1M) and Adventure ($380.6M). A film counts once for each of its genres.
Week 20 of 2015 English Box Office by Genre
-
Thriller $395.6M9 films · #1 Mad Max: Fury Road (2015) -
Action $394.1M5 films · #1 Mad Max: Fury Road (2015) -
Adventure $380.6M2 films · #1 Mad Max: Fury Road (2015) -
Sci-Fi $380.5M3 films · #1 Mad Max: Fury Road (2015) -
Comedy $294.6M2 films · #1 Pitch Perfect 2 (2015) -
Music $287.1M1 film · #1 Pitch Perfect 2 (2015) -
Crime $12.3M3 films · #1 The Connection (2015) -
Drama $10.4M7 films · #1 I'll See You in My Dreams (2015) -
Western $1.3M2 films · #1 Slow West (2015) -
Horror $721.6K2 films · #1 Always Watching: A Marble Hornets Story (2015)
Archive
English Box Office in 2015, Week by Week
53 weeks of 2015 with reported grosses; the biggest is week 51 (Dec 13–19) with $2.5B, led by Star Wars: Episode VII - The Force Awakens (2015).
- Week 1 $49.5M
- Week 2 $332.7M
- Week 3 $433.4M
- Week 4 $133.9M
- Week 5 $89.1M
- Week 6 $657.3M
- Week 7 $1B
- Week 8 $108.5M
- Week 9 $212.4M
- Week 10 $209.4M
- Week 11 $106.1M
- Week 12 $352M
- Week 13 $23.4M
- Week 14 $1.6B
- Week 15 $109.2M
- Week 16 $208M
- Week 17 $148.4M
- Week 18 $1.5B
- Week 19 $68.9M
- Week 20 $692.4M
- Week 21 $340.7M
- Week 22 $506.1M
- Week 23 $199.4M
- Week 24 $1.7B
- Week 25 $1.7B
- Week 26 $288.4M
- Week 27 $594M
- Week 28 $1.2B
- Week 29 $722M
- Week 30 $438.4M
- Week 31 $829.4M
- Week 32 $388.6M
- Week 33 $322.2M
- Week 34 $342.9M
- Week 35 $68.3M
- Week 36 $113.6M
- Week 37 $216.6M
- Week 38 $723.5M
- Week 39 $679.4M
- Week 40 $700.3M
- Week 41 $169.1M
- Week 42 $457.9M
- Week 43 $266.3M
- Week 44 $67.9M
- Week 45 $396.1M
- Week 46 $79.7M
- Week 47 $836.5M
- Week 48 $606.6M
- Week 49 $158.8M
- Week 50 $230.1M
- Week 51 $2.5B
- Week 52 $1.2B
- Week 53 $5.7M
FAQ
English Box Office Week 20 of 2015: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 17 films as the chart.
What is the highest-grossing English-language movie in week 20 of 2015 (May 10–16)?
Mad Max: Fury Road (2015) leads with $380.4M worldwide, $154.3M of it in the US & Canada. Next come Pitch Perfect 2 (2015) at $287.1M and The Connection (2015) at $12.1M.
How much did English-language movies released in week 20 of 2015 (May 10–16) earn?
17 English-language films released in week 20 of 2015 (May 10–16) report a worldwide gross, $692.4M in all, or $40.7M per film on average. Week 19, 2015 releases took $68.9M.
How many English-language movies released in week 20 of 2015 (May 10–16) made $1 billion?
None. 2 films crossed $100 million, led by Mad Max: Fury Road (2015) with $380.4M.
How is the week 20, 2015 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 20 of 2015 (May 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 20, 2015 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.